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Lalgudi Jayaraman
Lalgudi Gopala Iyer Jayaraman (17 September 1930 – 22 April 2013) was an Indian Carnatic violinist, vocalist and composer. He is commonly grouped with M.S. Gopalakrishnan and T.N.Krishnan as part of the violin-trinity of Carnatic Music. He was awarded Padma Bhushan by the Government of India in 2001. His disciples included his two children Lalgudi G. J. R. Krishnan, Lalgudi Vijayalakshmi, his sister Lalgudi Srimathi Brahmanandamrenowned musician S P Ramh(grandson of Shri. G.N. Dandapani Iyer), musician P. Purnachander Rao, renowned Harikatha exponent Vishaka Hari, leading carnatic vocalist Saketharaman, Vittal Ramamurthy, Dr. N. Shashidhar, Film Music Composer Girishh G, Padma Shankar, Kanchan Chandran, Raghuram Hosahalli, Srinivasamurthy, Pakkala Ramdas, Sankari Krishnan, Yamini Ramesh, Mumbai Shilpa, Shreya Devnath, Krithika Natarajan, Salem Sisters, the leading Vainika Srikanth Chary and the Academy Award-nominated Bombay Jayashri Ramnath. Early life and bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trichinopoly District
The Trichinopoly district was a district of the erstwhile Madras Presidency of British India. It covered the present-day districts of Tiruchirappalli, Karur, Ariyalur and Perambalur in the Indian state of Tamil Nadu. The administrative headquarters was the town of Trichinopoly, Trichy or Tiruchi, now known as Tiruchirappalli. The district covered an area of in 1907. It was bound by the districts of South Arcot to the north, Salem to the west, Coimbatore to the west and north-west, Tanjore to the east and Madurai to the south. The princely state of Pudukkottai remained within the jurisdiction of Trichinopoly district from 1865 to 1947. Trichinopoly was one of the oldest inhabited regions in South India. Archaeological excavations have revealed Stone Age sites. The town of Uraiyur, the capital of the Early Cholas, was a part of Trichinopoly district. The region was annexed to Madras Presidency in the late 18th century and a separate district was created in 1801. When India b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thyagaraja
Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Thyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Lord Rama, many of which remain popular today, the most popular being "Nagumomu". Of special mention are five of his compositions called the '' Pancharatna Kritis'' ( "five gems"), which are often sung in programs in his honour, and ''Utsava Sampradaya Krithis'' ( Festive ritual compositions), which are often sung to accompany temple rituals. Tyagaraja lived through the reigns of four kings of the Maratha dynasty — Tulaja II (1763–1787), Amarasimha (1787–1798), Serfoji II (1798–1832) and Sivaji II (1832–1855), although he served none ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maharajapuram Santhanam
Maharajapuram Santhanam, (20 May 1928-24 June 1992) was an Indian Carnatic music vocalist. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1989. He was born in Sirunangur, a village in the state of Tamil Nadu. He followed the footsteps of his father Maharajapuram Viswanatha Iyer who was also a renowned Carnatic vocalist. Career Besides studying with his father, he was also a disciple of Melattur Sama Dikshitar. Maharajapuram Santhanam was also a distinguished composer. He wrote many songs on Lord Murugan and Kanchi Shankaracharya, Sri Chandrasekarendra Saraswati Swamigal (Maha Periyavar). He was the principal of Ramanathan College in Sri Lanka.Ludwig Pesch, ''The Illustrated Companion to South Indian Classical Music'' (New Delhi: Oxford University Press, 1999), p. 238. Later he came and settled in Chennai. The songs which were popularised by Maharajapuram Santhanam are,"''Bho Shambo''" ( Revati), "''Madhura Madhura''" (Bagheshri), both composed by Swami Daya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nedunuri Krishnamurthy
Nedunuri Krishnamurthy (10 October 1927 – 8 December 2014) was an Indian Carnatic vocalist.Profile thehindu.com, 30 October 2006; accessed 9 December 2014. He was awarded the Madras Music Academy's in 1991. Early life Krishnamurthy was born in 1927 at Kothapalli, Pithapuram Taluka, Godavari dt, Andhra Pradesh in what was then[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madurai Mani Iyer
Madurai Mani Iyer ( ta, மதுரை மணி ஐயர்; 25 October 1912 – 8 June 1968) was an Indian Carnatic music singer, who was famous for his unique style. He was one of the most highly celebrated carnatic vocalists during the first half of the 20th century. He was renowned for his adept skills at singing kalpana swarams, neraval, and raga alapana. His music continues to be highly regarded today. Early life Madurai Mani Iyer, whose original name was Subramanian, was born to M. S. Ramaswamy Iyer and Subbulakshmi in Madurai on 25 October 1912. His father, a Sub-court Clerk, was the brother of the famous Vidwan Pushpavanam, who was a great classical musician himself. Mani Iyer's tutelage in music started at the age of nine. His first guru was Sri Rajam Bhagavathar who was Disciple of Ettayapuram Ramachandra Bhagavathar. Through Rajam Bhagavathar, he came in close contact with the great musician and composer, Gayakasikhamani Harikesanallur Muthiah Bhagavatar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semmangudi Srinivasa Iyer
Semmangudi Radhakrishna Srinivasa Iyer (25 July 1908 – 31 October 2003) was an Indian Carnatic vocalist. He was the youngest recipient of the Sangeetha Kalanidhi awarded by the Music Academy in 1947, a distinction he holds to this day as of 2022, probably the only musician to receive that honour before reaching 40. He had received many other awards as well, including Padma Bhushan and Padma Vibhushan from the Government of India, Rajya Sewa Nirata title from Travancore's erstwhile ruling family, Sangeet Natak Academy award (1953), ''Isai Perarignar'' from Government of Tamil Nadu and Kalidas Samman from Government of Madhya Pradesh. He was affectionately addressed as "Semmangudi Maama" (Semmangudi Uncle) by his disciples. He was also considered the "Pitamaha" or the grand sire of modern Carnatic Music. He was conferred with an honorary doctorate by University of Kerala in 1979. Early life and training He was born in Tirukkodikaval, Tanjore district as the third s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chembai Vaidyanatha Bhagavatar
Chembai Vaidyanatha Bhagavatar a.k.a. Vaidyanatha Iyer (1 September 1896 – 16 October 1974) was a Carnatic music singer from Palakkad (state of Kerala, India). Known by his village name ''Chembai'', or simply as ''Bhagavatar'', he was born to Anantha Bhagavatar and Parvati Ammal in 1896, into a Tamil Brahmin family in Perakkool Madom (Parvati Ammal's birth home), adjacent to Lokanarkavu near Vatakara on Janmashtami day. He lived here until he was five years old. The family later shifted to Palakkad.L. R. Viswanatha Sarma (1954), ''Chembai Selvam'' (Biography of Chembai), 1954: Amudha Nilayam Ltd. Chembai was noted for his powerful voice and majestic styleN. Pattabhi Raman and K.S. Krishnamurthi, ''Sruti'', Issue 98, November 1992 of singing. His first public performance was in 1904, when he was nine. A recipient of several titles and honours (including the Madras Music Academy's Sangeetha Kalanidhi in 1951), he was known for his encouragement of upcoming musicians and abil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariyakudi Ramanuja Iyengar
Ariyakudi Ramanuja Iyengar (19 May 1890 – 23 January 1967), popularly known as ''Ariyakudi'', was a Carnatic music vocalist, born in Ariyakudi, a town in the present-day Sivaganga district of Tamil Nadu. Ariyakudi developed a unique style of singing which came to be known as ''The Ariyakudi Tradition'' and is followed by his students. He is credited with establishing the modern '' katcheri'' (concert) traditions in Carnatic music. In 1954, he was awarded the Sangeet Natak Akademi Fellowship, the highest honour conferred by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. This was followed by Padma Bhushan by Government of India in 1958. Early life and background Ariyakudi was born in Ariyakudi, a town in the Karaikudi district, present-day Sivaganga district of Tamil Nadu, South India, on 19 May 1890. He studied under Pudukottai Malayappa Iyer and Namakkal Narasimha Iyengar in his early years. Later he studied for several years under Poochi Sr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhava
The Sanskrit word bhava (भव) means being, worldly existence, becoming, birth, be, production, origin,Monier Monier-Williams (1899), Sanskrit English Dictionary, Oxford University Press, Archiveभव bhava but also habitual or emotional tendencies. In Buddhism, ''bhava'' is the tenth of the twelve links of ''Pratītyasamutpāda''. It is the link between the defilements, and repeated birth, that is, reincarnation. In Thai Buddhism, ''bhava'' is also interpreted as habitual or emotional tendencies which leads to the arising of the sense of self, as a mental phenomenon. In Buddhism In Buddhism, ''bhava'' (not ''bhāva'', condition, nature) means being, worldly existence, becoming, birth, be, production, origin experience, in the sense of rebirths and redeaths, because a being is so conditioned and propelled by the karmic accumulations; but also habitual or emotional tendencies. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varnam
Varṇam is a type of composition in the Carnatic music system consisting of short metric pieces which encapsulate the main features (patterns of notes) of a '' raga''. Varnams capture the ''raga bhavam'', ''ranjaka prayogas'' ''visesha sancharas'', etc. ''Dhatu'' and ''janta prayogas'' (phrase usage) are usually part of a varnam. Understanding of these aspects is key to developing ''manodharma sangeetham'' (i.e., improvisation aspects of Carnatic music such as ''raga aalapana'', ''swara kalpana'', ''neraval'', etc.). Known for their complex structure, varnams are a fundamental form in Carnatic music. All varnams consist of lyrics, Bradnock (1992), p631 as well as ''swara'' passages, including a '' pallavi'', an '' anupallavi'', ''muktaayi swaras'', a '' charanam'', and '' chitta swaras''. There are different types of varnams, such as ''taana varnam'', ''pada varnam'', ''daru varnam'' and ''ragamalika varnam''. They also come in different ''taalams'' (beat cycles). Though the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tillana
A Tillana or thillana is a rhythmic piece in Carnatic music that is generally performed at the end of a concert and widely used in classical indian dance performances. It was popularised by Dr. M Balamuralikrishna and some other musicians A Tillana uses tala-like phrases in the pallavi and anupallavi, and lyrics in the charanam. The ''thillana'' is based on the tarana which was introduced by Amir Khusrau Abu'l Hasan Yamīn ud-Dīn Khusrau (1253–1325 AD), better known as Amīr Khusrau was an Indo-Persian Sufi singer, musician, poet and scholar who lived under the Delhi Sultanate. He is an iconic figure in the cultural history of the Indian sub ... (1253-1325 CE). Popular Compositions * Kadanakuthuhalam Thillana composed by Dr.M. Balamuralikrishna (Ragam: Kadanakuthuhalam) * Kadanakuthuhalam Thillana composed by Lalgudi Jayaraman (Ragam: Kadanakuthuhalam) * Kalinga Narthana Thillana composed by Sri Oothukkadu Venkata Ravi (Ragam: Gambhira Natta) * Mohanakalyani Thillana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
