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Lady The Lambovitissa
''Lady the Lambovitissa'' is a tempera painting by Emmanuel Tzanes. Tzanes was a Greek painter active from 1625 to 1690. His artistic periods can be broken into three parts. The Cretan Period (1625-1647), The Corfu Period (1647-1655), and the Venetian Period (1655-1690). He was a prominent member of the Late Cretan School. His art was heavily influenced by Greek painter Michael Damaskinos. His brothers Marinos Tzanes and Konstantinos Tzanes were both painters. Tzanes has a massive art collection attributed to him nearing over one hundred thirty works. During the Corfu Period (1647-1655), Konstantinos Tzanes and Emmanuel were heavily active. They painted many works on the island. The Virgin and Child enthroned was a popular theme painted by both Greek and Italian Byzantine painters. One of the most famous renditions is in Hagia Sophia. Cretan Painters adopted the theme. Georgios Klontzas and Andreas Ritzos both have notable versions. ''Lady the Lambovitissa'' was c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Tzanes
Emmanuel Tzanes ( el, Εμμανουήλ Τζάνες, 1610 – 28 March 1690), also known as Bounialis ( el, Μπουνιαλής) Emmanuel Tzane-Bounialis, Emmanuel Zane, and Emmanuel Tzane. He was a Greek Renaissance painter. He was an author, clergyman, painter, and educator. He was the parish priest of the church of San Giorgio dei Greci. An important Greek church in Venice. He was affiliated with the Flanginian School of the Greek Confraternity in Venice. He was a prominent painter. His known works number over 130 pieces. His works can be found in public foundations, private collections, churches and monasteries in Greece. He collaborated with many artists namely Philotheos Skoufos. Both artists were members of the Cretan School. He was influenced by the Venetian school. Emmanuel's brothers were famous painter Konstantinos Tzanes and poet Marinos Tzanes. His most popular work is ''The Holy Towel'' finished in 1659. History Tzanes was born in Rethymno, Cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Lippi
Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orphaned when he was two years old and sent to live with his aunt Mona Lapaccia. Because she was too poor to rear him, she placed him in the neighboring Carmelite convent when he was eight years old. There, he started his education. In 1420 he was admitted to the community of Carmelite friars of the Priory of Our Lady of Mount Carmel in Florence, taking religious vows in the Order the following year, at the age of sixteen. He was ordained as a priest in approximately 1425 and remained in residence of that priory until 1432. Giorgio Vasari, the first art historian of the Renaissance, writes that Lippi was inspired to become a painter by watching Masaccio at work in the Carmine church. Lippi's early work, notably the Tarquinia Madonna (Galle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of The Madonna And Child
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Emmanuel Tzanes
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan Renaissance Paintings
Crete ( el, Κρήτη, translit=, Modern: , Ancient: ) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and Corsica. Crete rests about south of the Greek mainland, and about southwest of Anatolia. Crete has an area of and a coastline of 1,046 km (650 mi). It bounds the southern border of the Aegean Sea, with the Sea of Crete (or North Cretan Sea) to the north and the Libyan Sea (or South Cretan Sea) to the south. Crete and a number of islands and islets that surround it constitute the Region of Crete ( el, Περιφέρεια Κρήτης, links=no), which is the southernmost of the 13 top-level administrative units of Greece, and the fifth most populous of Greece's regions. Its capital and largest city is Heraklion, on the north shore of the island. , the region had a population of 636,504. The Dodecanese are located to the nort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In Greece
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, landscape painting), Photorealism, pho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Paintings
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Symbolism
Christian symbolism is the use of symbols, including archetypes, acts, artwork or events, by Christianity. It invests objects or actions with an inner meaning expressing Christian ideas. The symbolism of the early Church was characterized by being understood by initiates only, while after the legalization of Christianity in the Roman Empire during the 4th century more recognizable symbols entered in use. Christianity has borrowed from the common stock of significant symbols known to most periods and to all regions of the world. Only a minority of Christian denominations have practiced Aniconism, or the avoidance or prohibition of types of images. These include early Jewish Christians sects, as well as some modern denominations such as Baptists that prefer to some extent not to use figures in their symbols due to the Decalogue's prohibition of idolatry. Early Christian symbols Cross and crucifix ✝︎ The shape of the cross, as represented by the letter T, came to be u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theotokos
''Theotokos'' (Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are ''Dei Genitrix'' or ''Deipara'' (approximately "parent (fem.) of God"). Familiar English translations are "Mother of God" or "God-bearer" – but these both have different literal equivalents in Greek, Μήτηρ Θεοῦ and Θεοφόρος ("Who gave birth to one who was God", "Whose child was God", respectively). The title has been in use since the 3rd century, in the Syriac tradition (as ) in the Liturgy of Mari and Addai (3rd century)''Addai and Mari, Liturgy of''. Cross, F. L., ed. ''The Oxford Dictionary of the Christian Church''. Oxford University Press. 2005. and the Liturgy of St James (4th century). The Council of Ephesus in AD 431 decreed that Mary is the ''Theotokos'' because Her Son Jesus is both God and man: one divine person from two natures (divine and human) intimately and hypostatically united. The title of Mother o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolaos Tzafouris
Nikolaos Tzafouris ( el, Νικόλαος Ζαφούρης η Τζαφούρης; 1468–1501), also Niccolo, Niccolò, Niccolö, Zafuri, Zafuris, was a Greek Renaissance painter. He was one of the founders of the Cretan School. He was influenced by Angelos Akotantos. His works influenced Emmanuel Tzanes, Elias Moskos, Georgios Klontzas and Theodoros Poulakis. Tzafouris was one of the most respected artists in Crete. His most notable work is Madre della Consolazione. The painting exhibits a combination of Byzantine and Italian styles. Another notable painter in Crete around the same time was Andreas Pavias. According to the National Hellenic Research Foundation, Institute of Neohellenic Research, thirteen paintings are attributed to Tzafouris. History Nikolaos was born in Crete. He was influenced by Angelos Akotantos Angelos Akotantos (Greek language, Greek: Άγγελος Ακοτάντος 1390-1457) was a Greeks, Greek painter, educator, and protopsaltis. He paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan School
Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries. The Cretan artists developed a particular style of painting under the influence of both Eastern and Western artistic traditions and movements; the most famous product of the school, El Greco, was the most successful of the many artists who tried to build a career in Western Europe, and also the one who left the Byzantine style farthest behind him in his later career. 15th century There was a substantial demand for Byzantine icons in Europe throughout the Middle Ages and, as a Venetian possession since 1204, Crete had a natural advantage and soon came to dominate the supply. A probable early example is the famous icon of the Virgin in Rome known as Our M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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