Lady Sarashina (opera)
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Lady Sarashina (opera)
''Lady Sarashina'' is an opera in nine tableaux by Hungarian composer Péter Eötvös to a libretto by Mari Mezei, based on ''Sarashina Nikki, As I crossed a Bridge of Dreams'', fragments of an 11th-century diary (Japan, 1008) by Takasue's daughter, also known as Lady Sarashina. It premiered on 4 March 2008 at the Opéra National de Lyon. The opera is the result of a Commission (art), commission by the opera in Lyon; it was broadcast in full on France Musique on 27 September 2008. Libretto Takasue's Daughter, Lady Sarashina lived in Japan in the eleventh century, a time of high civilization where Japanese women held an essential role in social, economic and cultural life. She is the author of a classic piece in Japanese literature, The Journal of Sarashina. In her diary, she writes about her love of Japanese nature and landscapes, describes the sites she visits, the pilgrimages, dreams and monologues about life and death. In the opera, Lady Sarashina narrates her life. All the other ...
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Péter Eötvös
Péter Eötvös ( hu, Eötvös Péter, ; born 2 January 1944) is a Hungarian composer, conductor and teacher. Eötvös was born in Székelyudvarhely, Transylvania, then part of Hungary, now Romania. He studied composition in Budapest and Cologne. From 1962, he composed for film in Hungary. Eötvös played regularly with the Stockhausen Ensemble between 1968 and 1976. He was a founding member of the Oeldorf Group in 1973, continuing his association until the late 1970s. From 1979 to 1991, he was musical director and conductor of the Ensemble InterContemporain (EIC). From 1985 to 1988, he was principal guest conductor of the BBC Symphony Orchestra. Early life As a child, Eötvös received a thorough musical education, including works by Béla Bartók. He felt a strong link between Hungarian grammar and Bartók's music, claiming that the specific "Hungarian" interpretations of music by Bartók and Kodály (as well as other Hungarian conductors such as Szell, Fricsay, Ormandy, ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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2008 Operas
8 (eight) is the natural number following 7 and preceding 9. In mathematics 8 is: * a composite number, its proper divisors being , , and . It is twice 4 or four times 2. * a power of two, being 2 (two cubed), and is the first number of the form , being an integer greater than 1. * the first number which is neither prime nor semiprime. * the base of the octal number system, which is mostly used with computers. In octal, one digit represents three bits. In modern computers, a byte is a grouping of eight bits, also called an octet. * a Fibonacci number, being plus . The next Fibonacci number is . 8 is the only positive Fibonacci number, aside from 1, that is a perfect cube. * the only nonzero perfect power that is one less than another perfect power, by Mihăilescu's Theorem. * the order of the smallest non-abelian group all of whose subgroups are normal. * the dimension of the octonions and is the highest possible dimension of a normed division algebra. * the first number ...
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Operas By Peter Eötvös
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ...
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