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Lady In Satin
''Lady in Satin'' is an album by the jazz singer Billie Holiday released in 1958 on Columbia Records, catalogue CL 1157 in mono and CS 8048 in stereo. It is the penultimate album completed by the singer and last released in her lifetime (her final album, ''Last Recording'', being recorded in March 1959 and released just after her death). The original album was produced by Irving Townsend and engineered by Fred Plaut. Background For the majority of the 1950s, Billie Holiday was signed to jazz producer Norman Granz's Clef Records, which was later absorbed into the newly founded Verve Records by 1956. All of her work for Norman Granz consisted of small jazz combos, reuniting her with musicians she recorded with back in the 1930s when she made her first recordings with Teddy Wilson. There were talks in the early 1950s of Holiday making albums, or songbooks, dedicated to composers such as George and Ira Gershwin and Jerome Kern, but they fell through and ended up going to Ella Fitzge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit " What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verve Records
Verve Records is an American record label owned by Universal Music Group (UMG). Founded in 1956 by Norman Granz, the label is home to the world's largest jazz catalogue, which includes recordings by artists such as Ella Fitzgerald, Nina Simone, Stan Getz, Bill Evans, Billie Holiday, and Oscar Peterson, among others. It absorbed the catalogues of Granz's earlier label, Clef Records, founded in 1946; Norgran Records, founded in 1953; and material which was previously licensed to Mercury Records. Verve also served as the original home of rock acts such as The Velvet Underground, Frank Zappa and the Mothers of Invention. The restructured Verve Records is now part of the Verve Label Group (VLG), a subsidiary of Universal Music Group. This company is also home to historic imprints including Verve Forecast, Impulse! and Decca Records. History Norman Granz created Verve to produce new recordings by Ella Fitzgerald, whom he managed; the first album the label released was ''Ella Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mon Homme
"Mon Homme" (),also known by its English translation, "My Man", is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock. History ''Mon Homme'' was copyrighted in France by Maurice Yvain, Albert Willemetz and Jacques-Charles (Jacques Mardochée Charles) in 1920 and was introduced to Parisian audiences in the revue "''Paris qui Jazz''" at the Casino de Paris. The song was performed by revue star Mistinguett and her stage partner American dancer Harry Pilcer. Although the song originated in France –where it was a hit for Mistinguett– it was popularized in the English speaking world in the 1920s with the 1921 recording by Ziegfeld Follies singer Fanny Brice. The song was a hit, and the record eventually earned a Grammy Hall of Fame Award for Brice in 1999. Brice also sang the song during one of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Conniff
Joseph Raymond Conniff (November 6, 1916 – October 12, 2002) was an American bandleader and arranger best known for his Ray Conniff Singers during the 1960s. Biography Conniff was born November 6, 1916 in Attleboro, Massachusetts, United States, and learned to play the trombone from his father. He studied music arranging from a course book. Early career After serving in the U.S. Army in World War II (where he worked under Walter Schumann), he joined the Artie Shaw big band and wrote many arrangements for him. After his stint with Shaw, he was hired in 1954 by Mitch Miller, head of A&R at Columbia Records, as the label's home arranger, working with several artists including Rosemary Clooney, Marty Robbins, Frankie Laine, Johnny Mathis, Guy Mitchell and Johnnie Ray. He wrote a top-10 arrangement for Don Cherry's "Band of Gold" in 1955, a single that sold more than a million copies. Among the hit singles Conniff backed with his orchestra (and eventually with a male choru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
For All We Know (1934 Song)
"For All We Know" is a popular song published in 1934, with music by J. Fred Coots and lyrics by Sam M. Lewis. Popular versions in 1934 were by Hal Kemp (vocal by Skinnay Ennis) and Isham Jones (vocal by Joe Martin). Background There are alternative verses but the main lyrics start: "For all we know we may never meet again...". Other artists' recordings * 1958 Billie Holiday 1958 Lady in Satin album By Columbia Records *The version by Dinah Washington reached No. 88 on the chart in 1962. *A version by The Spinners in 1965 gave it a more contemporary sound and was included in the 1967 LP '' The Original Spinners''. *The Donny Hathaway version from the LP ''Roberta Flack & Donny Hathaway'' (Atlantic, 1972) has become one of the standout versions of the song. *A version by jazz pianist Bill Evans was recorded in his last studio album '' We Will Meet Again'' (Warner Bros. Records, 1979). *The song has been recorded by a host of artists, including: Nina Simone, Al Martino, T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Wee Small Hours
''In the Wee Small Hours'' is the ninth studio album by American vocalist Frank Sinatra. It was released in April 1955 by Capitol and produced by Voyle Gilmore with arrangements by Nelson Riddle. All the songs on the album deal with themes such as loneliness, introspection, melancholy, desolation, lost love, failed relationships, depression, and night life. The cover artwork reflects these themes, portraying Sinatra alone on an eerie and deserted city street at night awash in blue-tinged street lights. ''In the Wee Small Hours'' has been called one of the first concept albums.Annotated liner notes, Pete Welding. ''In the Wee Small Hours''. Capitol Records, 1998 CD release. Sinatra had been developing the idea of an album with a consistent theme since 1946 with his first album, ''The Voice''. He would successfully continue releasing "concept" albums with later releases such as ''Songs for Swingin' Lovers!'', '' No One Cares'', and ''Only the Lonely''. ''In the Wee Small Hou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Sinatra
Francis Albert Sinatra (; December 12, 1915 – May 14, 1998) was an American singer and actor. Nicknamed the " Chairman of the Board" and later called "Ol' Blue Eyes", Sinatra was one of the most popular entertainers of the 1940s, 1950s, and 1960s. He is among the world's best-selling music artists with an estimated 150 million record sales. Born to Italian immigrants in Hoboken, New Jersey, Sinatra was greatly influenced by the intimate, easy-listening vocal style of Bing Crosby and began his musical career in the swing era with bandleaders Harry James and Tommy Dorsey. He found success as a solo artist after signing with Columbia Records in 1943, becoming the idol of the " bobby soxers". Sinatra released his debut album, '' The Voice of Frank Sinatra'', in 1946. When his film career stalled in the early 1950s, Sinatra turned to Las Vegas, where he became one of its best-known residency performers and part of the famous Rat Pack. His acting career was revived by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nelson Riddle
Nelson Smock Riddle Jr. (June 1, 1921 – October 6, 1985) was an American arranger, composer, bandleader and orchestrator whose career stretched from the late 1940s to the mid-1980s. He worked with many world-famous vocalists at Capitol Records, including Frank Sinatra, Ella Fitzgerald, Nat King Cole, Judy Garland, Dean Martin, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith. He scored and arranged music for many films and television shows, earning an Academy Award and three Grammy Awards. He found commercial and critical success with a new generation in the 1980s, in a trio of Platinum albums with Linda Ronstadt. Early years Riddle was born in Oradell, New Jersey, the only child to survive to birth, and after, of Marie Albertine Riddle (a native of Mulhouse, France, whose father was Spanish) and Nelson Smock Riddle, who was of English-Irish and Dutch descent. His mother had suffered six miscarriages and one stillbirth in her lifetime. It was his mother's sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Ellis
Ray Ellis (July 28, 1923 – October 27, 2008) was an American record producer, arranger, conductor, and saxophonist. He was responsible for the orchestration in Billie Holiday's '' Lady in Satin'' (1958). Biography Raymond Spencer Ellis was born in Philadelphia. He arranged many hit records in the 1950s and 1960s. Included are classics such as "A Certain Smile" and "Wild is the Wind" by Johnny Mathis, "Broken Hearted Melody" by Sarah Vaughan, and " Standing on the Corner" by the Four Lads. In 1970, he produced Emmylou Harris' debut LP '' Gliding Bird''. Ellis' work encompassed all areas of music, from records to film, commercials, and television. In the early 1960s, Ellis had a contract to produce his own easy listening record albums with RCA Victor, MGM, and Columbia, the most popular probably being ''Ellis in Wonderland''. His television credits include theme music for ''NBC News At Sunrise'' with Connie Chung and the background and incidental music for the first seas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", " Can't Help Lovin' Dat Man", " A Fine Romance", " Smoke Gets in Your Eyes", "The Song Is You", " All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", " Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studyin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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