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La Guirlande
''La guirlande'' (full name: ''La guirlande, ou Les fleurs enchantées'') is an opera by the French composer Jean-Philippe Rameau with a libretto by Jean-François Marmontel. It takes the form of an ''acte de ballet'' (a one-act opera with many dance movements). It debuted on 21 September 1751 at the Académie Royale de Musique, Paris Opéra. The primary theme is faithfulness, as shown by the characters of two shepherds. The story occurs in Arcadia (ancient region), Arcadia, an idealized area of Greece that was a popular setting in the pastoral literature of the time. Performance history ''La guirlande'' was first performed on 21 September 1751 at the Paris Opéra along with François Rebel and François Francœur's ''Les génies tutélaires'' and an act ("Les sauvages") taken from Rameau's ''opéra-ballet'', ''Les Indes galantes''. It was a great success. This was the first of Rameau's stage works to be revived in the modern era, when it was staged by the Schola Cantorum de Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Jean-Philippe Rameau - Joseph Aved
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Fel
Marie Fel (24 October 1713 – 2 February 1794) was a French opera singer and a daughter of the organist Henri Fel. Marie Fel was born at Bordeaux. She made her debut at the Paris Opera in 1733 and sang regularly at the Concert Spirituel. In a career that lasted 35 years, she sang in all the operas of Rameau along with Pierre Jélyotte, created roles in those of Mondonville, and participated in revivals of those of Lully and Campra. She retired from the stage in 1758, but continued to perform in concert until 1769. She died in Paris. She had a long-term relationship with the painter Quentin de La Tour, who painted her portrait. "The greatest personalities of her age sought her good graces and gave her lively proofs of their affections," including men of letters such as the Baron von Grimm and the Encyclopédiste Louis de Cahusac.Emile Campardon, L’Académie Royale de Musique au XVIII Siècle: Documents inédites découverts aux Archives Nationales (Paris: Berger-Levraul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jean-Philippe Rameau
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Christie (musician)
William Lincoln Christie (born December 19, 1944) is an American-born French conductor and harpsichordist. He is a specialist in baroque and classical repertoire and is the founder of the ensemble Les Arts Florissants. Biography Christie studied art history at Harvard University, where he was briefly assistant conductor of the Harvard Glee Club. From 1966, he began studies at Yale University in music, where he was a student of harpsichordist Ralph Kirkpatrick. He was opposed to the Vietnam War, and served in a reserve officers course to avoid the draft. He subsequently taught at Dartmouth College. When his Dartmouth post was not renewed, Christie moved first to the United Kingdom (1970), and in 1971 to France. He was one of a number of young men who left the United States at this time because of disagreement with the Vietnam War, and in order to avoid the draft. In France, he became known for his interpretations of Baroque music, particularly French Baroque music, workin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Arts Florissants (ensemble)
Les Arts Florissants is a Baroque musical ensemble in residence at the Théâtre de Caen in Caen, France. The organization was founded by conductor William Christie in 1979. The ensemble derives its name from the 1685 opera '' Les Arts florissants'' by Marc-Antoine Charpentier. The organization consists of a chamber orchestra of period instruments and a small vocal ensemble. Current notable members include soprano Danielle de Niese and tenor Paul Agnew, who has served as assistant conductor since 2007. Jonathan Cohen is also on the conducting staff; Christie remains the organization's Artistic Director. Work Although not specifically a Baroque opera ensemble, it is within this field that Les Arts Florissants has achieved its greatest successes. The majority of the ensemble's performances are of period operas (both staged and in concert), many of which are available on CD on the Harmonia Mundi and Erato labels and on DVD. The group first drew international acclaim in the area o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Agnew
Paul Agnew (born 1964 in Glasgow Glasgow ( ; sco, Glesca or ; gd, Glaschu ) is the most populous city in Scotland and the fourth-most populous city in the United Kingdom, as well as being the 27th largest city by population in Europe. In 2020, it had an estimated popul ...) is a Scottish operatic tenor and Conducting, conductor. Biography Agnew read music as a Choral scholar, Choral Scholar at Magdalen College, Oxford. He became associated with various groups specializing in early music (Ex Cathedra, the Consort of Musicke, the Tallis Scholars, the Sixteen and the Gothic Voices) before embarking on a solo career in the early 1990s. He is well known for singing Haute-contre, high tenor roles in French repertoire, although he has had success in other types of music. Paul Agnew's recordings include Wolfgang Amadeus Mozart, Mozart's ''Coronation Mass (Mozart), Coronation Mass'', Bach cantatas and Bach's ''Mass in B minor'' with Ton Koopman and the Amsterdam Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Daneman
Sophie Daneman is a British soprano specializing in the baroque repertoire. Biography Sophie Daneman, a daughter of the actor Paul Daneman, studied at the Guildhall School of Music and Drama in London. She became known during the 1990s with the baroque music ensemble Les Arts Florissants, spearhead of the movement led by William Christie, with whom she interpreted mainly great names of the French baroque such as Montéclair, Rameau, Charpentier, Mondonville and Couperin. In addition to William Christie, Daneman worked under the direction of numerous choir directors, such as Christopher Hogwood, Robert King, Gérard Lesne, Jean-Claude Malgoire, Neville Marriner, Philippe Herreweghe, and Nicholas McGegan. Selected discography Daneman has recorded for the labels Erato, Harmonia Mundi, EMI Classics and Virgin Records. With Les Arts Florissants * 1992: ''Jephté'' by Michel Pignolet de Montéclair * 1993: ''Castor et Pollux'' by Jean-Philippe Rameau (a sequel to Hébé/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuthbert Girdlestone
Cuthbert Morton Girdlestone (17 September 1895 – 10 December 1975) was a British musicology, musicologist and literary scholar. Born in Bovey Tracey, Devon, he was educated at University of Cambridge, Cambridge and the University of Paris, Sorbonne, and thereafter took up the chair in French in Armstrong College, Newcastle, Armstrong College, later to be King's College in Newcastle upon Tyne, Newcastle in 1926, a position he held until 1960. His most famous publications are his much-reprinted study of the Mozart Piano Concertos (1939, published originally in French) and his biography of Jean-Philippe Rameau (1957). Books *Girdlestone, Cuthbert. ''Mozart et ses concertos pour piano.'' Paris, Fischbacher. 1939. **Girdlestone, Cuthbert. ''Mozart and His Piano Concertos''. New York: Dover Publications, 1964. "An unabridged and corrected republication of the second (1958) edition of the work first published in 1948 by Cassell & Company, Ltd., London, under the title Mozart’s Piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid
In classical mythology, Cupid (Latin Cupīdō , meaning "passionate desire") is the god of desire, lust, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus (mythology), Venus and the god of war Mars (mythology), Mars. He is also known in Latin as ' ("Love"). His interpretatio graeca, Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greece, Classical ancient Greek art, Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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