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La Cifra
is an opera by Antonio Salieri in two acts, set to an Italian libretto by Lorenzo Da Ponte. The work, a dramma giocoso, is set in Scotland, and was written for Adriana Ferrarese del Bene, the first Fiordiligi in Mozart's ''Così fan tutte''. Performance history The opera was first performed in Vienna on 9 December 1789. This was followed by a production in Dresden on 13 October 1790. It went on to receive several productions both in Germany and Austria between 1789 and 1805. ''La cifra'' received a recent performance in Cologne in June 2006, in a production conducted by Martin Haselböck and directed by Christian Stückl. In August 2018, Dell’Arte Opera Ensemble performed ''La Cifra'' at La Mama as part of that summer's Mozart and Salieri Festival. It was the opera's North American premiere, conducted by Catherine O'Shaughnessy and directed by Bea Goodwin Roles Synopsis Fideling, a Scottish lord, is seeking a lost noblewoman with whom he had fallen in love. Lisotta, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Giocoso
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's '' Don Giovanni'' (1787) and '' Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Antonio Salieri
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drammi Giocosi
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's ''Don Giovanni'' (1787) and ''Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti's ''L'elisir d'amore ''L'elisir d'amore'' (''The Elixir of Love'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ádám Fischer
Ádám Fischer (born 9 September 1949 in Budapest) is a Hungarian conductor. He is the general music director of the Austro-Hungarian Haydn Orchestra, chief conductor of the Danish Chamber Orchestra, and chief conductor of the Düsseldorfer Symphoniker. Career Ádám Fischer is an elder brother of the conductor Iván Fischer. The two belonged to the children's choir of Budapest National Opera house, and sang as two of the three boys in Mozart's ''Die Zauberflöte''. Fischer studied piano and composition at the Bartók Conservatory ( hu) in Budapest, and conducting with Hans Swarowsky in Vienna. He also studied with Franco Ferrara at Accademia Chigiana in Siena. He won first prize in the Milan Guido Cantelli Competition. His career began with opera conducting in Munich, Freiburg, and other German cities. In 1982 he made his Paris Opéra debut, leading ''Der Rosenkavalier'', and in 1986 he made his debut at La Scala, Milan, leading ''Die Zauberflöte''. Between 1987 and 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra Of The Age Of Enlightenment
The Orchestra of the Age of Enlightenment (OAE) is a British period instrument orchestra. The OAE is a resident orchestra of the Southbank Centre, London, associate orchestra at Glyndebourne Festival Opera Artistic Associate at Kings Place, and has its headquarters at Acland Burghley School. The leadership is rotated between four musicians: Matthew Truscott, Kati Debretzeni, Huw Daniel and Margaret Faultless. A group of period instrumentalist players formed the OAE as a self-governing ensemble in 1986, and took its name from the historical period in the late 18th century where the core of its repertoire is based. The OAE does not have a principal conductor, but chooses conductors individually. Having no permanent music director gives the orchestra flexibility to work with some of the world’s greatest conductors and soloists across a wide range of music. The current Principal Artists are Sir Simon Rattle, Vladimir Jurowski, Iván Fischer, John Butt, Sir Mark Elder and András ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecilia Bartoli
Cecilia Bartoli, Cavaliere OMRI (; born 4 June 1966) is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Bellini, Handel, Mozart, Rossini and Vivaldi, as well as for her performances of lesser-known music from the Baroque and Classical period. She is known for singing both soprano and mezzo roles. Bartoli is considered a coloratura mezzo-soprano with an unusual timbre. According to Nicholas Wroe in 2001, her voice was known for its "fully developed sumptuousness of the lower register, the vibrancy of the middle range...the top was limpid and powerful", and she was one of the most popular opera singers of recent years. Early life Bartoli was born in Rome. Her parents, Silvana Bazzoni and Pietro Angelo Bartoli, were professional singers and gave her her first music lessons. She first performed publicly at age nine as the shepherd boy in ''Tosca''. Bartoli later studied at the Conservatorio di Santa Cec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriana Ferrarese Kings Theatre 1785
Adriana, also spelled Adrianna, is a Latin name and feminine form of Adrian. It originates from present day Italy. Translations *Arabic language, Arabic: أدريان *Belorussian language, Belorussian: Адрыяна (Adryjana) *Bulgarian language, Bulgarian: Адриана (Adriana) *Chinese language, Chinese Simplified: 阿德里安娜 (Ā délǐ ānnà) *Chinese language, Chinese Traditional: 阿德里安娜 (Ā délǐ ān *Greek language, Greek: Αδριανή (Adriani) *Gujarati language, Gujarati: એડ્રીયાના (Ēḍrīyānā) *Hebrew language, Hebrew: אדריאנה *Hindi language, Hindi: एड्रियाना (Ēḍriyānā) *Japanese language, Japanese: アドリアーナ (Adoriāna) *Kannada language, Kannada: ಆಡ್ರಿಯಾನಾ (Āḍriyānā) *Korean language, Korean: 아드리아나 (Adeuliana) *Latvian language, Latvian:Ādriana (Aadriana) *Persian language, Persian: آدریانا *Polish language, Polish: Adrianna *Russian language, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Benucci
Francesco Benucci (c. 1745 – 5 April 1824) was an Italian bass/baritone singer of the 18th century. He sang a number of important roles in the operas of Wolfgang Amadeus Mozart, Antonio Salieri and other composers. Life Historical background and early career He was born c. 1745 in Livorno and began his early career there around 1768.Link (2004, vii) The start of Benucci's career took place in an already flourishing world of opera buffa, which provided an existing role type, the comic bass singer or ''buffo'', at which Benucci came to excel. The historical background is described by Rice: :In one of his earliest appearances (Livorno 1768) Benucci sang Tritemio in ''Il filosofo di campagna''. That he began his career in an opera by Galuppi and Goldoni and in a role created by Carattoli is emblematic of his place in the history of opera buffa. He took up the tradition ... to which Goldoni, in collaboration with composers as Galuppi and such singers as Carattoli, had contribut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
