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La Catena D'Adone
''La catena d'Adone'' (''The Chain of Adonis'') is the only surviving opera by the Italian composer Domenico Mazzocchi. It was commissioned by Cardinal Ippolito Aldobrandini and first performed at the Palazzo Conti, Rome on February 12, 1626. The libretto, in a prologue and five acts, is by Ottavio Tronsarelli and is based on episodes from Giambattista Marino's epic poem ''Adone'' (1623). Historical importance ''La catena d'Adone'' was an important step in the development of Roman opera. The demarcation between recitative and aria grew more distinct in this work as Mazzocchi tried to escape what he called the "monotony" of Florentine opera. Roles The prologue includes Apollo (tenor) and cyclopes. The opera itself has roles for the enchantress Falsirena ( soprano); Adone ( alto); Plutone ( bass); Venere (soprano); Idonia (soprano) and Arsete (bass), advisers of Falsirena ; Oraspe (tenor) ; Amore (soprano) ; Eco (alto) ; nymphs and shepherds. At the premiere, Adone was sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vánas'' 'de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Achten
Nicolas Achten (born 25 September 1985, in Brussels) is a Belgian conductor, singer, lutenist, and harpist mainly working in historically informed performance. Achten is a visiting professor at the University of East Anglia The University of East Anglia (UEA) is a public research university in Norwich, England. Established in 1963 on a campus west of the city centre, the university has four faculties and 26 schools of study. The annual income of the institution f ... and at the Flanders Operastudio. References External links * {{DEFAULTSORT:Achten, Nicolas Belgian musicians 1985 births Living people Musicians from Brussels Belgian conductors (music) Belgian male musicians Belgian male conductors (music) 21st-century conductors (music) 21st-century Belgian male musicians Academics of the University of East Anglia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mars (god)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the peace-lovi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulcano
Vulcano ( scn, Vurcanu) or Vulcan is a small volcanic island belonging to Italy in the Tyrrhenian Sea, about north of Sicily and located at the southernmost end of the seven Aeolian Islands. The island is known for its volcanic activity and contains several volcanic calderas, including one of the four active volcanoes in Italy that are not submarine. The English word "volcano", and its equivalent in several European languages, derives from the name of this island, which derives from the Roman belief that the tiny island was the chimney of Vulcan, the Roman god of fire. In November 2021, 150 people were evacuated from the island's harbour area due to increased volcanic activity and gases; an amber alert had been issued in October 2021 after several significant changes in the volcano's parameters. Geography Vulcano is located approximately north of Sicily and is approximately long by wide. The island is in area and rises to above sea level. The island is separated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loreto Vittori
Loreto Vittori (5 September 1600 (baptized) – 23 April 1670) was an Italian castrato and composer. From 1622 until his death, he was a mezzo-soprano singer in the papal chapel in Rome. Life Vittori was born in Spoleto and educated in Rome. He then worked as a singer in Loreto and Spoleto. In 1618 Vittori was placed under the protection of the Medici family. He moved to Rome in 1621, first in the service of Cardinal Ludovico Ludovisi, nephew of Pope Gregory XV, and in 1632 in the service of Cardinal Antonio Barberini, nephew of the future Urban VIII. He died in Rome, aged 69. Vittori sang at the premiere of ''Lo Sposalizio di Medoro et Angelica'' by Jacopo Peri and Marco da Gagliano in 1619, possibly as Angelica. He was Saint Ursula in ''La Regina Sant'Orsola'' by Marco da Gagliano in 1624. Back in Rome, the man was Falsirena in '' La Catena d'Adone'' by Domenico Mazzocchi in 1626. In 1628, Vittori took an unknown role in '' La Flora, ovvero Il natal de' fiori'' (''Flora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodolfo Celletti
Rodolfo Celletti (1917–2004) was an Italian musicologist, critic, voice teacher, and novelist. Considered one of the leading scholars of the operatic voice and the history of operatic performance, he published many books and articles on the subject as well as several novels. Biography Celletti was born in Rome on 13 June 1917. He served in the Italian army from 1937 to 1943, and after World War II, took a degree in law from the University of Rome. He became a successful business executive in Milan, and then created a second career for himself as a (self-taught) musicologist and critic. For many years he was the music critic of the Italian weekly magazine ''Epoca'' and was a regular contributor to ''la Repubblica'', ''L'opera'', ''Nuova rivista musicale italiana'', ''Opera'', and ''Amadeus''. In addition to his articles in specialist publications and ''The New Grove Dictionary of Opera'', he published several books, most notably '' Le grandi voci'' (1964), at the time considered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falsetto
''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous edges of the vocal cords, in whole or in part. Commonly cited in the context of singing, falsetto, a characteristic of phonation by both sexes, is also one of four main spoken vocal registers recognized by speech pathology. The term ''falsetto'' is most often used in the context of singing to refer to a type of vocal phonation that enables the singer to sing notes beyond the vocal range of the normal or modal voice. The typical tone of falsetto register or M2, usually has a characteristic breathy and flute-like sound relatively free of overtones—which is more limited than its modal counterpart in both dynamic variation and tone quality. However, William Vennard points out that while most untrained people can sound comparatively "breathy" o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Felice Sances
Giovanni Felice Sances (also Sancies, Sanci, Sanes, Sanchez, ca. 160024 November 1679) was an Italian singer and a Baroque composer. He was renowned in Europe during his time. Sances studied at the Collegio Germanico in Rome from 1609 to 1614. He appeared in the opera ''Amor pudico'' in Rome in 1614. His career then took him to Bologna and Venice. His first opera ''Ermiona'' was staged in Padua in 1636, in which he also sang. In 1636 he moved to Vienna, where he was initially employed at the imperial court chapel as a tenor. In 1649, during the reign of Ferdinand III he was appointed vice-''Kapellmeister'' under Antonio Bertali. He collaborated with Bertali to stage regular performances of Italian opera. He also composed ''sepolcri'', sacred works and chamber music. In 1669 he succeeded to the post of Imperial '' Kapellmeister'' upon Bertali's death. From 1673, due to poor health, many of his duties were undertaken by his deputy Johann Heinrich Schmelzer. He died in Vienna i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
