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La Battaglia Di Legnano
''La battaglia di Legnano'' (''The Battle of Legnano'') is an opera in four acts, with music by Giuseppe Verdi to an Italian-language libretto by Salvadore Cammarano. It was based on the play ''La Bataille de Toulouse'' by Joseph Méry, later the co-librettist of ''Don Carlos''. Written as a commission from the Teatro Argentina in the "beleaguered republic" of Rome while the composer was still living in Paris, he traveled to Rome in late 1848 to prepare the opera for its first performance, which was given on 27 January 1849. Musicologist Roger Parker describes the première as "a clamorous success, with the entire final act encored"Parker, p. 349 and the audience wild with enthusiasm. He goes to add that act 4 was encored at every performance of the run. However, we learn elsewhere that the opera failed in its 1850 production in Genoa. In later years ''Battaglia'' was given under different settings and different titles until Italian unification allowed for the opera to be presented ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Colini By Josef Kriehuber
Filippo is an Italian male given name, which is the equivalent of the English name Philip, from the Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filippa. The name may refer to: *Filippo I Colonna (1611–1639), Italian nobleman * Filippo II Colonna (1663–1714), Italian noblemen *Filippo Abbiati (1640–1715), Italian painter *Filippo Baldinucci (1624–1697), Italian historian *Filippo Brunelleschi (1377–1446), Italian architect *Filippo Carli (1876–1938), Italian sociologist *Filippo Castagna (1765–1830), Maltese politician *Filippo Coarelli (born 1936), Italian archaeologist *Filippo Coletti (1811–1894), Italian singer *Filippo di Piero Strozzi (1541–1582), French general *Filippo Salvatore Gilii (1721–1789), Italian priest and linguist *Filippo Grandi (born 1957), Italian diplomat * Filippo Illuminato (1930-1943), Italian partisan, recipient of the Gold Medal of Militar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nello Santi
Nello Santi (22 September 1931 – 6 February 2020) was an Italian conductor. He was associated with the Opernhaus Zürich for six decades, and was a regular conductor at the Metropolitan Opera in New York City. He was focused on Italian repertoire, especially operas by Verdi and Puccini, in a style following the tradition of Toscanini. He made sound and video recordings of Italian operas, including in 1971 Leoncavallo's ''Pagliacci'' with Plácido Domingo, Montserrat Caballé and Sherrill Milnes, in 1976 Montemezzi's ''L'amore dei tre re'' with Anna Moffo, Domingo and Pablo Elvira, in 2000 Verdi's '' I due Foscari'', and in 2006 Donizetti's ''Don Pasquale'' in a Zürich production. Santi conducted from memory, and said "I love all of Verdi, but when he composed ''Rigoletto'', ''Il trovatore'' and ''La traviata'' he was in a profound state of grace." Life Santi was born on 22 September 1931 in Adria (Veneto), Kingdom of Italy, to Giovanni and Alfonsina () Santi. His mother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Massimo Bellini
The Teatro Massimo Bellini is an opera house located on Piazza Vincenzo Bellini in Catania, Sicily, southern Italy. Named after the local-born composer Vincenzo Bellini, it was inaugurated on 31 May 1890 with a performance of the composer's masterwork, ''Norma''. It seats 1,200. History The creation of what was to finally become the Teatro Massimo Bellini took almost two hundred years, beginning with discussions following the disastrous 1693 earthquake which completely destroyed Catania. The construction of a public theatre was discussed, and a foundation stone was finally laid in 1812. Architect Salvatore Zahra Buda began to prepare a plan for a theatre in the Piazza Nuovaluce, in front of the Santa Maria di Nuovaluce monastery, the location of the present-day theatre. It was decided that a "Great Municipal Theatre" worthy of an expanding city should be created; the plan of the "Teatro Nuovaluce" (New Light Theatre) was a grandiose one in all respects, and was conceived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiorenza Cedolins
Fiorenza Cedolins (born 18 March 1966) is an Italian soprano. Biography Cedolins made her operatic debut in 1992 at the Teatro Carlo Felice in Genoa in Mascagni's ''Cavalleria rusticana''. She then became an artist-in-residence at the Split Summer Festival, and appeared in various roles, with a repertoire that ranged from Monteverdi's '' Il Combattimento di Tancredi e Clorinda'' to Orff’s ''Carmina burana'', and from Rossini’s ''Mosè in Egitto'' to Strauss’s '' Salome''. In 1996 she won the Luciano Pavarotti Vocal Competition, and was invited to sing Puccini ’s ''Tosca'' with the Opera Company of Philadelphia with Pavarotti. In the same year she sang the role of Santuzza in ''Cavalleria rusticana'' at the Ravenna Festival, conducted by Riccardo Muti. In 2005 she performed Verdi’s '' Requiem'' at the Auditorium of Santa Cecilia in Rome, conducted by Zubin Mehta; at the requiem mass for Pope John Paul II; and on tour in Frankfurt and Vienna with the Orchestra Sinfoni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome Opera
The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The present house seats 1,600. Original Teatro Costanzi: 1880 to 1926 The Teatro dell'Opera was originally known as the ''Teatro Costanzi'' after the contractor who built it, (1819–1898). It was financed by Costanzi, who commissioned the Milanese architect Achille Sfondrini (1836–1900), a specialist in the building and renovation of theatres. The opera house was built in eighteen months, on the site where the house of Heliogabalus stood in ancient times, and was inaugurated on 27 November 1880 with a performance of ''Semiramide'' by Gioachino Rossini. Designing the theatre, Sfondrini paid particular attention to the acoustics, conceiving the interior structure as a "resonance chamber", as is evident from the horseshoe shape in particular. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ettore Bastianini
Ettore Bastianini (24 September 1922 – 25 January 1967) was an Italian operatic baritone who was particularly associated with the operas of the ''bel canto'' tradition. Early training and career as a bass Born in Siena, Bastianini first began performing at fifteen while apprenticed to a pastry chef, Gaetano Vanni, who discovered his vocal talent and encouraged him to join the choir of his hometown's cathedral. Between 1937 and 1938, he sang bass during Masses and religious functions at the church. In 1939 he began singing lessons under Fathima and Anselmo Ammanati, who continued training him as a bass. He sang his first professional concerts in 1940 and 1941 in Asciano and Siena at the Fortezza Medicea and Teatro dei Rozzi. In 1942 he won first prize in the 6th National Singing Contest at the Teatro Comunale, Florence, but was soon drafted into the Italian Air Force which prevented him from immediately enjoying the scholarship accompanying the prize. After serving in the It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonietta Stella
Maria Antonietta Stella (15 March 1929 – 23 February 2022) was an Italian operatic soprano, and one of the most prominent Italian spinto sopranos of the 1950s and 1960s. She made her debut in Spoleto in 1950, as Leonora in Verdi's ''Il trovatore'', a year later at Rome Opera, as Leonora in ''La forza del destino'', in 1954 at La Scala in Milan, as Desdemona in ''Otello'', in 1955 at the Royal Opera House in London as Aida, and in 1956 at the Metropolitan Opera in New York City, in the same role. Life and career Born in Perugia, Stella studied at the in her home town and at the Accademia Nazionale di Santa Cecilia in Rome, and made her debut in Spoleto, as Leonora in Verdi's ''Il trovatore'', in 1950. The tenor Giuseppe Treppaciani was her partner on stage, and later became her husband. She appeared at the Rome Opera in 1951, as Leonora in Verdi's ''La forza del destino'' alongside Mario del Monaco. The same year, she appeared in Germany at the Staatstheater Stuttgart, the Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Corelli
Franco Corelli (8 April 1921 – 29 October 2003) was an Italian tenor who had a major international opera career between 1951 and 1976. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, passionate singing and remarkable performances. Dubbed the "prince of tenors", audiences were enchanted by his handsome features and charismatic stage presence. He had a long and fruitful partnership with the Metropolitan Opera in New York City between 1961 and 1975. He also appeared on the stages of most of the major opera houses in Europe and with opera companies throughout North America. Biography Early life and education: 1921–1950 Corelli was born Dario Franco Corelli in Ancona into a family some say had little or no musical background. While his parents were not particularly musical, his paternal grandfather Augusto had actually quit working at 35 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leyla Gencer
Ayşe Leyla Gencer (, née Çeyrekgil; 10 October 192810 May 2008) was a Turkish operatic soprano. Gencer was a notable ''bel canto'' soprano who spent most of her career in Italy, from the early 1950s through the mid-1980s, and had a repertoire encompassing more than seventy roles. She made very few commercial recordings; however, numerous bootleg recordings of her performances exist. She was particularly associated with the heroines of Donizetti. Early life Leyla Gencer was born in Polonezköy (near Istanbul) to a Turkish father and a Polish mother. Her father, Hasanzade İbrahim Bey (who took the surname ''Çeyrekgil'' under the Surname Law of 1934), was a wealthy businessman, whose family was from the city of Safranbolu. Her mother, Lexanda Angela Minakovska, was from a Roman Catholic family of the Lithuanian aristocracy (she later converted to Islam and chose the name ''Atiye'' after her husband's death.) Gencer's father died when she was very young. She grew up in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Italian War Of Independence
The Second Italian War of Independence, also called the Franco-Austrian War, the Austro-Sardinian War or Italian War of 1859 ( it, Seconda guerra d'indipendenza italiana; french: Campagne d'Italie), was fought by the Second French Empire and the Savoyard Kingdom of Sardinia against the Austrian Empire in 1859 and played a crucial part in the process of Italian Unification. A year prior to the war, in the Plombières Agreement, France agreed to support Sardinia's efforts to expel Austria from Italy in return for territorial compensation in the form of the Duchy of Savoy and the County of Nice. The two states signed a military alliance in January 1859. Sardinia mobilised its army on 9 March 1859, and Austria mobilized on 9 April. On 23 April, Austria delivered an ultimatum to Sardinia demanding its demobilization. Upon Sardinia's refusal, the war began on 26 April. Austria invaded Sardinia three days later, and France declared war on Austria on 3 May. The Austrian invasion wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
