La Violetera
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La Violetera
"La Violetera" is a 1914 cuplé song, with the rhythm of a Habanera (music), habanera, composed by José Padilla (composer), José Padilla and with lyrics by Eduardo Montesinos, originally performed by Carmen Flores and popularized by Raquel Meller first and by Sara Montiel later. The instrumental version is also popular as a tango. In Spanish, a ''Violetera'' is a woman who sells Viola (plant), violets. History The song was composed in 1914 by José Padilla during his stay in Paris as director of the orchestra of the Casino de Paris music hall. The lyricist was Eduardo Montesinos. Its premiere took place in Barcelona with a performance by Carmen Flores. It was singer Raquel Meller who popularized the song in Spain and France first, and worldwide later. Sung in French by Dalida, it was released in 1956 in the first high quality release of the song on vinyl. It was included on her 1956 EP ''La violetera / Le torrent / Gitane / Fado'' that reached #10 on 1956 French charts and rema ...
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Cuplé
The cuplé was a popular risqué Spanish theatre song style in the late years of the 19th century. From 1893–1911 the songs were a feature of the "género ínfimo" (lowest type) cabaret theatre sung by solo female singers, or men in drag, and attended mainly by men. But in the second decade of the 20th century the cuplé, in a more respectable form, became more family-friendly and was associated with the makings of stars of the Spanish theatre such as Aurora Jauffret, "La Goya".Bradley S. Epps, Despina Kakoudaki ''All about Almodóvar: A Passion for Cinema'' 2009 "Even the cuplé, the song with which Montiel becomes identified, derives from a tradition of risqué musical numbers filled with sexual innuendo performed by women." The term comes from French ''couplet'', but the poetic form couplet A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) ...
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