La Toilette (Bazille)
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La Toilette (Bazille)
''La Toilette'' is an Oil-on-canvas painting by the 19th century French impressionist artist Frédéric Bazille, executed in 1869–1870, which has been in the collection of the Musée Fabre in Montpellier, France since 1968. He produced it a few months before his death in the Franco-Prussian War in 1870. Overview Bazille began this painting in December 1869 with then intent of displaying it at the 1870 Paris Salon, the official art exhibition of the Académie des Beaux-Arts, which was arguably the greatest annual or biennial art event in the Western world. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. Acceptance at this exhibition would have ensured Bazille's career in the orthodoxy of French painting. He chose a rather conventional theme of a nude woman in her bath, presumably in a Turkish harem, as hinted at by the oriental rug on the wall in the background, and the oriental design on the dress being held by ...
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Frédéric Bazille
Jean Frédéric Bazille (December 6, 1841 – November 28, 1870) was a French Impressionist painter. Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted ''en plein air''. Life and work Frédéric Bazille was born in Montpellier, Hérault, Languedoc-Roussillon, France, into a wealthy wine merchant Protestant family. Bazille grew up in the Le Domaine de Méric, a wine-producing estate in Castelnau-le-Lez, near Montpellier, owned by his family. He became interested in painting after seeing some works of Eugène Delacroix. His family agreed to let him study painting, but only if he also studied medicine. Bazille began studying medicine in 1859, and moved to Paris in 1862 to continue his studies. There he met Pierre-Auguste Renoir and Alfred Sisley, was drawn to Impressionist painting, and began taking classes in Charles Gleyre's studio. After failing his medical exam in 1864, he began painting full-time. His ...
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Orientalism
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the ...
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Paintings By Frédéric Bazille
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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1870 Paintings
Year 187 ( CLXXXVII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Quintius and Aelianus (or, less frequently, year 940 '' Ab urbe condita''). The denomination 187 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Septimius Severus marries Julia Domna (age 17), a Syrian princess, at Lugdunum (modern-day Lyon). She is the youngest daughter of high-priest Julius Bassianus – a descendant of the Royal House of Emesa. Her elder sister is Julia Maesa. * Clodius Albinus defeats the Chatti, a highly organized German tribe that controlled the area that includes the Black Forest. By topic Religion * Olympianus succeeds Pertinax as bishop of Byzantium (until 198). Births * Cao Pi, Chinese emperor of the Cao Wei state (d. 226) * G ...
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List Of Paintings By Frédéric Bazille
This is an incomplete list of the paintings by the French Impressionist artist Frédéric Bazille. In his brief career (he was killed at the age of 28 in the Franco-Prussian War) he produced some 70 canvasses. References

{{Lists of paintings Lists of paintings, Bazille Paintings by Frédéric Bazille, ...
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Battle Of Beaune-la-Rolande
The Battle of Beaune-la-Rolande on 28 November 1870 was a battle of the Franco-Prussian War, won by Prussia. In an attempt to relieve the Siege of Paris, French General Crouzat's XX Corps launched an attack against three Prussian brigades resting in Beaune-la-Rolande. These brigades were from the Prussian X Corps which was detailed to guard the flanks and rear of the force besieging Paris and provide early warning of any French counter-attacks. The French committed a force of 60,000 men, largely conscripts of the Garde Mobile, and 140 guns against the Prussians' 9,000 men and 70 guns, mostly drawn from regular troops. Despite the overwhelming superiority of numbers the French attack failed to take the village and was ultimately forced to retreat by Prussian reinforcements. Prussian losses amounted to 817 soldiers and 37 officers with the French losing around 8,000 men and 100 taken prisoner. The French XX Corps changed its plan of attack, bypassing the village, but was unsucce ...
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Zouave
The Zouaves were a class of light infantry regiments of the French Army serving between 1830 and 1962 and linked to French North Africa; as well as some units of other countries modelled upon them. The zouaves were among the most decorated units of the French Army. It was initially intended that the zouaves would be a regiment of Berber volunteers from the Zwawa group of tribes in Algeria ("Zwawa" being the origin of the French term '' zouave'') who had gained a martial reputation fighting for local rulers under the Ottoman Empire. The regiment was to consist of 1,600 Zwawa Berbers, French non-commissioned officers and French officers. 500 Zwawa were recruited in August and September 1830. However, twelve years later, this idea was dropped. More zouave regiments were raised and the men recruited to serve in them were almost exclusively French or people of French descent born in French Algeria (pied-noirs), a policy which continued until the final dissolution of said regiments ...
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Studio In Rue De La Condamine
''Bazille's Studio'' (''L'atelier de Bazille'') is an oil-on-canvas painting created in 1870 by the French impressionist Frédéric Bazille in collaboration with Édouard Manet. It has been kept at the Musée d'Orsay in Paris since 1986. It shows the artist himself surrounded by his friends in his studio, including the painters Édouard Manet and Pierre-Auguste Renoir. Bazille shared the studio on the rue de la Condamine with Renoir from January 1868 to May 1870. The tall Bazille is center stage, holding a palette, having in his own words been "painted in by Manet". On the right, Edmond Maître, a friend of Bazille, is seated at the piano under a Monet still life. Manet is talking to Bazille and Renoir is seated. The pictures on the wall surrounding the artists are ones that had been rejected at some time by the Salon and for which Bazille is expressing his support. Some of the paintings depicted are '' La Toilette'' (Montpelier, Musée Favre) above the sofa, ''Fisherman with a ...
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Bazille's Studio
''Bazille's Studio'' (''L'atelier de Bazille'') is an oil-on-canvas painting created in 1870 by the French impressionist Frédéric Bazille in collaboration with Édouard Manet. It has been kept at the Musée d'Orsay in Paris since 1986. It shows the artist himself surrounded by his friends in his studio, including the painters Édouard Manet and Pierre-Auguste Renoir. Bazille shared the studio on the rue de la Condamine with Renoir from January 1868 to May 1870. The tall Bazille is center stage, holding a palette, having in his own words been "painted in by Manet". On the right, Edmond Maître, a friend of Bazille, is seated at the piano under a Monet still life. Manet is talking to Bazille and Renoir is seated. The pictures on the wall surrounding the artists are ones that had been rejected at some time by the Salon and for which Bazille is expressing his support. Some of the paintings depicted are '' La Toilette'' (Montpelier, Musée Favre) above the sofa, ''Fisherman with a ...
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Femme En Costume Mauresque
''Femme en costume Mauresque'' is an oil-on-canvas painting by the 19th-century French impressionist artist Frédéric Bazille, completed in 1869. It has been in the collection of the Norton Simon Museum in Pasadena, California, since 1997. Overview This painting is an example of Bazille's interest in Orientalism. The model is Lise Tréhot, the mistress and model of Bazille's friend Renoir, Distel, Anne. "Renoir, Auguste." ''Grove Art Online. Oxford Art Online''. Oxford University Press. Web. 27 December 2014. and who appears in more than twenty paintings by Renoir during his early Salon period from approximately 1866 until 1872.House, John (1997). ''Pierre-Auguste Renoir: La Promenade''. Getty Publications. pp. 14, 81. . . She would later model for Bazille again in his 1870 La Toilette At the time the painting was executed Bazille and Renoir shared a Paris studio in rue de la Condamine. In this work, she is depicted with eroticism, dressed in North African costume, wearing ...
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Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater t ...
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