La Signora
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La Signora
''La Signora'' (; an Italian phrase which can be translated to "the lady" in English) is a character in Commedia dell'arte. She is the wife of Pantalone and the mistress of Pedrolino. She is tough, beautiful and calculating, and wears very wide dresses along with very heavy makeup. She walks with a flick of the toe and her arms held far out to the sides of her body. La Signora could be a "courtesan" (high class prostitute), but typically manages to wrangle her way into the household of an old man, usually Pantalone, where she would inevitably cuckold him. She was an older, sexually experienced Colombina, known as Rosaura. * Appearance: Overdresses, wearing too many jewels, flowers, feathers, and ribbons and wearing too much hair and makeup. * Physicality: Like Il Capitano, uses excessive and big gestures. * Character Traits: Main aim is satisfaction of physical needs – more jewels, dresses and sex. She will scheme to have them assured. She has an immediate attraction to her cou ...
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Italian Language
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Itali ...
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Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ...
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Pantalone
Pantalone , spelled Pantaloon in English, is one of the most important principal characters found in . With his exceptional greed and status at the top of the social order, Pantalone is "money" in the commedia world. His full name, including family name, is ''Pantalon de' Bisognosi'', Italian for "Pantalone of the Needy".Robert Henke ''Performance and literature in the commedia dell'arte'', Improvisation and characters, Individual roles, pp. 19–24 Character Pantalone originated as part of a master/servant duo and was the original il Magnifico stock character. Carlo Goldoni, in his memoirs, named Pantalone as one of the four primary Commedia dell'Arte characters. Among other things, Pantalone is a character of Venetians; one theory is that his name derives from Saint Pantaleon (''San Pantalone''), a popular saint in Venice. Another theory is that his name derives from Venetian merchants who were called Piantaleoni. While the theories of the St Pantaleone and the lion of St Mark ...
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Pedrolino
Pedrolino is a ''primo zanni'', or comic servant, of the ''Commedia dell'Arte''; the name is a hypocorism of ''Pedro'' (Peter), via the suffix ''-lino''. The character made its first appearance in the last quarter of the 16th century, apparently as the invention of the actor with whom the role was to be long identified, Giovanni Pellesini. Contemporary illustrations suggest that his white blouse and trousers constituted "a variant of the typical ''zanni'' suit", and his Bergamasque dialect marked him as a member of the "low" rustic class. But if his costume and social station were without distinction, his dramatic role was certainly not: as a multifaceted "first" ''zanni'', his character was—and still is—rich in comic incongruities. Many Commedia historians make a connection between the Italian Pedrolino and the later Pierrot of the French Comédie-Italienne, and, although a link between the two is possible, it remains unproven and seems unlikely, based on the scant ...
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Prostitute
Prostitution is the business or practice of engaging in sexual activity in exchange for payment. The definition of "sexual activity" varies, and is often defined as an activity requiring physical contact (e.g., sexual intercourse, non-penetrative sex, oral sex, etc.) with the customer. The requirement of physical contact also creates the risk of transferring diseases. Prostitution is sometimes described as sexual services, commercial sex or, colloquially, hooking. It is sometimes referred to euphemistically as "the world's oldest profession" in the English-speaking world. A person who works in this field is called a prostitute, or more inclusively, a sex worker. Prostitution occurs in a variety of forms, and its legal status varies from country to country (sometimes from region to region within a given country), ranging from being an enforced or unenforced crime, to unregulated, to a regulated profession. It is one branch of the sex industry, along with pornography, stri ...
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Colombina
Columbina (in Italian Colombina, meaning "little dove"; in French and English Colombine) is a stock character in the ''commedia dell'arte''. She is Harlequin's mistress, a comic servant playing the tricky slave type, and wife of Pierrot. Rudlin and Crick use the Italian spelling Colombina in ''Commedia dell'arte: A Handbook for Troupes''. History The role of the female servant was originally that of an entr'acte dancer. Women were not allowed to be part of the story that was being played out on stage, but they were allowed to have a dance in-between the action. Eventually these women became the busom and gossipy servants of characters that were already allowed on stage, and then, later, the counterparts to the Zanni characters. She was very down to earth and could always see the situation for what it actually was. She was also sometimes portrayed as a prostitute. She was very infrequently without something to say to or about someone. She is dressed in a very short ragged and ...
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Il Capitano
Il Capitano (, Italian for "The Captain") is one of the four stock characters of ''Commedia dell'arte.'' He most likely was never a "Captain" but rather appropriated the name for himself. He is often a braggart and a swaggerer who can maintain his claims only by benefit of the fact that none of the locals know him. He is usually a Spaniard, given the fact that for most of the late Renaissance to well into 17th century, parts of Italy were under Spanish domination. He was most likely inspired by the boisterous Iberic caudillos who told tall tales of their exploits either in the conquest of the Americas or in the wars with Germany. Il Capitano often talks at length about made-up conquests of both the militaristic and the carnal variety in an attempt to impress others, but often ends up impressing only himself. He gets easily carried away in his tales and doesn't realise when those around him don't buy his act. He would be the first to run away from any and all battles, and he h ...
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Lazzo
Lazzi (; from the Italian ''lazzo'', a joke or witticism) are stock comedic routines that are associated with ''Commedia dell'arte''. Performers, especially those playing the masked Arlecchino, had many examples of this in their repertoire, and would use improvisatory skills to weave them into the plot of dozens of different commedia scenarios. These largely physical sequences could be improvised or preplanned within the performance and were often used to enliven the audience when a scene was dragging, to cover a dropped line or cue, or to delight an expectant audience with the troupe's specialized lazzi. Lazzi could be completed by a single player (e.g. the ''Lazzo of the School of Humanity'' wherein a Zanni character would announce that his sister was running a "school of humanity" from their home because she was a prostitute), a few individuals (e.g. the ''Lazzo of the Straw'' wherein a stock character of higher status would pour wine as his servant emptied it through a straw), or ...
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Genshin Impact
''Genshin Impact'' is an action role-playing game developed and published by miHoYo. It was released for Android (operating system), Android, iOS, PlayStation 4, and Windows in 2020, on PlayStation 5 in 2021, and is set for release on Nintendo Switch. The game features an anime-style open world, open-world environment and an action-based Role-playing battle systems, battle system using elemental magic (game terminology), magic and character-switching. The game is free-to-play and is video game monetization, monetized through gacha game mechanics through which players can obtain new characters and weapons. The base game is expanded regularly through patches using the games as a service model. ''Genshin Impact'' takes place in the fantasy world of Teyvat, home to seven nations, each of which is tied to a different element and ruled by a different god. The story follows the Traveler, who has traveled across countless worlds with their twin sibling before becoming separated in Tey ...
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Power Man And Iron Fist
''Power Man and Iron Fist'' (originally ''Luke Cage, Hero for Hire'' then ''Luke Cage, Power Man'') was an American comic book series published by Marvel Comics, featuring the superheroes Power Man and Iron Fist. Publication history ''Hero for Hire''/''Power Man'' The series debuted as ''Hero for Hire'' #1, and became ''Power Man'' from #17 onwards. The cover logo included Luke Cage's name, so from #1–16 the cover logo read ''Luke Cage, Hero for Hire'' and from #17 onwards ''Luke Cage, Power Man''. The series was initially written by Luke Cage's co-creator Archie Goodwin, pencilled by George Tuska, and inked by Billy Graham. ''Power Man and Iron Fist'' Eventually, ''Power Man''s sales became unsustainable. Marvel decided to combine his series with Iron Fist, another once popular superhero who could no longer support his own series, in order to save both characters from full cancellation. Iron Fist joined the cast of ''Power Man'' in a three part story arc in #48–5 ...
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Commedia Dell'arte Female Characters
Commedia may refer to: * ''Divine Comedy'', a 1321 epic poem by Dante Alighieri, sometimes called the ''Commedia'' * ''Commedia dell'arte'', a professional form of theatre that began in Italy in the mid-16th century * ''La Commedia ''La Commedia'' is an opera in five parts composed by Louis Andriessen. A retelling of Dante's ''Divine Comedy'', the multi-language libretto was constructed by Andriessen using extracts from Dante's poem as well as several other sources including ...'', an early theatre in Naples * ''Deceit'' (1999 film), a 1999 Italian mystery film whose working title was ''Commedia'' See also * Comedia (other) {{disambiguation ...
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Fictional Courtesans
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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