La Productora
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La Productora
La Productora is an independent collective publishing group based in Morón, Argentina in Gran Buenos Aires. The organization emerged from the Asociación de Historietistas Independientes Argentine comics creators formed the Asociación de Historietistas Independientes (Spanish language, Spanish for Association of Independent Comic Creators) at Buenos Aires convention Fantabaires in 1996, to collectively address the challenges of ind ... (Association of Independent Comic Creators - AHI), as a result of irreconcilable differences between constituents. One group within AHI, including the president and vice-president of the organization, began to feel that AHI's openness to all creators compromised their artistic goals. This group split from the organization in 1999 and formed their own group. In addition to a common logo, each comic produced by La Productora has the same mini-comic format. Furthermore, each member of this small group of six creators must submit their work to a collect ...
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Gran Buenos Aires
Greater Buenos Aires ( es, Gran Buenos Aires, GBA), also known as the Buenos Aires Metropolitan Area ( es, Área Metropolitana de Buenos Aires, AMBA), refers to the urban agglomeration comprising the Autonomous City of Buenos Aires and the adjacent 24 '' partidos'' (districts) in the Province of Buenos Aires. Thus, it does not constitute a single administrative unit. The conurbation spreads south, west and north of Buenos Aires city. To the east, the River Plate serves as a natural boundary. Urban sprawl, especially between 1945 and 1980, created a vast conurbation of 9,910,282 inhabitants in the 24 conurbated ''partidos'', as of 2010, and a total of 12,801,365 including the City of Buenos Aires, a third of the total population of Argentina and generating more than half of the country's GDP. History The term ''Gran Buenos Aires'' ("Greater Buenos Aires") was first officially used in 1948, when Governor of Buenos Aires Province Domingo Mercante signed a bill delineating as s ...
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Asociación De Historietistas Independientes
Argentine comics creators formed the Asociación de Historietistas Independientes (Spanish language, Spanish for Association of Independent Comic Creators) at Buenos Aires convention Fantabaires in 1996, to collectively address the challenges of independent publishing. Soon, more than 100 magazines throughout Argentina sported the AHI logo. AHI's first major accomplishment was ''Historieta Bajo Tierra'' (Underground Comics), a convention that brought together the entire Argentine indie comics community. Building on the success of this event, AHI bought a stand at Fantabaires in 1998 to nurture the previously nonexistent indie comics market. Other accomplishments included putting a common logo on the covers of member comics and organizing events to display and disseminate good new works. Productora website (Spanish) AHI kept growing in 1998 as new offices popped up throughout the country. AHI held its first national meeting in the ''Che'' Plaza of Rosario, Argentina. At this event, me ...
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Argentine Comics
Argentine comics ( es, historietas) are one of the most important comic traditions internationally, and the most important within Latin America, living its "Golden Age" between the 1940s and the 1960s. Soon after, in 1970, the theorist Oscar Masotta synthesized its contributions in the development of their own models of action comics ( Oesterheld, Hugo Pratt), humor comics ( Divito, Quino) and folkloric comics (Walter Ciocca) and the presence of other artists (Hugo Pratt and Alberto Breccia). Masotta, Oscar: (1970). ''La historieta en el mundo moderno''. Barcelona: Paidós. p.144-146. History Early years The first cartoons to appear in Argentina were editorial cartoons in political satire magazines at the end of the 19th century. These cartoons, originally single panels, quickly evolved to multiple panel constructions with sequential action. Many used methods such as text indicating dialogue emanating from the speaker's mouth, or text below the drawings for dialogue and explanati ...
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