La Nymphe Surprise
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La Nymphe Surprise
''La Nymphe surprise'', or ''Surprised Nymph'', is a painting by the French impressionist painter Édouard Manet, created in 1861. The model was Suzanne Leenhoff, a pianist whom he married two years later. The painting is a key work in Manet's production, marking the beginning of a new period in his artistic career and generally in the history of modernism in French painting. It is in National Museum of Fine Arts in Buenos Aires and it is considered one of the collection's highlights. ''La Nymphe surprise'' remained in the artist's possession his entire life, and there is evidence that, apart from the emotional significance it represented for the artist, Manet considered this painting as one of his most important works. History The model of the painting is Édouard Manet's lover, the Dutchwoman Suzanne Leenhoff, with whom he had a secret affair. This affair developed while the young Manet was still living in his parents' house, where Suzanne–who was three years Manet's s ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Luncheon In The Studio
''Luncheon in the Studio'' (or ''The Luncheon'') is an 1868 oil painting by Édouard Manet. Partially a portrait of 16-year-old Léon Leenhoff — the son of Suzanne Leenhoff before her 1863 marriage to Manet, and possibly the son of Manet or Manet's father Auguste — it is also an enigmatic work that has received limited attention within Manet's oeuvre. Critic Nan Stalnaker notes that "despite continued questions about its meaning, the work is acknowledged to be brilliantly painted and a major Manet work". Description In the summer of 1868 Manet traveled to Boulogne-sur-Mer for his summer vacation, where he painted ''Luncheon in the Studio'' and other works. ''Luncheon'' was posed in the dining room of Manet's rented house. Leenhoff is the focus of the painting, with his back to the other two people, who have at various points been identified as his mother and Manet. These identifications are now seen as incorrect; the man seated at the table, smoking a cigar and enjoying a ...
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The Reading (Manet Painting)
''The Reading'' is an oil painting by French painter Édouard Manet, circa 1865 - 1873. History The painting was first exhibited in 1880 in one of the regular solo exhibitions mounted by Manet in his workshop. The picture was also part of the great posthumous exhibition of Manet's work in 1884, a year after his death. The work first belonged to the private collection of Winnaretta Singer, Princess Edmond de Polignac, where it remained until 1944, after the death of the Princess. It was offered as a gift to the French State and deposited in the Musée du Louvre. In 1947, it was transferred to the Galerie nationale du Jeu de Paume, a showroom located in the Jardin des Tuileries and which belongs to the Louvre. It remained there until 1986, when, with the creation of the Musée d'Orsay, it was brought to this museum, like the rest of the collection of Impressionist paintings in the Louvre. It can currently be seen in the Musée d'Orsay, in room 31 of level 5. Analysis The painting ...
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Boy Carrying A Sword
''Boy Carrying a Sword'' is an 1861 oil painting by the French artist Édouard Manet and is now displayed at the Metropolitan Museum of Art in New York. The work depicts a small boy costumed as a page of the Spanish court of the seventeenth century; he is holding a full-sized sword and sword belt. The work was later reproduced as an etching under the direction of Dijon painter and etcher Alphonse Legros who collaborated in the work. According to Émile Zola Émile Édouard Charles Antoine Zola (, also , ; 2 April 184029 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of ..., the work is typical of the influence of Spanish painters and shows the strong influence Diego Velázquez and Frans Hals had on Manet at the time. The artist's model was Leon Leenhoff, the stepson of the artist after his marriage to Suzanne in 1862. References {{DEFAUL ...
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Iris (plant)
''Iris'' is a flowering plant genus of 310 accepted species with showy flowers. As well as being the scientific name, ''iris'' is also widely used as a common name for all ''Iris'' species, as well as some belonging to other closely related genera. A common name for some species is 'flags', while the plants of the subgenus '' Scorpiris'' are widely known as 'junos', particularly in horticulture. It is a popular garden flower. The often-segregated, monotypic genera '' Belamcanda'' (blackberry lily, ''I. domestica''), '' Hermodactylus'' (snake's head iris, ''I. tuberosa''), and ''Pardanthopsis'' (vesper iris, '' I. dichotoma'') are currently included in ''Iris''. Three Iris varieties are used in the Iris flower data set outlined by Ronald Fisher in his 1936 paper ''The use of multiple measurements in taxonomic problems'' as an example of linear discriminant analysis. Description Irises are perennial plants, growing from creeping rhizomes (rhizomatous irises) or, in drier cl ...
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The Burlington Magazine
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986. History The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson, and Charles Holmes. Its most esteemed editors have been Roger Fry (1909–1919), Herbert Read (1933–1939), and Benedict Nicolson (1948–1978). The journal's structure was loosely based on its contemporary British publication '' The Connoisseur'', which was mainly aimed at collectors and had firm connections with the art trade. ''The Burlington Magazine'', however, added to this late Victorian tradition of market-based criticism new elements of historical research inspired by the leading academic German periodicals and thus created a formula that has remained almost intact to ...
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Olympia (Manet)
''Olympia'' is a painting by Édouard Manet, first exhibited at the 1865 Paris Salon, which shows a nude woman ("Olympia") lying on a bed being brought flowers by a servant. Olympia was modelled by Victorine Meurent and Olympia's servant by the art model Laure. Olympia's confrontational gaze caused shock and astonishment when the painting was first exhibited because a number of details in the picture identified her as a prostitute. The French government acquired the painting in 1890 after a public subscription organized by Claude Monet. The painting is on display at the Musée d'Orsay, Paris. Content What shocked contemporary audiences was not Olympia's nudity, nor the presence of her fully clothed maid, but her confrontational gaze and a number of details identifying her as a ''demi-mondaine'' or prostitute. These include the orchid in her hair, her bracelet, pearl earrings and the oriental shawl on which she lies, symbols of wealth and sensuality. The black ribbon around her n ...
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Salon Des Artistes Français
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon ...
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Françoise Cachin
Françoise Cachin (8 May 1936, Paris – 4 February 2011, Paris) was a French art historian and curator. She was the founding director of the Musée d’Orsay and the author of numerous books on 19th-century French painting. Life Françoise Cachin was born to the pediatrician Charles Cachin and his wife Ginette (née Signac).Cogeval, Guy"Homage to Françoise Cachin."Musée d'Orsay. Retrieved 16 February 2012. Her grandparents included the communist politician Marcel Cachin and the pointillist painters Paul Signac and Jeanne Selmersheim-Desgrange.Grimes, William"Françoise Cachin, a Director of French Museums, Dies at 74."''The New York Times.'' 9 February 2011. Retrieved 16 February 2012. Cachin studied art history under André Chastel at the Institut d'Art et d'Archéologie of the University of Paris. After training at the Louvre and the Galerie nationale du Jeu de Paume, she worked as a curator at the Musée National d'Art Moderne from 1969 to 1978, eventually becoming chi ...
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Spring (hydrology)
A spring is a point of exit at which groundwater from an aquifer flows out on top of Earth's crust (pedosphere) and becomes surface water. It is a component of the hydrosphere. Springs have long been important for humans as a source of fresh water, especially in arid regions which have relatively little annual rainfall. Springs are driven out onto the surface by various natural forces, such as gravity and hydrostatic pressure. Their yield varies widely from a volumetric flow rate of nearly zero to more than for the biggest springs. Formation Springs are formed when groundwater flows onto the surface. This typically happens when the groundwater table reaches above the surface level. Springs may also be formed as a result of karst topography, aquifers, or volcanic activity. Springs also have been observed on the ocean floor, spewing hot water directly into the ocean. Springs formed as a result of karst topography create karst springs, in which ground water travels through ...
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