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La Múcura
''La Múcura'' (the earthenware jar, :es:múcura) is a traditional Colombian cumbia song. Composition Rhythmically, the song is an example of a cumbia or Afro-Caribbean rhythm that may have originally been used for courtship rituals among Africans. The word cumbia itself may be related to cumbé, a Kongo word meaning "noise" that may be at the root of other Spanish words as well, viz. "cumbancha," a noisy party. Lyrics The lyrics begin: :''La múcura está en el suelo, mamá, no puedo con ella. Me la arrebató una estrella..'' It was composed by Cresencio Salcedo a flute player who also composed ''Mi cafetal'', and has received many recorded versions. In 1948 by Los Trovadores de Barú for Fuentes, then in 1950 entering Mexican cinema in versions by Ninón Sevilla and Pérez Prado. ''Little Jug'' by Johnny Martin 1950 was an English-lyric version. The song's lyrics are an example of double entendre ("doble sentido" in Spanish) in Hispanic popular song, according to soci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maya Funerary Urn
Maya may refer to: Civilizations * Maya peoples, of southern Mexico and northern Central America ** Maya civilization, the historical civilization of the Maya peoples ** Maya language, the languages of the Maya peoples * Maya (Ethiopia), a population native to the old Wej province in Ethiopia Places * Maya (river), a river in Yakutia, Russia * Maya (Uda), a river in Khabarovsk Krai, Russia * Maya, Uganda, a town * Maya, Western Australia, a town * Maya Karimata, an island in West Borneo, Indonesia * Maya Mountains, a mountain range in Guatemala and Belize ** Maya Biosphere Reserve, a nature reservation in Guatemala * Mount Maya, a mountain in Kobe, Japan ** Maya Station, a railway station in Kobe, Japan * La Maya (mountain), an alp in Switzerland * Al Maya or Maya, a town in Libya Religion and mythology * Maya religion, the religious practices of the Maya peoples of parts of Mexico and Central America ** Maya mythology, the myths and legends of the Maya civilization * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cumbia
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, enslaved Africans during colonial times, and Europeans. Examples include: * Colombian cumbia, is a musical rhythm and traditional folk dance from Colombia. It has elements of three different cultures, American Indigenous, African, and Spanish, being the result of the long and intense meeting of these cultures during the Conquest and the Colony. * Panamanian cumbia, Panamanian folk dance and musical genre, developed by enslaved people of African descent during colonial times and later syncretized with American Indigenous and European cultural elements. Regional adaptations of Colombian cumbia Argentina * Argentine cumbia * Cumbia villera, a subgenre of Argentine cumbia born in the slums * Fantasma, a 2001 group formed by Martín Roisi and Pablo Antico * Cumbia santafesina, a musical genre emerged in Santa Fe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninón Sevilla
Emelia Pérez Castellanos (10 November 19211 January 2015), known professionally as Ninón Sevilla, was a Cuban-Mexican actress and dancer. Early life Sevilla was born and raised in Centro Habana, a popular section of Havana. As a youth, she thought about becoming a missionary nun, but after she started dancing with success in nightclubs and cabarets, she opted for a career in show business. She adopted her stage name in tribute to the legendary French courtesan Ninon de Lenclos and began to work in the chorus of the Cuban comedians Mimí Cal and Leopoldo Fernández, respectively known as "Nananina" and "Tres Patines" . Career Sevilla came to Mexico as part of a show starring the Argentinean singer Libertad Lamarque. Her number in the show was so successful that she was soon booked in other spectacles in Mexico City. While performing in the Teatro Lírico, producer Pedro Arturo Calderón saw Sevilla on stage and offered her a film contract. Her debut in cinema was in 1946 in ''C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pérez Prado
Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) was a Cuban bandleader, pianist, composer and arranger who popularized the Mambo (music), mambo in the 1950s.''On Becoming Cuban: Identity, Nationality, and Culture'' Louis A. Pérez Jr. - 2012 "The origins of the new Cuban dance were variously attributed to Orestes López, Antonio Arcaño, Arsenio Rodríguez, and Israel “Cachao” López, but it was pianist Dámaso Pérez Prado's arrangements of the mambo, presented in a big, brassy ..." His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as "Mambo No. 5", earning him the nickname "King of the Mambo". In 1955, Prado and his orchestra topped the charts in the US and UK with a mambo cover of Louiguy's "Cherry Pink (and Apple Blossom White)". He frequently made Cameo appearance, brief appearances in films, primarily of the rumberas film, rumberas genre, and his music was featured in films such as ''La Dolce Vita''. Pérez P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Precolombian
In the history of the Americas, the pre-Columbian era spans from the original settlement of North and South America in the Upper Paleolithic period through European colonization, which began with Christopher Columbus's voyage of 1492. Usually, the era covers the history of Indigenous cultures until significant influence by Europeans. This may have occurred decades or even centuries after Columbus for certain cultures. Many pre-Columbian civilizations were marked by permanent settlements, cities, agriculture, civic and monumental architecture, major earthworks, and complex societal hierarchies. Some of these civilizations had long faded by the time of the first permanent European colonies (c. late 16th–early 17th centuries), and are known only through archaeological investigations and oral history. Other civilizations were contemporary with the colonial period and were described in European historical accounts of the time. A few, such as the Maya civilization, had their own wri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kikuyu People
The Kikuyu (also ''Agĩkũyũ/Gĩkũyũ'') are a Bantu ethnic group native to Central Kenya. At a population of 8,148,668 as of 2019, they account for 17.13% of the total population of Kenya, making them Kenya's largest ethnic group. The term ''Kikuyu'' is derived from the Swahili form of the word Gĩkũyũ. is derived from the word mũkũyũ which means sycamore fig (''mũkũyũ'') tree". Hence ''Agĩkũyũ'' in the Kikuyu language translates to "Children Of The Big Sycamore". The alternative name ''Nyũmba ya Mũmbi'', which encompasses ''Embu'', ''Gikuyu'', and ''Meru'', translates to "House of the Potter" (or "Creator"). History Origin The Kikuyu belong to the Northeastern Bantu branch. Their language is most closely related to that of the Embu and Mbeere. Geographically, they are concentrated in the vicinity of Mount Kenya. The exact place that the Northeast Bantu speakers migrated from after the initial Bantu expansion is uncertain. Some authorities sugge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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