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La Fábula De Polifemo Y Galatea
''La Fábula de Polifemo y Galatea'' (''The Fable of Polyphemus and Galatea''), or simply the ''Polifemo'', is a literary work written by Spanish poet Luis de Góngora y Argote. The poem, though borrowing heavily from prior literary sources of Greek and Roman classical antiquity, Antiquity, attempts to go beyond the established versions of the myth by reconfiguring the narrative structure handed down by Ovid. Through the incorporation of highly innovative poetic techniques, Góngora effectively advances the background story of Acis and Galatea (mythology), Acis and Galatea’s infatuation as well as the jealousy of the Cyclops Polyphemus. The ''Polifemo'' was completed in manuscript form in 1613 and was subsequently published in 1627 after Góngora’s death (see 1627 in poetry). The work is traditionally regarded as one of Góngora’s most lofty poetic endeavors and is arguably his finest artistic achievement along with the Soledades. The ''Polifemo'', in sum, realizes the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Porpora
Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli. Other students included composers Matteo Capranica and Joseph Haydn. Biography Porpora was born in Naples. He graduated from the music conservatory Poveri di Gesù Cristo of his native city, where the civic opera scene was dominated by Alessandro Scarlatti. Porpora's first opera, ''Agrippina,'' was successfully performed at the Neapolitan court in 1708. His second, ''Berenice'', was performed at Rome. In a long career, he followed these up by many further operas, supported as ''maestro di cappella'' in the households of aristocratic patrons, such as the commander of military forces at Naples, prince Philip of Hesse-Darmstadt, or of the Portuguese ambassador at Rome, for composing operas alone did not yet make a viable career. However, his enduring fame rests chiefly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristotelianism
Aristotelianism ( ) is a philosophical tradition inspired by the work of Aristotle, usually characterized by deductive logic and an analytic inductive method in the study of natural philosophy and metaphysics. It covers the treatment of the social sciences under a system of natural law. It answers why-questions by a scheme of four causes, including purpose or teleology, and emphasizes virtue ethics. Aristotle and his school wrote tractates on physics, biology, metaphysics, logic, ethics, aesthetics, poetry, theatre, music, rhetoric, psychology, linguistics, economics, politics, and government. Any school of thought that takes one of Aristotle's distinctive positions as its starting point can be considered "Aristotelian" in the widest sense. This means that different Aristotelian theories (e.g. in ethics or in ontology) may not have much in common as far as their actual content is concerned besides their shared reference to Aristotle. In Aristotle's time, philosophy included natur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphors
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from ''As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, ''As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world and a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ad Fontes
''Ad fontes'' is a Latin expression which means " ackto the sources" (lit. "to the sources"). The phrase epitomizes the renewed study of Greek and Latin classics in Renaissance humanism. Similarly, the Protestant Reformation called for renewed attention to the Bible as the primary source of Christian faith. The idea in both cases was that sound knowledge depends on the earliest and most fundamental sources. This phrase is related to ''ab initio'', which means "from the beginning". Whereas ''ab initio'' implies a flow of thought from first principles to the situation at hand, ''ad fontes'' is a retrogression, a movement back towards an origin, which ideally would be clearer than the present situation. The phrase ''ad fontes'' occurs in Psalm 42 of the Latin Vulgate: According to Hans-Georg Gadamer, there is evidence provided by E. Lledo that Spanish humanists drew the expression from this source. Erasmus of Rotterdam used the phrase in his ''De ratione studii ac legendi int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Baroque Poetry
Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain ** Spanish language, spoken in Spain and many Latin American countries ** Spanish cuisine Other places * Spanish, Ontario, Canada * Spanish River (other), the name of several rivers * Spanish Town, Jamaica Other uses * John J. Spanish (1922–2019), American politician * "Spanish" (song), a single by Craig David, 2003 See also * * * Español (other) * Spain (other) * España (other) * Espanola (other) * Hispania, the Roman and Greek name for the Iberian Peninsula * Hispanic, the people, nations, and cultures that have a historical link to Spain * Hispanic (other) * Hispanism * Spain (other) * National and regional identity in Spain * Culture of Spain The culture of ''Spain'' is based on a variety of historical influences, primarily based on the culture of ancient Rome, Spain being a prom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conceptismo
''Conceptismo'' (literally, conceptism) is a literary movement of the Baroque period in the Spanish literature. It began in the late 16th century and lasted through the 17th century, also the period of the Spanish Golden Age. ''Conceptismo'' is characterized by a rapid rhythm, directness, simple vocabulary, witty metaphors, and wordplay. In this style, multiple meanings are conveyed in a very concise manner, and conceptual intricacies are emphasised over elaborate vocabulary. Definition A major theorist of the movement, Baltasar Gracián, in his work ''Agudeza y arte de ingenio'', defined "concept" as "an act of the understanding that expresses the correspondence between objects". ''Conceptismo'' is characterized by a search for conciseness of expression with maximum significance in as few words as possible ('' mot juste''), especially in a way that suggests various meanings, as long as it is relevant to the theme of the work. ''Conceptismo'' works with the meanings of words and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Generation Of '27
The Generation of '27 ( es, Generación del 27) was an influential group of poets that arose in Spanish literary circles between 1923 and 1927, essentially out of a shared desire to experience and work with avant-garde forms of art and poetry. Their first formal meeting took place in Seville in 1927 to mark the 300th anniversary of the death of the baroque poet Luis de Góngora. Writers and intellectuals paid homage at the '' Ateneo de Sevilla'', which retrospectively became the foundational act of the movement. Terminology The Generation of '27 has also been called, with lesser success, "Generation of the Dictatorship", "Generation of the Republic", "Generation Guillén-Lorca" (Guillén being its oldest author and Lorca its youngest), "Generation of 1925" (average publishing date of the first book of each author), "Generation of Avant-Gardes", "Generation of Friendship", etc. According to Petersen, "generation group" or a "constellation" are better terms which are not so much ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico García Lorca
Federico del Sagrado Corazón de Jesús García Lorca (5 June 1898 – 19 August 1936), known as Federico García Lorca ( ), was a Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27, a group consisting mostly of poets who introduced the tenets of European movements (such as symbolism, futurism, and surrealism) into Spanish literature. He initially rose to fame with '' Romancero gitano'' (''Gypsy Ballads'', 1928), a book of poems depicting life in his native Andalusia. His poetry incorporated traditional Andalusian motifs and avant-garde styles. After a sojourn in New York City from 1929 to 1930—documented posthumously in ''Poeta en Nueva York'' (''Poet in New York'', 1942)—-he returned to Spain and wrote his best-known plays, ''Blood Wedding'' (1932), ''Yerma'' (1934), and ''The House of Bernarda Alba'' (1936). García Lorca was gay and suffered from depression after the end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Verlaine
Paul-Marie Verlaine (; ; 30 March 1844 – 8 January 1896) was a French poet associated with the Symbolist movement and the Decadent movement. He is considered one of the greatest representatives of the ''fin de siècle'' in international and French poetry. Biography Early life Born in Metz, Verlaine was educated at the ''Lycée Impérial Bonaparte'' (now the Lycée Condorcet) in Paris and then took up a post in the civil service. He began writing poetry at an early age, and was initially influenced by the Parnassien movement and its leader, Leconte de Lisle. Verlaine's first published poem was published in 1863 in ''La Revue du progrès'', a publication founded by poet Louis-Xavier de Ricard. Verlaine was a frequenter of the salon of the Marquise de Ricard (Louis-Xavier de Ricard's mother) at 10 Boulevard des Batignolles and other social venues, where he rubbed shoulders with prominent artistic figures of the day: Anatole France, Emmanuel Chabrier, inventor-poet and humoris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Symbolists
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Baroque Literature
Spanish Baroque literature is the literature written in Spain during the Baroque, which occurred during the 17th century. Spanish Baroque literature is a period of writing which begins approximately with the first works of Góngora and Lope de Vega, in the 1580s, and continues into the late 17th century. Characteristics of the Baroque The Baroque is characterized by the following features: *Pessimism: The Renaissance had been not successful in its purpose of imposing the harmony and the perfection over the world, as the humanists tried, and neither had made man happier; war and social inequalities continued; misery and calamity were common throughout Europe. An intellectual pessimism became more and more marked, together with a carefree character (of which the period's comedies and rogue narrations - on which the picaresque novels are based) give testimony. *Disappointment: As Renaissance ideals failed and, in the case of Spain, political power continued to ebb, disappointment gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
