La Dafne
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La Dafne
''La Dafne'' (''Daphne'') is an early Italian opera, written in 1608 by the Italian composer Marco da Gagliano from a libretto by Ottavio Rinuccini. It is described as a ''favola in musica'' (fable set to music) composed in one act and a prologue. The opera is based on the myth of Daphne and Apollo as related by Ovid in the first book of the ''Metamorphoses''. An earlier version of the libretto had been set to music in 1597–98 by Jacopo Peri, whose '' Dafne'' is generally considered to be the first opera. History Gagliano's opera was first performed at the Ducal Palace, Mantua in late February 1608. It had originally been intended to form part of the wedding celebrations of Prince Francesco Gonzaga of Mantua and Margherita of Savoy, but the arrival of the bride was delayed and the staging was brought forward (Monteverdi's opera ''L'Arianna'' was also written for the marriage but not performed until May). A private performance of ''Dafne'' was given in Florence at the house ...
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Jacopo Peri
Jacopo Peri (20 August 156112 August 1633), known under the pseudonym Il Zazzerino, was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera. He wrote the first work to be called an opera today, ''Dafne'' (around 1597), and also the first opera to have survived to the present day, '' Euridice'' (1600). Biography Peri was born in either Rome or Florence to a middle-class family. Peri himself claimed to be from Rome, but considering the pro-Roman sentiments of the reigning Fernando de'Medici, it was a disadvantage to be known as a Florentine, which may have motivated Peri to lie about his true birthplace. Nonetheless, he was employed to sing at the Servite monastery of SS. Annunziati in the city of Florence. He likely received an education from the monastery school as well. Due to its size and favour with the Medici court, who attended mass each week, SS. Annunziati was a pipeline for many mu ...
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Jacopo Corsi
Jacopo Corsi (17 July 1561 – 29 December 1602) was an Italian composer of the late Renaissance and early Baroque and one of Florence's leading patrons of the arts, after only the Medicis. His best-known work is ''Dafne'' (1597/98), whose score he wrote in collaboration with Jacopo Peri. Six fragments of the score have survived, two by Corsi and four by Peri. The libretto, by Ottavio Rinuccini, has survived intact. Despite priority quibbles at the time, Dafne is generally accepted as the first opera. __TOC__ Life Born in a Florentine noble family on 17 July 1561, he was the son of Giovanni Corsi (1519-1571) and Alessandra Della Gherardesca (X-1615). His father was an important merchant that expanded the family activities in Palermo and who also was in charge of Cardinal Ferdinando I de' Medici, Grand Duke of Tuscany. In 1569, Giovanni provided important services to the Cardinal but died early in 1571, leaving Jacopo, who was only 10 years old, to be raised by his uncle Ant ...
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Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vánas'' 'de ...
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Francesco Rasi
Francesco Rasi (14 May 1574 – 30 November 1621) was an Italian composer, singer (tenor), chitarrone player, and poet. Rasi was born in Arezzo. He studied at the University of Pisa and in 1594 he was studying with Giulio Caccini. He may have been in Carlo Gesualdo's retinue when he went to Ferrara for his wedding in 1594. In 1598 he joined the court of Duke Vincent I in Mantua, and probably served the Gonzaga family the rest of his life, with whom he travelled all over Italy and as far afield as Poland. He sang in the first performances of Jacopo Peri's '' Euridice'' and Caccini's '' Il rapimento di Cefalo'' in 1600. In 1607 he created the title role in Claudio Monteverdi's ''Orfeo'', and in 1608 sang in the first performances of Marco da Gagliano's ''La Dafne''.Porter In 1610 in Tuscany Rasi and his accomplices were sentenced to be hanged, drawn, and quartered for the murder of his stepmother's servant and the attempted murder of his stepmother; however because of the protecti ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Apollo (mythology)
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracula ...
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Caterina Martinelli
Caterina Martinelli (c. 1589-1608) was an Italian opera singer, who was employed by Duke Vincenzo I of Mantua from 1603 until her death in 1608. The title role in Claudio Monteverdi's opera '' L'Arianna'' was written for Martinelli, but she died prior to its premier. Life Martinelli was born in Rome in 1589. In 1603, she came to Mantua at the request of Duke Vincenzo, who originally intended for her to be trained in Florence first but later changed his mind. After arriving in Mantua, she lived in Monteverdi's household. While little is known about her life after she arrived in Mantua, it is presumable that she sang regularly at the court and that Monteverdi wrote many pieces of music for her. Until her death, she was the Duke's preferred soprano in the court. Martinelli died of small pox on March 9, 1608. The Duke had a marble tomb built for her and ordered that Carmelite Priests should celebrate Mass and Offices in her memory every year on the anniversary of her death. At th ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Daphne (mythology)
Daphne (; ; el, Δάφνη, , ), a minor figure in Greek mythology, is a naiad, a variety of female nymph associated with fountains, wells, springs, streams, brooks and other bodies of freshwater. There are several versions of the myth in which she appears, but the general narrative, found in Greco-Roman mythology, is that due to a curse made by the fierce wrath of the god Cupid, son of Venus, on the god Apollo (Phoebus), she became the unwilling object of the infatuation of Apollo, who chased her against her wishes. Just before being kissed by him, Daphne invoked her river god father, who transformed her into a laurel tree, thus foiling Apollo. Thenceforth Apollo developed a special reverence for laurel. At the Pythian Games, which were held every four years in Delphi in honour of Apollo, a wreath of laurel gathered from the Vale of Tempe in Thessaly was given as a prize. Hence it later became customary to award prizes in the form of laurel wreaths to victorious generals ...
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Intermedi
The intermedio (also intromessa, introdutto, tramessa, tramezzo, intermezzo, intermedii), in the Italian Renaissance, was a theatrical performance or spectacle with music and often dance, which was performed between the acts of a play to celebrate special occasions in Italian courts. It was one of the important predecessors to opera, and an influence on other forms like the English court masque. Weddings in ruling families and similar state occasions were the usual occasion for the most lavish intermedi, in cities such as Florence and Ferrara. Some of the best documentation of intermedi comes from weddings of the House of Medici, in particular the 1589 Medici wedding (between Christina of Lorraine and Ferdinando I de' Medici, Grand Duke of Tuscany), which featured what was undoubtedly both the most spectacular set of intermedi, and the best known, thanks to no fewer than 18 contemporary published festival books and sets of prints that were financed by the Grand Duke. Int ...
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La Dafne By Marco Da Gagliano
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a ...
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Luca Bati
Luca Bati (c. 1546 – 17 October 1608) was an Italian Baroque composer and music teacher. One of his pupils was Marco da Gagliano. Bati was born and died in Florence. He was ''maestro di cappella'' of Pisa Cathedral (1596) and then of the Medici Court and Florence Cathedral (from 1598 to 1599). His dramatic music for Medici weddings and Florentine carnivals is lost but his surviving madrigals (1594, 1598) and sacred works are of high quality though not notably progressive. Works * ''II primo libro de Madrigali 5 voci'' (contains 23 madrigals by Bati and one each by Neri Alberti and Antonio Bicci), Venice, 1594 * ''II secondo libro de Madrigali 5 voci'' (contains 21 madrigals by Bati and one by Piero Strozzi), Venice, 1598 * Music for the intermedio to Giovan Maria Cecchi's ''Rappresentazione sacra Esaltazione della Croce'', Florence, 1589 * Music for Gino Ginori's ''Mascherata Le fiamme d'amore'', Florence, 1595 * Third and fourth chorus to '' Il Rapimento di Cefalo'' ( ...
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