La Cythère Assiégée
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La Cythère Assiégée
Cythère assiégée (''Cythera Besieged'') is an opera by the composer Christoph Willibald Gluck. The French-language libretto is by Charles-Simon Favart. The first version of this opera premiered in spring 1759 at the Burgtheater, Vienna in the form of a one-act ''opéra comique''. A completely revised version turned it into a three-act ''opéra-ballet'' which appeared at the Paris Opéra on 1 August 1775. Gluck resorted to his eponymous opera comique (Vienna 1759) for the Parisian ''Cythère assiégée'' (1775) and transformed it into an opera ballet. He added recitative sections to Favarts's textual basis, re-designed sections and added his own compositions, some of them changing. His compositional works had progressed so far to the beginning of March 1775 that Gluck was able to leave a copy of the score on his departure from Paris; but neither could he supervise the rehearsal work nor be present at the premiere on 1 August 1775 or in the other 21 performances. Due to these cir ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Paris Opéra
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, w ...
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Opera World Premieres At The Burgtheater
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sing ...
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Operas By Christoph Willibald Gluck
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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1775 Operas
Events Summary The American Revolutionary War began this year, with the first military engagement being the April 19 Battles of Lexington and Concord on the day after Paul Revere's now-legendary ride. The Second Continental Congress takes various steps toward organizing an American government, appointing George Washington commander-in-chief (June 14), Benjamin Franklin postmaster general (July 26) and creating a Continental Navy (October 13) and a Marine force (November 10) as landing troops for it, but as yet the 13 colonies have not declared independence, and both the British (June 12) and American (July 15) governments make laws. On July 6, Congress issues the Declaration of the Causes and Necessity of Taking Up Arms and on August 23, King George III of Great Britain declares the American colonies in rebellion, announcing it to Parliament on November 10. On June 17, two months into the colonial siege of Boston, at the Battle of Bunker Hill, just north of Boston, Bri ...
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