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La Cava Bible
The La Cava Bible or ''Codex Cavensis'' (Cava de' Tirreni, Biblioteca statale del Monumento Nazionale Badia di Cava, Ms. memb. I) is a 9th-century Latin illuminated Bible, which was produced in Spain, probably in the Kingdom of Asturias during the reign of Alfonso II. The manuscript is preserved at the abbey of La Trinità della Cava, near Cava de' Tirreni in Campania, Italy, and contains 330 vellum folios which measure 320 by 260 mm. Origin The Bible was signed on folio 166v by a scribe named Danila. The location of the scriptorium in which Danila worked is not known. However the hand, textual variations, and orthography indicate that the manuscript was produced in Spain, during the early 9th century. It is unlikely that such a luxury manuscript could have been produced in the Muslim-controlled areas of the Iberian Peninsula. This makes Asturias, which was the largest Christian kingdom of the time, the most probable origin of the codex. Additional evidence of an Asturian or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nevi'im
Nevi'im (; he, נְבִיאִים ''Nəvīʾīm'', Tiberian: ''Năḇīʾīm,'' "Prophets", literally "spokespersons") is the second major division of the Hebrew Bible (the '' Tanakh''), lying between the Torah (instruction) and Ketuvim (writings). The Nevi'im are divided into two groups. The Former Prophets ( he, נביאים ראשונים ''Nevi'im Rishonim'') consists of the narrative books of Joshua, Judges, Samuel and Kings; while the Latter Prophets ( he, נביאים אחרונים ''Nevi'im Akharonim'') include the books of Isaiah, Jeremiah, Ezekiel, and the Twelve Minor Prophets. Synopsis The Jewish tradition counts a total of eight books in ''Nevi'im'' out of a total of 24 books in the entire Tanakh: there are four books of the Former Prophets, including Joshua and Judges; the collected ''Books of Samuel'' and '' Books of Kings'' are each counted as one book. Among the four books of the Latter Prophets, the major prophets (Isaiah, Jeremiah and Ezekiel) accoun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Frontispiece
A frontispiece in books is a decorative or informative illustration facing a book's title page—on the left-hand, or verso, page opposite the right-hand, or recto, page. In some ancient editions or in modern luxury editions the frontispiece features thematic or allegorical elements, in others is the author's portrait that appears as the frontispiece. In medieval illuminated manuscripts, a presentation miniature showing the book or text being presented (by whom and to whom varies) was often used as a frontispiece. Origin The word comes from the French ''frontispice'', which derives from the late Latin ''frontispicium'', composed of the Latin ''frons'' ('forehead') and ''specere'' ('to look at'). It was synonymous with ' metoposcopy'. In English, it was originally used as an architectural term, referring to the decorative facade of a building. In the 17th century, in other languages as in Italian, the term came to refer to the title page of a book, which at the time was often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compass (drafting)
A compass, more accurately known as a pair of compasses, is a technical drawing instrument that can be used for inscribing circles or arcs. As dividers, it can also be used as a tool to mark out distances, in particular, on maps. Compasses can be used for mathematics, drafting, navigation and other purposes. Prior to computerization, compasses and other tools for manual drafting were often packaged as a set with interchangeable parts. By the mid-twentieth century, circle templates supplemented the use of compasses. Today those facilities are more often provided by computer-aided design programs, so the physical tools serve mainly a didactic purpose in teaching geometry, technical drawing, etc. Construction and parts Compasses are usually made of metal or plastic, and consist of two "legs" connected by a hinge which can be adjusted to allow changing of the radius of the circle drawn. Typically one leg has a spike at its end for anchoring, and the other leg holds a drawing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Explicit (publishing)
The explicit (from Latin ''explicitus est'', "it is unrolled", as applied to scrolls) of a text or document is either a final note indicating the end of the text and often including information about its place, date and authorship or else the final few words of the text itself. In the first case, it is similar to a colophon but always appearing at the end of the text. In the second case, it corresponds to the incipit The incipit () of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of notes, having the same purpose. The word ''incipit'' comes from Latin and means "it beg ..., the first few words of a text. References Latin literary phrases {{lit-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asturias
Asturias (, ; ast, Asturies ), officially the Principality of Asturias ( es, Principado de Asturias; ast, Principáu d'Asturies; Galician-Asturian: ''Principao d'Asturias''), is an autonomous community in northwest Spain. It is coextensive with the province of Asturias and contains some of the territory that was part of the larger Kingdom of Asturias in the Middle Ages. Divided into eight ''comarcas'' (counties), the autonomous community of Asturias is bordered by Cantabria to the east, by León (Castile and León) to the south, by Lugo (Galicia) to the west, and by the Cantabrian sea to the north. Asturias is situated in a mountainous setting with vast greenery and lush vegetation, making it part of Green Spain. The region has a maritime climate. It receives plenty of annual rainfall and little sunshine by Spanish standards and has very moderated seasons, most often averaging in the lower 20s celsius. Heatwaves are rare due to mountains blocking southerly winds. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Julián De Los Prados
San Julián de los Prados, also known as Santullano, is a Pre-Ramirense church from the beginning of the 9th century in Oviedo, the capital city of the Principality of Asturias, Spain. It is one of the greatest works of Asturian art and was declared an Historical-Artistic Monument by the Spanish Ministry of Culture in June 1917 and a World Heritage Site by UNESCO on 2 December 1998. The church's construction was ordered by Alfonso II of Asturias and it was built by the court architect Tioda c. 830. It is dedicated to the martyred Egyptian saints Julian and Basilissa. Architecture The spacious church clearly displays the characteristics of its style. It is of basilican plan with a nave and two aisles separated by square piers which support semi-circular arches and with a transept of impressive height. The iconostasis, that separates the sanctuary from the rest of the church is remarkably similar in appearance to a triumphal arch. The size and originality of the church stands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mural
A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage. Word mural in art The word ''mural'' is a Spanish adjective that is used to refer to what is attached to a wall. The term ''mural'' later became a noun. In art, the word mural began to be used at the beginning of the 20th century. In 1906, Dr. Atl issued a manifesto calling for the development of a monumental public art movement in Mexico; he named it in Spanish ''pintura mural'' (English: ''wall painting''). In ancient Roman times, a mural crown was given to the fighter who was first to scale the wall of a besieged town. "Mural" comes from the Latin ''muralis'', meaning "wall painting". History Antique art Murals of sorts date to Upper Paleolithic times such as the cave paintings in the Lubang Jeriji Saléh cave in Borneo (40,000-52,000 BP), Chauvet Cave in Ardèche departm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross Of The Angels
The Cross of the Angels ( ast, Cruz de los Ánxeles, es, Cruz de los Ángeles) is a pre-romanesque Asturian reliquary donated by Alfonso II of Asturias in the year 808 to the Church of San Salvador in Oviedo, Asturias (Spain). The Cross of the Angels is the symbol of the city of Oviedo. The cross is the first example of jewelry made in the Kingdom of Asturias that has reached our days. Its current appearance is the result of careful reconstruction carried out after the damages the cross underwent in August 1977 after the robbery of the Camara Santa. Its squared dimensions (, wide and thick) are typical from Greek crosses. The cross is formed by two pieces of cedar wood with, at the center, a round disc. History The donation is usually interpreted as a sign of gratitude of the monarch after being restored to the throne, after the years of his incarceration in the monastery of Abelania. Veneration of the True Cross in the Kingdom of Asturias Reliquary The lateral arms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victory Cross
The Victory Cross ( Asturian and Spanish: ''Cruz de la Victoria'') is an early 10th century Asturian crux gemmata or jewelled cross, given by King Alfonso III of Asturias, who reigned from 866 to 910, to the Cathedral of San Salvador of Oviedo (Asturias, Spain). It was made in 908 in the Castle of Gauzón (Raices Viejo, Castrillón, Asturias). At the core is an oakwood cross, in legend identified with a cross carried by King Pelagius of Asturias at the Battle of Covadonga. Since December 1990, the flag of modern Principality of Asturias bears the Victory Cross offset towards the hoist. History According to legend, the primitive, undecorated wooden core of this cross was carried against the Muslims of al-Andalus by King Pelagius of Asturias at the Battle of Covadonga, later kept by his son Favila of Asturias in the Church of Santa Cruz de Cangas de Onís, erected by Favila and his wife Froiluba in 737, and dedicated to the True Cross in Cangas de Onís, the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
