LSI (Love Sex Intelligence)
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LSI (Love Sex Intelligence)
"LSI (Love Sex Intelligence)" is a song by Scottish band the Shamen with vocals by Jhelisa Anderson. Having been remixed by the Beatmasters, it was the first single taken from their fifth album, ''Boss Drum'' (1992). Released in July 1992, it achieved success in Finland, where it reached number one, Sweden, where it peaked at number four, and the United Kingdom, where it rose to number six. On the Eurochart Hot 100, "LSI" peaked at number 16. The CD single also contains a remix of "Make It Mine", a song from the ''En-Tact'' album. Critical reception Larry Flick from ''Billboard'' wrote, "Wildly popular British rave act previews its upcoming U.S. sophomore set, "''Boss Drum''", with an NRGetic workout that is splashed with acidic keyboard lines and pouty female vamping." Andy Kastanas from ''The Charlotte Observer'' noted, "This has the ravish flavour of The Shamen's music with some additional female vocals thrown in for texture. Don't miss the house, techno, and break beat versio ...
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The Shamen
The Shamen ( ) were a Scottish psychedelic band, formed in 1985 in Aberdeen, who became a chart-topping British electronic dance music act by the early 1990s. The founding members were Colin Angus, Derek McKenzie and Keith McKenzie. Peter Stephenson joined shortly after to take over on keyboards from Angus. Several other people were later in the band. Angus then teamed up with Will Sinnott, and together they found credibility as pioneers of rock/dance crossover. When rapper Mr. C joined, the band moved on to international commercial success with "Ebeneezer Goode" and their 1992 ''Boss Drum'' album. History 1980s The Shamen were preceded by Alone Again Or, the Love-inspired name under which they recorded their first psychedelic electronic pop singles. After their name change, further singles picked up airplay from John Peel. Released in June 1987, the Shamen's first album, '' Drop'', demonstrated their love of 1960s psychedelia, with influences such as Love, Syd Barrett and ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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Dance/Electronic Singles Sales
In the issue dated March 16, 1985, ''Billboard'' magazine debuted its first chart devoted exclusively to 12-inch Singles Sales. The 50-position weekly ranking joined ''Billboard''s established Club Songs chart, reduced to the same 50 positions, both under the title Hot Dance/Disco. A coupling from MCA Records' ''Beverly Hills Cop'' soundtrack, Patti LaBelle's " New Attitude" and Harold Faltermeyer's "Axel F", held the No. 1 slot for the chart's first week and was also No. 1 for the second consecutive week on the most played dance/disco chart. On June 20, 1992, the chart was renamed Maxi-Singles Sales, then simply Dance Singles Sales on March 1, 2003. The chart included maxi-singles that did not appear on Club Play by artists of other genres such as rapper 2Pac, the industrial metal band Ministry and alternative rock band the Smiths. " Every Day Is Exactly the Same" by Nine Inch Nails was number one on the sales chart more than any other single at 36 weeks, yet never appeared o ...
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UK Dance Singles Chart
The UK Dance Singles Chart and the UK Dance Albums Chart are music charts compiled in the United Kingdom by the Official Charts Company from sales of songs in the dance music genre (e.g. house, trance, drum and bass, garage, synthpop) in record stores and digital downloads. The chart can be viewed on the BBC Radio 1's and Official Charts Company's website. The archive on the Official Charts Company website goes back to 3 July 1994, the beginning of the first charting week.Official Dance Singles Chart Top 40: 3 July 1994 - 9 July 1994
The dates listed in the menus below represent the Saturday after the Sunday the c ...
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The Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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European Dance Radio Chart
The European Dance Radio Chart (also known as European Dance Radio Top 25) was a weekly chart compiled by pan-European magazine ''Music & Media''. After dance music had played a more dominant role on the magazine's Eurochart Hot 100 in the beginning of the 1990s, the new chart was launched on 28 September 1991. Based on a weighted-scoring system, it was compiled on the basis of playlists of European stations programming various styles of dance music, including hip hop/rap, R&B and swingbeat, for the 15-30 year-olds, fulltime or during specific dayparts. The first number one single on the EDR Chart was "Gett Off" by Prince. Number one singles on European Dance Radio Top 25 1991 *Prince - "Gett Off" (28 September 1991) *P.M. Dawn - "Set Adrift on Memory Bliss" (19 October 1991) *Simply Red - "Something Got Me Started" (2 November 1991) *Lisa Stansfield - "Change" (23 November 1991) *Michael Jackson - "Black or White" (21 December 1991) 1992 * DNA - " Can You Handle It" (15 Februar ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ...
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European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ...
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ARIA Charts
The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report, which had been Australia's national music sales charts since 1974. History The ''Go-Set'' charts were Australia's first national singles and albums charts, published from 5 October 1966 until 24 August 1974. Succeeding ''Go-Set'', the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australia's national charts from 1940 to 1974 in a retrospective fashion using state-based data. In mid-1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, branded the ''Countdown'' chart, was ...
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Frank De Wulf
Frank De Wulf (born 1968) is a Belgian DJ, musician and record label owner. He is considered one of the pioneers of the Belgian new beat and techno scene. Life and career Frank De Wulf was born in 1968 as the youngest of three sons.About Me
frankdewulf.com, access date 13 March 2015
His brothers introduced him to new music and soon he started to create his first tape mixes. In the 1980s, he had his own radio show, ''Seventh Heaven Radio''. In 1985, he began working for SIS radio. He also had his first jobs as resident DJ in two clubs in . When New Beat became popular in Belgium around 1988 De Wulf started to produce his own tracks. One of his first hits was the 12" ''Acid Rock'' which he released wi ...
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Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ...
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