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Lydian Cadence
A Lydian cadence is a type of half cadence that was popular in the Ars nova style of the 14th and early 15th century. It is so-called because it evokes the Lydian mode based on its final chord as a tonic, and may be construed with the chord symbols VII-I (if the final is taken as a Lydian-mode tonic) or III-IV (if the final is taken as a in major). It is also the most common type of double-leading-tone cadence, as it contains two leading-tone resolutions (- and -). A frequently-used type of Landini cadence A Landini cadence (Landini sixth or Landini sixth cadence), or under-third cadence, is a type of cadence, a technique in music composition, named after Francesco Landini (1325–1397), a blind Florentine organist, in honor of his extensive use ... is based on the Lydian cadence, with the upper voice dropping to before skipping back up to the tonic. Cadences {{Music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Cadence
A Lydian cadence is a type of half cadence that was popular in the Ars nova style of the 14th and early 15th century. It is so-called because it evokes the Lydian mode based on its final chord as a tonic, and may be construed with the chord symbols VII-I (if the final is taken as a Lydian-mode tonic) or III-IV (if the final is taken as a in major). It is also the most common type of double-leading-tone cadence, as it contains two leading-tone resolutions (- and -). A frequently-used type of Landini cadence A Landini cadence (Landini sixth or Landini sixth cadence), or under-third cadence, is a type of cadence, a technique in music composition, named after Francesco Landini (1325–1397), a blind Florentine organist, in honor of his extensive use ... is based on the Lydian cadence, with the upper voice dropping to before skipping back up to the tonic. Cadences {{Music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Half Cadence
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lydian Mode
The modern Lydian mode is a seven-tone musical scale formed from a rising pattern of pitches comprising three whole tones, a semitone, two more whole tones, and a final semitone. : Because of the importance of the major scale in modern music, the Lydian mode is often described as the scale that begins on the fourth scale degree of the major scale, or alternatively, as the major scale with the fourth scale degree raised half a step. This sequence of pitches roughly describes the scale underlying the fifth of the eight Gregorian (church) modes, known as Mode V or the authentic mode on F, theoretically using B but in practice more commonly featuring B. The use of the B as opposed to B would have made such piece in the modern day F major scale. Ancient Greek Lydian The name Lydian refers to the ancient kingdom of Lydia in Anatolia. In Greek music theory, there was a Lydian scale or "octave species" extending from ''parhypate hypaton'' to ''trite diezeugmenon'', equivalent in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landini Cadence
A Landini cadence (Landini sixth or Landini sixth cadence), or under-third cadence, is a type of cadence, a technique in music composition, named after Francesco Landini (1325–1397), a blind Florentine organist, in honor of his extensive use of the technique. The technique was used extensively in the 14th and early 15th century. In a typical Medieval cadence, a major sixth musical interval is expanded to an octave by having each note move outwards one step. In Landini's version, an escape tone in the upper voice narrows the interval briefly to a perfect fifth before the octave. There could also be an inner voice; in the example the inner voice would move from F to G, in the same rhythm as the lower voice. Landini was not the first to use the cadence (Gherardello da Firenze appears to be the first whose works have survived), and was not the last: the cadence was still in use well into the 15th century, appearing particularly frequently in the songs of Gilles Binchois and i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |