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Luxury (The Nein Album)
''Luxury'' is the second full-length studio album by the indie rock band The Nein. It was released on February 20, 2007 on Sonic Unyon. Track listing All songs written and composed by The Nein. # "Burn Construction" # "Attitude and Mirrors" # "Sweet Vague" # "Journalist, Pt. 1" # "Journalist, Pt. 2" # "Achilles Last Tape Solo" # "Ennio" # "Decollage" # "Radical Chic" # "Wreck-We-Um-Dub" # "Get Up" # "The Future Crumbles" # "A Landscape" Personnel ;The Nein * Finn Cohen – Vocals, guitar * Robert Biggers – drum, keyboards * Dale Flattum – Loops, sampling, tapes ;Guest musicians * Eric Roehrig – Background music, commentary * Chris Rossi – Vibraphone ;Production * Matt Kalb – Engineering * Chris Logan – A&R * Ryan Granville Martin – Effects, mixing * Finn Cohen – Programming * Ramen Royale – Artwork * Ben Spiker – Photography References External links * *''Luxury''at Rate Your Music Rate Your Music (often abbreviated to RYM) is an online co ...
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The Nein
The Nein is an indie rock band from Durham, North Carolina, and is composed of former members of The White Octave, Steel Pole Bath Tub, and Piedmont Charisma. The band is signed to the Canadian label Sonic Unyon. Biography Finn Cohen, Robert Biggers, and Casey Burns formed the group in early 2003 in Durham, North Carolina. After self-releasing a handful of EPs, the band signed to Sonic Unyon and released their self-titled debut EP. Dale Flattum joined the group in 2004 and the group released their full-length album, '' Wrath of Circuits'' in 2005 on Sonic Unyon (with a vinyl version release on Red Strings Records later that year). Burns left the group in early 2006, and the group began work on new material and future touring with Josh Carpenter (of Asheville, North Carolina). In September, 2006, Sonic Unyon released an EP of material previously recorded with Burns, entitled ''Transitionalisms'', which preceded the release of their second full-length album ''Luxury''. Dis ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation ...
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Rate Your Music
Rate Your Music (often abbreviated to RYM) is an online collaborative database of music releases and films. Users can catalog items from their personal collection, review them, and assign ratings in a five-star rating system. The site also features community-based charts that track highest-rated releases. History Rate Your Music was founded on December 24, 2000, by Seattle resident Hossein Sharifi, who is still active on the site under the username "sharifi". The first version of the site, "RYM 1.0," allowed users to rate and catalog releases, as well as to write reviews, create lists and add artists and releases to the database. Over time, other features were added, like cover art, a forum section and private messaging. On August 7, 2006, "RYM 2.0" was launched, introducing database features such as tracklists, record labels, catalog numbers, and more fields such as concerts and venues. As a result of rising expenses, the website ceased relying solely on donations in 2006 a ...
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Photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the ...
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Cover Art
Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product such as a book (often on a dust jacket), magazine, newspaper (tabloid), comic book, video game ( box art), music album ( album art), CD, videotape, DVD, or podcast. The art has a primarily commercial function, for instance to promote the product it is displayed on, but can also have an aesthetic function, and may be artistically connected to the product, such as with art by the creator of the product. Album cover art Album cover art is artwork created for a music album. Notable album cover art includes Pink Floyd's '' The Dark Side of the Moon, King Crimson's In the Court of the Crimson King,'' the Beatles' ''Sgt. Pepper's Lonely Hearts Club Band'', '' Abbey Road'' and their self-titled "White Album" among others. Albums can have cover art created by the musician, as with Joni Mitchell's ''Clouds'', or by an associated musician, such as Bob Dylan's artwor ...
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Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Ald ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mi ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio *Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective *Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *Au ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining ele ...
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Background Music
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement. Listeners are uniquely subject to background music with no control over its volume and content. The range of responses created are of great variety, and even opposite, depending on numerous factors such as, setting, culture, audience, and even time of day. Background music is commonly played where there is no audience at all, such as empty hallways and restrooms and fitting rooms. It is also used in artificial space, such as music played while on hold during a telephone call, and virtual space, as in the ambient sounds or thematic music in video games. It is typically played at low volumes from multiple small speakers distributing the m ...
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Loop (music)
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves. Loops can be created using a wide range of music technologies including turntables, digital samplers, looper pedals, synthesizers, sequencers, drum machines, tape machines, and delay units, and they can be programmed using computer music software. The feature to loop a section of an audio track or video footage is also referred to by electronics vendors as ''A–B repeat''. Royalty-free loops can be purchased and downloaded for music creation from companies like The Loop Loft, Native Instruments, Splice and Output. Loops are supplied in either MIDI or Audio file formats such as WAV, REX2, AIFF and MP3. Musicians ''play'' loops by triggering the start of the musical sequence ...
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Indie Rock
Indie rock is a subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or " guitar pop rock". One of the primary scenes of the movement was Dunedin, where a cultural scene based around a convergence of noise pop and jangle became popular among the city's large student population. Independent labels such as Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement, Pixies and R.E.M. Other notable scenes grew in Manchester and Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "indie" (or "indie pop") started to shift from its reference to recording companies to describe the style of music produced on punk and post-punk labels.S. Brown and U ...
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