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Luncheon In The Studio
''Luncheon in the Studio'' (or ''The Luncheon'') is an 1868 oil painting by Édouard Manet. Partially a portrait of 16-year-old Léon Leenhoff — the son of Suzanne Leenhoff before her 1863 marriage to Manet, and possibly the son of Manet or Manet's father Auguste — it is also an enigmatic work that has received limited attention within Manet's oeuvre. Critic Nan Stalnaker notes that "despite continued questions about its meaning, the work is acknowledged to be brilliantly painted and a major Manet work". Description In the summer of 1868 Manet traveled to Boulogne-sur-Mer for his summer vacation, where he painted ''Luncheon in the Studio'' and other works. ''Luncheon'' was posed in the dining room of Manet's rented house. Leenhoff is the focus of the painting, with his back to the other two people, who have at various points been identified as his mother and Manet. These identifications are now seen as incorrect; the man seated at the table, smoking a cigar and enjoying a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luncheon In The Studio - Manet
Lunch is a meal eaten around the middle of the day. It is commonly the second meal of the day, after breakfast, and varies in size by culture and region. Etymology According to the ''Oxford English Dictionary'' (''OED''), the etymology of ''lunch'' is uncertain. It may have evolved from ''lump'' in a similar way to ''hunch'', a derivative of ''hump'', and ''bunch'', a derivative of ''bump''. Alternatively, it may have evolved from the Spanish , meaning "slice of ham". It was first recorded in 1591 with the meaning 'thick piece, hunk' as in "lunch of bacon". The modern definition was first recorded in 1829. Luncheon ( or ) has a similarly uncertain origin according to the ''OED'', which they claim is "related in some way" to ''lunch''. It is possible that ''luncheon'' is an extension of ''lunch'' in a similarly way with ''punch'' to ''puncheon'' and ''trunch'' to '' truncheon''. Originally interchangeable with ''lunch'', it is now used in specially formal circumstances. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Fried
Michael Martin Fried (born April 12, 1939 in New York City) is a modernist art critic and art historian. He studied at Princeton University and Harvard University and was a Rhodes Scholar at Merton College, Oxford. He is the J.R. Herbert Boone Professor Emeritus of Humanities and Art History at the Johns Hopkins University, Baltimore, Maryland, United States. Fried's contribution to art historical discourse involved the debate over the origins and development of modernism. Along with Fried, this debate's interlocutors include other theorists and critics such as Clement Greenberg, T. J. Clark, and Rosalind Krauss. Since the early 1960s, he has also been close to philosopher Stanley Cavell. Fried was elected to the American Academy of Arts and Sciences in 1985 and the American Philosophical Society in 2003. Early career Fried describes his early career in the introduction to ''Art and Objecthood: Essays and Reviews'' (1998), an anthology of his art criticism in the 60s and 70s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Paintings By Édouard Manet
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ross King (author)
Ross King (born July 16, 1962) is a Canadian novelist and non-fiction writer. He began his career by writing two works of historical fiction in the 1990s, later turning to non-fiction, and has since written several critically acclaimed and best-selling historical works. Career and works King was born in Estevan, Saskatchewan, Canada and was raised in the nearby village of North Portal. He received his undergraduate university education at the University of Regina, where in 1984 he completed a Bachelor of Arts (Honours) degree in English Literature. Continuing his studies at the University of Regina, he received a Master of Arts degree in 1986 upon completing a thesis on the poet T. S. Eliot. Later he achieved a PhD from York University in Toronto (1992), where he specialized in eighteenth-century English literature. King moved to England to take up a position as a post-doctoral research fellow at University College London. It was at this time that he began writing his firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympia (Manet)
''Olympia'' is a painting by Édouard Manet, first exhibited at the 1865 Paris Salon, which shows a nude woman ("Olympia") lying on a bed being brought flowers by a servant. Olympia was modelled by Victorine Meurent and Olympia's servant by the art model Laure. Olympia's confrontational gaze caused shock and astonishment when the painting was first exhibited because a number of details in the picture identified her as a prostitute. The French government acquired the painting in 1890 after a public subscription organized by Claude Monet. The painting is on display at the Musée d'Orsay, Paris. Content What shocked contemporary audiences was not Olympia's nudity, nor the presence of her fully clothed maid, but her confrontational gaze and a number of details identifying her as a ''demi-mondaine'' or prostitute. These include the orchid in her hair, her bracelet, pearl earrings and the oriental shawl on which she lies, symbols of wealth and sensuality. The black ribbon around her n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baudelaire
Charles Pierre Baudelaire (, ; ; 9 April 1821 – 31 August 1867) was a French poet who also produced notable work as an essayist and art critic. His poems exhibit mastery in the handling of rhyme and rhythm, contain an exoticism inherited from Romantics, but are based on observations of real life. His most famous work, a book of lyric poetry titled ''Les Fleurs du mal'' (''The Flowers of Evil''), expresses the changing nature of beauty in the rapidly industrializing Paris during the mid-19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé, among many others. He is credited with coining the term modernity (''modernité'') to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility of artistic expression to capture that experience. Marshall Berman has credited Baudelaire as being the first Modernist. Early life Baudelaire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Narcisse Guérin
Pierre-Narcisse, baron Guérin (13 March 1774 – 6 July 1833) was a French painter born in Paris. Background A pupil of Jean-Baptiste Regnault, he carried off one of the three ''grands prix'' offered in 1796, in consequence of the competition not having taken place since 1793. In 1799, his painting ''Marcus Sextus'' (Louvre) was exhibited at the Salon and excited wild enthusiasm. Part of this was due to the subject – a victim of Sulla's proscription returning to Rome to find his wife dead and his house in mourning – in which an allusion was found to the turmoil of the French Revolution. Guérin on this occasion was publicly crowned by the president of the Institute, and went to Rome to study under Joseph-Benoît Suvée. In 1800, unable to remain in Rome on account of his health, he went to Naples, where he painted ''The Shepherds in the Tomb of Amyntas ''. In 1802 Guérin produced ''Phaedra and Hippolytus'' (Louvre); in 1810, after his return to Paris, he again achie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andromache Mourning Hector
''Andromache Mourning Hector'' is a 1783 oil-on-canvas painting by the French Neoclassical artist Jacques-Louis David. The painting depicts an image from Homer's ''Iliad'', showing Andromache, comforted by her son, Astyanax, mourning over her husband Hector, who has been killed by Achilles. This painting, presented on 23 August 1783, brought David election to the Académie Royale An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary education, secondary or tertiary education, tertiary higher education, higher learning (and generally also research or honorary membershi ... in 1784. References {{ACArt Mythological paintings by Jacques-Louis David 1780s paintings Paintings in the Louvre by French artists Paintings depicting Greek myths Cultural depictions of the Trojan War Paintings about death Paintings based on the Iliad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques-Louis David
Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassicism, Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime. David later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758–1794), and was effectively a dictator of the arts under the French First Republic, French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release: that of Napoleon, the First Consul of France. At this time he developed his Empire style, notable for its use of warm Venetian school (art), Venetian colours. After Napoleon's fall from Imperial power and the Bourbon revival, David exiled himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
