Luis De Mena
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Luis De Mena
Luis de Mena was a Mexican artist who lived and worked predominantly in the middle of the eighteenth century. Mena painted religious works and has been described as "no more than a journeyman painter in 18th century Mexico." He signed a work entitled "Most Holy Mother of Light", now on display in the Serra Museum in San Diego, California. His most famous painting is in the Museo de América in Madrid, which is much reproduced as an exemplar of the casta painting genre. It is a single-canvas work from 1750 which portrays not only a variety of New Spain’s castas but uniquely features the Virgin of Guadalupe. This painting also shares more common features with others of its kind, including fruits native to Mexico and idealized scenes of daily life in the top and bottom panels. His paintings are, as a whole, more idealistic, suggesting he belonged to a school of art which emphasized the exotic and paradisiacal elements of New Spain. This approach to casta painting dominated the gen ...
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Casta Painting By Luis De Mena
() is a term which means "lineage" in Spanish and Portuguese and has historically been used as a racial and social identifier. In the context of the Spanish Empire in the Americas it also refers to a now-discredited 20th-century theoretical framework which postulated that colonial society operated under a hierarchical race-based "caste system". From the outset, colonial Spanish America resulted in widespread intermarriage: unions of Spaniards (), Amerindians () and Black people (). Basic mixed-race categories that appeared in official colonial documentation were , generally offspring of a Spaniard and an indigenous person; and , offspring of a Spaniard and a black African. A plethora of terms were used for people with mixed indigenous, African, and Spanish ancestry in 18th-century casta paintings, but they are not known to have been widely used officially or unofficially in the Spanish Empire. Etymology ''Casta'' is an Iberian word (existing in Spanish, Portuguese and othe ...
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Casta
() is a term which means "lineage" in Spanish and Portuguese and has historically been used as a racial and social identifier. In the context of the Spanish America, Spanish Empire in the Americas it also refers to a now-discredited 20th-century theoretical framework which postulated that colonial society operated under a hierarchical race-based "caste system". From the outset, colonial Spanish America resulted in widespread intermarriage: miscegenation, unions of Spanish people, Spaniards (), Amerindians () and Black people (). Basic mixed-race categories that appeared in official colonial documentation were , generally offspring of a Spaniard and an indigenous person; and , offspring of a Spaniard and a black African. A plethora of terms were used for people with mixed indigenous, African, and Spanish ancestry in 18th-century casta paintings, but they are not known to have been widely used officially or unofficially in the Spanish Empire. Etymology ''Casta'' is an Iberian w ...
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Virgin Of Guadalupe
Our Lady of Guadalupe ( es, Nuestra Señora de Guadalupe), also known as the Virgin of Guadalupe ( es, Virgen de Guadalupe), is a Catholic title of Mary, mother of Jesus associated with a series of five Marian apparitions, which are believed to have occurred in December 1531, and a venerated image on a cloak enshrined within the Basilica of Our Lady of Guadalupe in Mexico City. The basilica is the most-visited Catholic shrine in the world, and the world's third most-visited sacred site. Pope Leo XIII granted the image a decree of canonical coronation on 8 February 1887 and was pontifically crowned on 12 October 1895. Description of Marian apparitions According to ''Nican Mopohua'', a 17th-century account written in the native Nahuatl language, the Virgin Mary appeared four times to Juan Diego, an indigenous Mexican peasant Chichimec and once to his uncle, Juan Bernardino. The first apparition occurred on the morning of Saturday, 9 December 1531 (Julian calendar, which is De ...
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Museo De América
The (English: Museum of America) is a Spanish national museum of arts, archaeology and ethnography in Madrid. Its collections cover the whole of the Americas and range from the Paleolithic period to the present day. It is owned by the Spanish State and its initial pieces came from the former collection of American archaeological and ethnographic artifacts from the National Archaeological Museum, Madrid, National Archaeological Museum, also exhibiting a number of unrelated donations, deposits and purchases. History The institution was founded via a decree from 19 April 1941 and opened in 1944 inside the building hosting the National Archaeological Museum. After all the initial pieces were moved to a newly built premises in the Ciudad Universitaria (Madrid), Ciudad Universitaria, the building was thus inaugurated on 12 October 1965. After a series of refurbishment works on the building (previously shared with a number of unrelated institutions), the museum was reopened on 12 Oct ...
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Miguel Cabrera (painter)
Miguel Mateo Maldonado y Cabrera (1695–1768) was a Mestizo painter born in Oaxaca but moved to Mexico City, the capital of Viceroyalty of New Spain. During his lifetime, he was recognized as the greatest painter in all of New Spain. He created religious and secular art for the Catholic Church and wealthy patrons. His casta paintings, depicting interracial marriage among Amerindians, Spaniards and Africans, are considered among the genre's finest. Cabrera's paintings range from tiny works on copper to enormous canvases and wall paintings. He also designed altarpieces and funerary monuments. Biography Cabrera was born in Antequera, today's Oaxaca, Oaxaca, and moved to Mexico City in 1719. He may have studied under the Rodríguez Juárez brothers or José de Ibarra. Cabrera was a favorite painter of Archbishop Manuel José Rubio y Salinas, whose portrait he twice painted, and of the Jesuits, which earned him many commissions. In 1 he created an important analytical stu ...
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18th-century Mexican Painters
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand the ...
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18th-century Male Artists
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand t ...
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Mexican Male Painters
Mexican may refer to: Mexico and its culture *Being related to, from, or connected to the country of Mexico, in North America ** People *** Mexicans, inhabitants of the country Mexico and their descendants *** Mexica, ancient indigenous people of the Valley of Mexico ** Being related to the State of Mexico, one of the 32 federal entities of Mexico ** Culture of Mexico *** Mexican cuisine *** historical synonym of Nahuatl, language of the Nahua people (including the Mexica) Arts and entertainment * "The Mexican" (short story), by Jack London * "The Mexican" (song), by the band Babe Ruth * Regional Mexican, a Latin music radio format Films * ''The Mexican'' (1918 film), a German silent film * ''The Mexican'' (1955 film), a Soviet film by Vladimir Kaplunovsky based on the Jack London story, starring Georgy Vitsin * ''The Mexican'', a 2001 American comedy film directed by Gore Verbinski, starring Brad Pitt and Julia Roberts Other uses * USS ''Mexican'' (ID-1655), United Stat ...
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Race In Latin America
There is no single system of races or ethnicities that covers all modern Latin America, and usage of labels may vary substantially. In Mexico, for example, the category mestizo is not defined or applied the same as the corresponding category of mestiço in Brazil. In spite of these differences, the construction of race in Latin America can be contrasted with concepts of race and ethnicity in the United States. The ethno-racial composition of modern-day Latin American nations combines diverse Amerindian populations, with influence from Iberian and other Western European colonizers, and equally diverse African groups brought to the Americas as slave labor, and also recent immigrant groups from all over the world. Racial categories in Latin America are often linked to both continental ancestry or mixture as inferred from phenotypical traits, but also to socio-economic status. Ethnicity is often constructed either as an amalgam national identity or as something reserved for the ...
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New Spain
New Spain, officially the Viceroyalty of New Spain ( es, Virreinato de Nueva España, ), or Kingdom of New Spain, was an integral territorial entity of the Spanish Empire, established by Habsburg Spain during the Spanish colonization of the Americas and having its capital in Mexico City. Its jurisdiction comprised a huge area that included what is now Mexico, the Western and Southwestern United States (from California to Louisiana and parts of Wyoming, but also Florida) in North America; Central America, the Caribbean, very northern parts of South America, and several territorial Pacific Ocean archipelagos. After the 1521 Spanish conquest of the Aztec empire, conqueror Hernán Cortés named the territory New Spain, and established the new capital, Mexico City, on the site of the Tenochtitlan, the capital of the Mexica (Aztec) Empire. Central Mexico became the base of expeditions of exploration and conquest, expanding the territory claimed by the Spanish Empire. With the polit ...
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Latin American Caste System
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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