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Love In A Veil
''Love in a Veil'' is a 1718 comedy play by the British writer Richard Savage. It was inspired by a seventeenth century play by the Spanish writer Pedro Calderón de la Barca.Burling p.70 The cast included Charles Williams as Lorenzo, Henry Norris as Alonzo, John Mills as Sir Charles Winlove, John Thurmond as Don Philip, William Mills as Diego, Anna Maria Seymour Anna Maria Seymour or Mrs Seymour (c. 1692 – 10 July 1723) was a British actress. Life Seymour is first heard of in 1717 when she appeared at Drury Lane in ''The Scowrers''. She took leading roles in Richard III and Hamlet with Lacy Ryan as w ... as Leonora, Mary Willis as Fidelia and Joe Miller as Aspin. References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinson Univ Press, 1992. * Hogan, Floriana Tarantino.''The Spanish Comedia and the English Comedy of Intrigue with Special Reference to Aphra Behn''. Boston University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Savage (poet)
Richard Savage (c. 1697 – 1 August 1743) was an English poet. He is best known as the subject of Samuel Johnson's '' Life of Savage'', originally published anonymously in 1744, which is based on one of the most elaborate of Johnson's ''Lives of the English Poets''. Life Early life What is known about Savage's early life mostly comes from Johnson's ''Life of Savage''. However, such information is not entirely trustworthy, since Johnson did not feel the need to thoroughly investigate Savage's past. Johnson relied almost solely on books, papers and magazines that publisher Edward Cave retrieved for him from ''The Gentleman's Magazine''s archives. In 1698 Charles Gerard, 2nd Earl of Macclesfield, obtained a divorce from his wife, Anne, daughter of Sir Richard Mason. Shortly afterwards she married Colonel Henry Brett. Lady Macclesfield had two children by Richard Savage, 4th Earl Rivers, the second of whom was born at Fox Court, Holborn, on 16 January 1697, and christened two days ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy Play
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a lighter tone. In this sense Dante used the term in the title of his poem, the ''Divine Comedy'' (Italian: ''Divina Commedia''). The phenomena connected with laughter and that which provokes it have been carefully investigated by psychologists. The predominating characteristics are incongruity or contrast in the object, and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential factor: thus Thomas Hobbes speaks of laughter as a "sudden glory." Modern investigators have paid much attention to the origin both of laughter and of smiling, as well as the development of the "play insti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Calderón De La Barca
Pedro Calderón de la Barca y Barreda González de Henao Ruiz de Blasco y Riaño (, ; ; 17 January 160025 May 1681) was a Spanish dramatist, poet, writer and knight of the Order of Santiago. He is known as one of the most distinguished Baroque writers of the Spanish Golden Age, especially for his plays. Calderón de la Barca was born in Madrid, where he spent most of his life. He was born on a boat in the Manzanares river, thus the name "de la Barca" added to his father's last name. During his life, he served as soldier and he was a Roman Catholic priest. Born when the Spanish Golden Age theatre was being defined by Lope de Vega, he developed it further, his work being regarded as the culmination of the Spanish Baroque theatre. As such, he is regarded as one of Spain's foremost dramatists and one of the finest playwrights of world literature. Biography Pedro Calderón de la Barca was born in Madrid on Friday, 17 January 1600, and was baptized in the parish of San Martín. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Williams (stage Actor)
Charles Williams (1693–1731) was a British stage actor. Williams joined the company at the Theatre Royal, Drury Lane in 1718 and remained with it to his death in the year of his 38th birthday.Brean p.173 Selected roles * Lorenzo in '' Love in a Veil'' by Richard Savage (1718) * Herbis in ''The Siege of Damascus'' by John Hughes (1720) * Alan in '' The Briton'' by Ambrose Philips (1722) * Earl of Warwick in ''Humphrey, Duke of Gloucester'' by Ambrose Philips (1723) * Ammon in '' The Fatal Constancy'' by Hildebrand Jacob (1723) * Duke Frederick in '' Love in a Forest'' by Charles Johnson (1723) * Araxes in '' The Captives'' by John Gay (1724) * Decius in ''Caesar in Egypt'' by Colley Cibber (1724) * Julio in ''Double Falsehood'' by Lewis Theobald (1727) * Amyntas in ''Love in a Riddle'' by Colley Cibber (1729) * Freeman in '' The Village Opera'' by Charles Johnson (1729) * Scipio in ''Sophonisba'' by James Thomson (1730) * Dinarchus in ''Timoleon'' by Benjamin Martyn Benj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Norris (actor)
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Henry Norris may refer to: *Sir Henry Norris (courtier) (c. 1482–1536), Groom of the Stool to Henry VIII, alleged lover of Anne Boleyn *Sir Henry Norris, 1st Baron Norreys (1525–1601), Elizabethan courtier *Henry Norreys (colonel-general) (1554–1599), English soldier and son of Henry Norris, 1st Baron Norreys *Henry Handley Norris (1771–1850), English High Church clergyman *Sir Henry Norris (businessman) (1865–1934), British businessman, football chairman and politician *Henry Norris (engineer) (1816–1878), British civil engineer See also *Henry Norris Russell (1877–1957), US astronomer *Norris (other) *Norreys Norreys (also spelt Norris) may refer to various members of, or estates belonging to, a landed family chiefly seated in the English counties of Berkshire and Lancashire and the Irish county of Cork. Famous family members * Baron Norreys of Rycote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Mills (stage Actor)
John Mills (c.1670–1736) was a British stage actor. A long-standing part of the Drury Lane company from 1695 until his death, he appeared in both comedies and tragedies. His wife Margaret Mills was an actress, and his son William Mills also became an actor at Drury Lane. He was a friend of the playwright Richard Steele and Robert Wilks the lead actor and manager at Drury Lane with whom he frequently appeared on stage. He died on 17 December 1736, thirteen days after performing in his final role as the King in '' Henry IV, Part 2''.Highfill, Burnim & Langhans p.249 Selected roles * Pedro in '' Agnes de Castro'' by Catherine Trotter (1695) * Castillio in ''Neglected Virtue'' by Charles Hopkins (1696) * Pisano in ''The Unhappy Kindness'' by Thomas Scott (1696) * Lovewell in ''Love and a Bottle'' by George Farquhar (1698) * Colonel Darange in '' The Campaigners'' by Thomas D'Urfey (1698) * Vizard in ''The Constant Couple'' by George Farquhar (1699) * Don Duart in ''Love Makes a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Thurmond
John Thurmond (died 1727) was a British stage actor. To distinguish him from his son, also an actor named John, he is sometimes called John Thurmond the Elder. His earliest known stage performance was in 1695, when he played in '' Cyrus the Great'' with Thomas Betterton's troupe at the Lincoln's Inn Fields Theatre. Around 1699 he joined the Smock Alley Theatre where he acted alongside his wife Winifred. By 1708 he was back in London with the Drury Lane Theatre. He died on 7 September 1727 the same night he had been due to appear in '' Othello''. He was buried in St Paul's, Covent Garden, alongside his wife Winifred who died in 1736.Highfill, Burnim & Langhans p.431 Selected roles *Artabasus in '' Cyrus the Great'' by John Banks (1695) * Frederick in '' The She-Gallants'' by George Granville (1695) * Freindly ''The City Bride'' by Joseph Harris (1696) * Rodrigo in ''The Italian Husband'' by Edward Ravenscroft (1697) * Bellgard in '' Fatal Friendship'' by Catharine Trotter Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Mills (actor)
William Mills (1701-1750) was a British stage actor. The son of veteran stage actor John Mills and his wife Margaret Mills, he was born in London and baptised at St Martin-in-the-Fields on 29 June 1701. Under his father's guidance he made his debut as a child actor in 1712. Like his father, he was a long-standing member of the Drury Lane theatre company. He took part in the Actor Rebellion of 1733, and left to work at the Haymarket Theatre for a season before returning to Drury Lane. His last appearance was in ''The Merchant of Venice'' in February 1750 and he died two months later on 18 April, shortly before a benefit was to be staged for him, and was buried at St Martin-in-the-Fields. He was married to the actress Theodosia Mills until her death in 1733, after which he married another actress Elizabeth Holliday.The Routledge Anthology of Restoration and Eighteenth-Century Drama p.lviii With his first wife he had a daughter also called Theodosia who likewise became an actre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Maria Seymour
Anna Maria Seymour or Mrs Seymour (c. 1692 – 10 July 1723) was a British actress. Life Seymour is first heard of in 1717 when she appeared at Drury Lane in ''The Scowrers''. She took leading roles in Richard III and Hamlet with Lacy Ryan as well as appearing with James Quin in ''Othello'' and with him as Lady Macbeth. In 1718-19 she moved to John Rich's theatre at Lincoln's Inn Fields to take leading roles. Her most noted role was as ''Marianne'' in Elijah Fenton's play of the same name. Her final appearance was with her future husband on 7 June 1723. She married Anthony Boheme Anthony Boheme (died 1731) was a British stage actor of the eighteenth century. His year of birth is unknown. From 1720 he was a long-standing part of John Rich's company at the Lincoln's Inn Fields Theatre until his death. He was married to the ... who was also a leading actor in 1723 and she was said to have been lost to the profession. However the marriage did not last the year as she died in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Willis
Mary Willis was a British stage actress of the eighteenth century. She was the daughter of the actress Elizabeth Willis and sometimes appeared alongside her billed as Miss Willis. Like her mother she spent a number of years in the company at the Drury Lane Theatre but also appeared at the Haymarket Theatre and Lincoln's Inn Fields. Debuting as a child actor in 1701, she mainly appeared in revivals but occasionally acted in new plays. Her last known stage appearance was in York in 1734 when she played Selima in Nicholas Rowe's ''Tamerlane''.Highfill, Burnim & Langhans p.155 Selected roles * Manselia in ''Love's Victim'' by Charles Gildon (1701) * Angelina in ''Love Makes a Man'' by Colley Cibber (1709) * Grace in ''Bartholomew Fair'' by Ben Jonson (1710) * Peggy in ''The London Cuckolds'' by Edward Ravenscroft (1710) * Alinda in '' The Pilgrim'' by John Fletcher (1710) * Mrs Christian in '' Sir Martin Marall'' by John Dryden (1710) * Franchibel in '' The Villain'' by Thomas Po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Miller (actor)
Joseph Miller (1684 – 15 August 1738) was an English actor, who first appeared in the cast of Sir Robert Howard's ''Committee'' at Drury Lane in 1709 as Teague. Trinculo in '' The Tempest'', the First Grave-digger in ''Hamlet'' and Marplot in Susanna Centlivre's ''The Busybody'', were among his many favourite parts. He is said to have been a friend of Hogarth. In 1715 he appeared on bills promoting a performance on the last day of April, where he played Young Clincher in Farquhar's comedy, ''The Constant Couple''. On 25 April 1717 he played Sir Joseph Whittol in William Congreve's "Old Batchelor". Tickets for this performance were adorned by a design by William Hogarth showing the scene where Whittol's friend Captain Bluffe is kicked by Sharper whilst his friend Bellmour tries to pull him away. This is described as a "very valuable engraving" in 1868. This ticket design was used for Joe Millers benefit performance on 13 April 1738. In "vacation periods" between working at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
