|
Love In A Riddle
''Love in a Riddle'' is a 1729 ballad opera by the British actor-manager Colley Cibber. It was part of a boom in ballad operas inspired by the enormous success of John Gay's ''The Beggar's Opera'' the previous year. The original Drury Lane cast included John Mills as Arcas, John Harper as Aegon, Charles Williams as Amyntas, Sarah Thurmond as Iphis, Colley Cibber as Philautus, Benjamin Griffin as Corydon, James Oates as Mopsus, Joe Miller as Cimon, Jane Cibber as Ianthe and Kitty Clive as Phillida. The prologue was spoken by Robert Wilks Robert Wilks (''c.'' 1665 – 27 September 1732) was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its heyday of the 1710s. He was, with Colley Cibber and Thomas Doggett, one of the ....Avery p.1006 References Bibliography * Avery, Emmett Langdon . ''The London Stage, Volume II: A Calendar Of Plays, Entertainments And Afterpieces, Together With Casts, Box Receipts And Contem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colley Cibber
Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir ''Apology for the Life of Colley Cibber'' (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière ndhapless Shakespeare". He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Oates
James Oates (died 1751) was a British stage actor. Possibly of Irish birth, he was a long-standing member of the Drury Lane company from 1718, and also appeared at the summer fairs in London including Southwark and Bartholomew Fair. He specialised in supporting roles, often in comedies. He was with Drury Lane for twenty one seasons, and later also became a tavern-owner alongside his acting duties. Like several actors of the era he was a freemason.Peter His wife and daughter were both actresses. Selected roles * Jeremy in '' The Play is the Plot'' by John Durant Breval (1718) * Thracion in '' The Spartan Dame'' by Thomas Southerne (1719) * Courtly in '' A Wife to be Lett'' by Eliza Haywood (1723) * Citizen in ''Double Falsehood'' by Lewis Theobald (1727) * File in '' The Village Opera'' by Charles Johnson (writer) (1729) * Mopsus in ''Love in a Riddle'' by Colley Cibber (1729) * Dash in '' The Humours of Oxford'' by James Miller (1730) * Bassoon in '' Bayes's Opera'' by Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad Operas
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later '' Singspiel'', its distinguishing characteristic is the use of tunes in a popular style (either pre-existing or newly composed) with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported '' opera seria''. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song." Earliest ballad operas Ballad opera has been called an "eighteenth-century protest against the Italian conquest of the London operatic scene."M. Lubbock, ''The Complete Book of Light Opera'' (New York: Appleton-Century-Crofts, 1962), pp. 467–68 It consists of racy and often satirical spoken (English) dialogue, interspersed with songs that are deliberate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1729 Operas
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wilks
Robert Wilks (''c.'' 1665 – 27 September 1732) was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its heyday of the 1710s. He was, with Colley Cibber and Thomas Doggett, one of the "triumvirate" of actor-managers that was denounced by Alexander Pope and caricatured by William Hogarth as leaders of the decline in theatrical standards and degradation of the stage's literary tradition. The family was based for many generations in Bromsgrove, Worcestershire. His great-uncle, Judge Wilks, had served Charles I of England during the English Civil War, for whom he raised a troop at his own expense. After Oliver Cromwell won the civil war, Wilks' father moved to Dublin, where Robert Wilks was born. He was a clerk to Robert Southwell until he joined the Williamite army. As soon as he was discharged from the army, he worked in the Smock Alley Theatre in Dublin from 1691 to 1693. According to Wilks's version of the story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prologue
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of his genius in his adroit and romantic prolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kitty Clive
Catherine Clive (née Raftor; 5 November 1711 – 6 December 1785) Catherine ‘Kitty’ Clive (1711-1785, active 1728-1769) was a first songster and star comedienne of British playhouse entertainment. Clive led and created new forms of English musical theatre. She was celebrated both in high-style parts – singing, for instance, Handel’s music for her in ''Messiah'', ''Samson'', and ''The Way of the World'' – and in low-style ballad opera roles. Her likeness was printed and traded in unprecedented volume. She championed women’s rights throughout her career. An image crisis in the late 1740s forced Clive to quit serious song and instead lampoon herself on stage. Though this self-ridicule won Clive public favour back, and she reigned as first comedienne until her retirement in 1769, the strategy’s very success caused her musical legacy to be slighted and forgotten. A definitive biography of Clive by Berta Joncus appeared in 2019. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Cibber
Jane Cibber ( Johnson; 1704/1706 — 1733) was a British stage actress.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'', pg. XIII Life She was born in 1704 or 1706 as Jane Johnson. Her guardian was the writer Richard Savage. Originally appearing at Drury Lane Theatre as Jane Johnson, in 1725 she married Theophilus Cibber the son of actor-manager Colley Cibber.Koon p. 109 She had four children with him while continuing to act on the stage in a mixture of comedies and tragedies. When Elizabeth Younger defected to work for the Lincoln's Inn Fields Theatre company, she took over the roles she had been playing. In 1731, she played the title role in '' Caelia'' by Charles Johnson. She died after childbirth in 1733. Her husband said he would never remarry. He did in 1734. Selected roles * Polyxena in ''Hecuba'' by Richard West (1726) * Jenny in ''The Provoked Husband'' (1728) * Ianthe in ''Love in a Riddle'' (1729) * Cleone in ''Timoleon'' by Benjamin Martyn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Miller (actor)
Joseph Miller (1684 – 15 August 1738) was an English actor, who first appeared in the cast of Sir Robert Howard's ''Committee'' at Drury Lane in 1709 as Teague. Trinculo in '' The Tempest'', the First Grave-digger in ''Hamlet'' and Marplot in Susanna Centlivre's ''The Busybody'', were among his many favourite parts. He is said to have been a friend of Hogarth. In 1715 he appeared on bills promoting a performance on the last day of April, where he played Young Clincher in Farquhar's comedy, ''The Constant Couple''. On 25 April 1717 he played Sir Joseph Whittol in William Congreve's "Old Batchelor". Tickets for this performance were adorned by a design by William Hogarth showing the scene where Whittol's friend Captain Bluffe is kicked by Sharper whilst his friend Bellmour tries to pull him away. This is described as a "very valuable engraving" in 1868. This ticket design was used for Joe Millers benefit performance on 13 April 1738. In "vacation periods" between working at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Griffin (actor)
Benjamin Griffin (1680–1740), was an English actor and dramatist. He was the son of the Rev. Benjamin Griffin, rector of Buxton and Oxnead in Norfolk, and chaplain to the Earl of Yarmouth. Early life Griffin was born in Yarmouth in 1680, and educated at the free school, North Walsham. He was apprenticed to a glazier at Norwich, where in 1712 he joined a strolling company. In 1714-15 he was one of the company with which Christopher Rich opened the rebuilt theatre in Lincoln's Inn Fields. Acting career His name first appears in surviving records, 16 Feb. 1715, as Sterling in '' The Perplexed Couple''. On 2 June he was Ezekiel Prim, a presbyterian parson, in the ''A City Ramble ''A City Ramble: or, the humours of the compter'' (sometimes ''The City Ramble'') is a 1715 dramatic comedy play by the British writer Charles Knipe. It was first performed at Lincoln's-Inn Fields Theatre, London in 1715. It was performed as an a ...'', and on 14 June Sir Arthur Addlepate in his own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Thurmond
Sarah Thurmond or Sarah Lewis ( – 1762) was a British actress. Life Sarah Lewis was born in Epsom although the date is unknown. Her first appearances were at Drury Lane and Lincoln's Inn Fields at the end of 1711 in Greenwich where she met John Thurmond, son of the actor John Thurmond the Elder. They were married and Sarah went to Dublin where her in-laws John and Winifred Thurmond were acting and she appeared at the Smock Alley Theatre. In 1718 they were at the Drury Lane Theatre where she took leading roles and her husband was the dancing master. In 1723 her husband's play ''Harlequin Doctor Faustus'' which has been noted as England's first pantomime, was performed at Drury Lane. In 1732, they both moved to the Goodman's Fields Theatre Two 18th century theatres bearing the name Goodman's Fields Theatre were located on Alie Street, Whitechapel, London. The first opened on 31 October 1727 in a small shop by Thomas Odell, deputy Licenser of Plays. The first play performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> Robert Wilks")
