Louvre Come Back To Me!
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Louvre Come Back To Me!
''Louvre Come Back to Me!'' is a 1962 Warner Bros. '' Looney Tunes'' cartoon directed by Chuck Jones. The short was released on August 18, 1962, and stars Pepé Le Pew in his last cartoon of the "classic" Warner Bros. animation age. Plot In Paris, Pepé is strolling and causing a disturbance with his fumes. At one point Penelope Pussycat is walking with a ginger cat and Pepé's stink causes the ginger cat to faint and Penelope to spring into the air in shock, her back making contact with a fresh white-painted flagpole before she falls right into Pepé's arms. As Pepé introduces himself, Penelope scurries away. Pepé chases Penelope into the Louvre, with the ginger cat following. Pepé's stench ruins a couple of sculptures (correcting one into the ''Venus de Milo'') as well as thwarting the ginger cat's ambush attempt (who Pepé mistakes for a sculpture due to him turning white; the cat's teeth, whiskers, tail, and nose fall off, which, after briefly fleeing, he comes back to sw ...
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Chuck Jones
Charles Martin Jones (September 21, 1912 – February 22, 2002) was an American animator, director, and painter, best known for his work with Warner Bros. Cartoons on the '' Looney Tunes'' and '' Merrie Melodies'' series of shorts. He wrote, produced, and/or directed many classic Animated Cartoon shorts starring Bugs Bunny, Daffy Duck, Wile E. Coyote and the Road Runner, Pepé Le Pew, and Porky Pig, among others. Jones started his career in 1933 alongside Tex Avery, Friz Freleng, Bob Clampett, and Robert McKimson at the Leon Schlesinger Production's Termite Terrace studio, where they created and developed the Looney Tunes characters. During the Second World War, Jones directed many of the '' Private Snafu'' (1943–1946) shorts which were shown to members of the United States military. After his career at Warner Bros. ended in 1962, Jones started Sib Tower 12 Productions and began producing cartoons for Metro-Goldwyn-Mayer, including a new series of ''Tom and Jerry'' ...
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Penelope Pussycat
Penelope Pussycat is an animated cartoon character, featured in the Warner Bros classic ''Looney Tunes'' animated shorts as the protagonist of the Pepé Le Pew shorts. Although she is typically a non-speaker, her "meows" and "purrs" (or "le mews" and "le purrs") were most often provided by Mel Blanc using a feminine voice. The character did not originally have a permanent name; she was alternately referred to as "Penelope", "Fifi", "Pussycat Purr", and "Fabrette", and animator Chuck Jones' 1960 model sheet simply calls her "Le Cat". The name Penelope Pussycat was created retroactively for Warner Bros. marketing. The character first appeared in the 1949 short ''For Scent-imental Reasons'', which won an Academy Award. While the skunk had been used in several earlier cartoons since ''Odor-able Kitty'' (1945), the addition of his female pussycat paramour in ''For Scent-imental Reasons'' solidified his characterization and the structure of all further Pepé films. As the unfortunate ...
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Bob Bransford
Bob, BOB, or B.O.B. may refer to: Places *Mount Bob, New York, United States *Bob Island, Palmer Archipelago, Antarctica People, fictional characters, and named animals *Bob (given name), a list of people and fictional characters *Bob (surname) *Bob (dog), a dog that received the Dickin Medal for bravery in World War II *Bob the Railway Dog, a part of South Australian Railways folklore Television, games, and radio * ''Bob'' (TV series), an American comedy series starring Bob Newhart * ''B.O.B.'' (video game), a side-scrolling shooter *Bob FM, on-air brand of a number of FM radio stations in North America Music Musicians and groups *B.o.B (born 1988), American rapper and record producer *Bob (band), a British indie pop band *The Bobs, an American a cappella group *Boyz on Block, a British pop supergroup Songs * "B.O.B" (song), by OutKast * "Bob" ("Weird Al" Yankovic song), from the 2003 album ''Poodle Hat'' by "Weird Al" Yankovic *"Bob", a song from the album ''Brighter Than Cr ...
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John Dunn (animator)
John W. Dunn (25 February 1919 – 17 January 1983) was a Scottish screenwriter and animator for animated cartoons, active from 1955 to 1983. Biography Dunn began his career at the artists Fleischer Studios Walt Disney cartoon studio, where his first story credit—''Man in Space''—received an Oscar nomination. He moved to Warner Bros. Cartoons in 1960; there, he began with ''The Pied Piper of Guadalupe'', which was also nominated for an Oscar. He and fellow Disney man David Detiege replaced Warner Brothers top writers Michael Maltese and Warren Foster after they went to Hanna-Barbera to receive higher billing in the 1960s. He usually worked under Friz Freleng and Chuck Jones' units. After the Warner's cartoon studio closed in 1963, Dunn joined DePatie–Freleng Enterprises; in 1964, he crafted the story for ''The Pink Phink'', which earned the Oscar as Best Animated Short. Many of his DePatie–Freleng cartoons re-use plots from Warner Brothers cartoons. He was a ...
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Fourth Wall
The fourth wall is a performance convention in which an invisible, imaginary wall separates actors from the audience. While the audience can see through this ''wall'', the convention assumes the actors act as if they cannot. From the 16th century onward, the rise of illusionism in staging practices, which culminated in the realism and naturalism of the theatre of the 19th century, led to the development of the fourth wall concept. The metaphor suggests a relationship to the mise-en-scène behind a proscenium arch. When a scene is set indoors and three of the walls of its room are presented onstage, in what is known as a box set, the fourth of them would run along the line (technically called the proscenium) dividing the room from the auditorium. The ''fourth wall'', though, is a theatrical convention, rather than of set design. The actors ignore the audience, focus their attention exclusively on the dramatic world, and remain absorbed in its fiction, in a state that ...
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Mona Lisa
The ''Mona Lisa'' ( ; it, Gioconda or ; french: Joconde ) is a Half length portrait, half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world". The painting's novel qualities include the subject's enigmatic expression, the monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism. The painting has been definitively identified to depict Italian noblewoman Lisa del Giocondo, Lisa Gherardini, the wife of Francesco del Giocondo. It is painted in oil on a white Populus nigra, Lombardy poplar panel painting, panel. Leonardo never gave the painting to the Giocondo family, and later it is believed he left it in his will to his favored apprentice Salaì. It had been believed to have been painted between 1503 and 1506; howeve ...
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Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionism, Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, Printmaking, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a Realist visual arts, realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb Drawing, draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female Nude (art), nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning ...
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The Gleaners
''The Gleaners'' (''Des glaneuses'') is an oil painting by Jean-François Millet completed in 1857. It depicts three peasant women gleaning a field of stray stalks of wheat after the harvest. The painting is famous for featuring in a sympathetic way what were then the lowest ranks of rural society; it was received poorly by the French upper classes. History Millet's ''The Gleaners'' was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled ''The Gleaners'' at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793." Having recently come out of the French Revolution of 1848, these prosperous classes saw the painting as glorifying the lower-class worker. To them, it was a reminder that French society was built upon the labor of the working masses, and land ...
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Jean-François Millet
Jean-François Millet (; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, conte crayon drawings, and etchings. Life and work Youth Millet was the first child of Jean-Louis-Nicolas and Aimée-Henriette-Adélaïde Henry Millet, members of the farming community in the village of Gruchy, in Gréville-Hague, Normandy, close to the coast.Murphy, p.xix. Under the guidance of two village priests—one of them was vicar Jean Lebrisseux—Millet acquired a knowledge of Latin and modern authors. But soon he had to help his father with the farm work; because Millet was the eldest of the sons. So all the farmer's work was familiar to him: to m ...
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American Gothic
''American Gothic'' is a 1930 painting by Grant Wood in the collection of the Art Institute of Chicago. Wood was inspired to paint what is now known as the American Gothic House, ''American Gothic'' House in Eldon, Iowa, along with "the kind of people [he] fancied should live in that house". It depicts a farmer standing beside his daughter – often mistakenly assumed to be his wife.Fineman, Mia (June 8, 2005).The Most Famous Farm Couple in the World: Why American Gothic still fascinates. ''Slate (magazine), Slate''. The painting's name is a word play on the house's architectural style, Carpenter Gothic. The figures were modeled by Wood's sister Nan Wood Graham and their dentist Dr. Byron McKeeby. The woman is dressed in a Colonial history of the United States, colonial print apron evoking 20th-century rural Americana (culture), Americana while the man is adorned in overalls covered by a suit jacket and carries a pitchfork. The plants on the porch of the house are mother-in-law's ...
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Grant Wood
Grant DeVolson Wood (February 13, 1891 February 12, 1942) was an American painter and representative of Regionalism, best known for his paintings depicting the rural American Midwest. He is particularly well known for ''American Gothic'' (1930), which has become an iconic example of early 20th-century American art. Early life Wood was born in rural Iowa, 4 mi (6 km) east of Anamosa, in 1891, the son of Hattie DeEtte ''Weaver'' Wood and Francis Maryville Wood. His mother moved the family to Cedar Rapids after his father died in 1901. Soon thereafter, Wood began as an apprentice in a local metal shop. After graduating from Washington High School, Wood enrolled in The Handicraft Guild, an art school run entirely by women in Minneapolis in 1910. In 1913, he enrolled at the School of the Art Institute of Chicago and performed some work as a silversmith. Career Close to the end of World War I, Wood joined the US military, working as an artist designing camoufla ...
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The Persistence Of Memory
''The Persistence of Memory'' (Catalan: ) is a 1931 painting by artist Salvador Dalí and one of the most recognizable works of Surrealism. First shown at the Julien Levy Gallery in 1932, since 1934 the painting has been in the collection of the Museum of Modern Art (MoMA) in New York City, which received it from an anonymous donor. It is widely recognized and frequently referred to in popular culture, and sometimes referred to by more descriptive titles, such as "Melting Clocks", "The Soft Watches" or "The Melting Watches". Analysis The well-known surrealist piece introduced the image of the soft melting pocket watch. It epitomizes Dalí's theory of "softness" and "hardness", which was central to his thinking at the time. As Dawn Adès wrote, "The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order". This interpretation suggests that Dalí was incorporating an understanding of ...
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