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Lorenzo De' Medici (1463–1503)
Lorenzo di Pierfrancesco de' Medici (4 August 1463 – 20 May 1503), nicknamed ''the Popolano'', was an Italian banker and politician, the brother of Giovanni il Popolano. He belonged to the junior (or "Popolani") branch of the House of Medici of Florence. Biography Lorenzo was born in Florence, the son of Pierfrancesco de' Medici (the Elder) and Laudomia Acciaioli. Relations between the senior Medici branch and the younger "Popolani" branch had been tense since the 1440s, and Pierfrancesco had tried to shield his sons from the influence of the senior branch.Brown, A. (1993) ''The Medici in Florence: the exercise and language of power''. Florence: Olschki But Lorenzo and Giovanni were still boys when their father Pierfrancesco died in 1476, and they promptly came under the tutelage of their older cousin, Lorenzo (il Magnifico), the effective ruler of Florence. Facing financial difficulties after 1478, Lorenzo il Magnifico plundered the Popolani boys' inheritance with "for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s works. Botticelli lived all his life in the same neighbourhood of Florence; his only signi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Medicea Di Castello
The Villa di Castello, near the hills bordering Florence, Tuscany, central Italy, was the country residence of Cosimo I de' Medici, Grand Duke of Tuscany (1519-1574). The gardens, filled with fountains, statuary, and a grotto, became famous throughout Europe. The villa also housed some of the great art treasures of Florence, including Sandro Botticelli's Renaissance masterpieces '' ''The Birth of Venus'''' and '' ''Primavera''''. The gardens of the Villa had a profound influence upon the design of the Italian Renaissance garden and the later French formal garden.Isabella Ballerini, ''The Medici Villas'', p. 32 History Villa Castello is located at the foot of the hills northwest of Florence, near the town of Sesto Fiorentino. The villa was located near a Roman aqueduct, and took its name from the water cisterns (''castella'') near the site. A fortified building had been standing on the site since at least 1427, and was purchased in 1477 by Lorenzo and his brother Giovanni d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo The Elder
Lorenzo the Elder (c. 1395 – 23 September 1440) was an Italian banker of the House of Medici of Florence, the younger brother of Cosimo de' Medici the Elder and progenitor of the so-called "Popolani" ("populist, i.e. for the people") line of the family, named for a later generation whose members were supporters of the Florentine political activist Girolamo Savonarola. History Lorenzo was the son of Giovanni di Bicci de' Medici and Piccarda Bueri. He was educated by Carlo Marsuppini. In 1416, he married Ginevra Cavalcanti. To celebrate their marriage, the Venetian humanist Francesco Barbaro wrote his treatise ''De Re Uxoria'', an analysis of marriage that continued to be published for centuries. Lorenzo and Ginevra had two sons: Francesco, who was childless, and Pierfrancesco, who originated the Popolani line. Ginevra Cavalcanti was an aunt of the wife of the famous Italian merchant Giovanni Arnolfini. Lorenzo followed his brother Cosimo in his military maneuvers at Ferrar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Medicea Del Trebbio
The Villa del Trebbio is a Medici villa in Tuscany, Italy. Description The villa is located near San Piero a Sieve in the Mugello region, in the province of Florence, in the area from which the Medici family originated. It was one of the first - if not the first - of the Medici villas built outside Florence.Ballerini, p.68. The estate is situated on a strategic position in the Apennines, on the top of a hill dominating the Val di Sieve, near a crossroads (giving rise to its name, from the Latin ''trivium''). The villa belonged to Giovanni di Bicci de' Medici, the founder of the Medici bank and of the fortunes of the Medici family. Following his death in 1429, it was remodelled by his son, Cosimo de' Medici, whose architect, Michelozzo, restyled it as a fortified castle. Michelozzo retained the windowless tower, moat and drawbridge, and added a perimeter walkway with corbels. There is a central courtyard with a well. The villa remained essentially a fortified hous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Birth Of Venus (Botticelli)
''The Birth of Venus'' ( it, Nascita di Venere ) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in art). The painting is in the Uffizi Gallery in Florence, Italy. Although the two are not a pair, the painting is inevitably discussed with Botticelli's other very large mythological painting, the '' Primavera'', also in the Uffizi. They are among the most famous paintings in the world, and icons of the Italian Renaissance; of the two, the ''Birth'' is better known than the ''Primavera''. As depictions of subjects from classical mythology on a very large scale they were virtually unprecedented in Western art since classical antiquity, as was the size and prominence of a nude female figure in the ''Birth''. It used to be thought that they were both commissioned by the same member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primavera (Painting)
''Primavera'' (, meaning "Spring"), is a large panel painting in tempera paint by the Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s (datings vary). It has been described as "one of the most written about, and most controversial paintings in the world", and also "one of the most popular paintings in Western art". The painting depicts a group of figures from classical mythology in a garden, but no story has been found that brings this particular group together. Most critics agree that the painting is an allegory based on the lush growth of Spring, but accounts of any precise meaning vary, though many involve the Renaissance Neoplatonism which then fascinated intellectual circles in Florence. The subject was first described as ''Primavera'' by the art historian Giorgio Vasari who saw it at Villa Castello, just outside Florence, by 1550. Although the two are now known not to be a pair, the painting is inevitably discussed with Botticelli's other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallas And The Centaur
''Pallas and the Centaur'' is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1482. It is now in the Uffizi Gallery in Florence. It has been proposed as a companion piece to his '' Primavera'', though it is a different shape. The medium used is tempera paints on canvas and its size is 207 x 148 cm. The painting has been retouched in many places, and these retouchings have faded.Legouix, 113 The life-size figures are from classical mythology and probably form an allegory. There is a centaur on the left, and a female figure holding a very elaborate halberd on the right. She is clutching the centaur's hair, and he seems submissive to her. The female figure was called Camilla in the earliest record of the painting, an inventory of 1499, but then in an inventory of 1516 she is called Minerva, the Roman equivalent of Pallas Athene, which remains her usual identification in recent times, although Camilla has supporters. Arthur Frothingham suggested that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Principality Of Piombino
The Lordship of Piombino (''Signoria di Piombino''), and after 1594 the Principality of Piombino (''Principato di Piombino''), was a small state on the Italian peninsula centred on the city of Piombino and including part of the island of Elba. It existed from 1399 to 1805, when it was merged into the Principality of Lucca and Piombino. In 1815 it was absorbed into the Grand Duchy of Tuscany. History On February 19, 1399 Gherardo Appiani ceded Pisa, which his family had owned since 1392, to the Visconti of Milan for 200,000 florins, reserving Piombino for himself and his successors, becoming its lord; moreover he also took possession of Populonia, Suvereto, Scarlino, Buriano, Abbey of San Pancrazio al Fango and the islands of Pianosa, Montecristo, and Elba; making Piombino the capital of this newly created state. Gherardo had his residence built in Piombino in the small square (now Piazza Bovio) and on his death, in 1405, he left the state to his son Iacopo II. The latter, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iacopo III Appiani
Iacopo III Appiani (1422 – 22 March 1474) was Prince of Piombino of the Appiani in 1457-1474.Mauro Carrara, Signori e principi di Piombino, Bandecchi & Vivaldi, Pontedera 1996. He was born in Piombino, the illegitimate son of Emanuele Appiani. Despite his reduced finances, he was a patron of the arts: people he housed in his court include the architect Andrea Guardi, which, in 1465–1470, executed a large urbanistic and architectonical renewal of Piombino. He died at Piombino in 1474, being succeeded by his son Iacopo Iacopo is a given name A given name (also known as a forename or first name) is the part of a personal name quoted in that identifies a person, potentially with a middle name as well, and differentiates that person from the other members of .... References {{DEFAULTSORT:Iacopo 03 Appiani Appiani, Iacopo 3 Appiani, Iacopo 3 Iacopo 3 Appiani, Iacopo 3 Appiani, Iacopo 3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiramide Appiano
''Semiramide'' () is an opera in two acts by Gioachino Rossini. The libretto by Gaetano Rossi is based on Voltaire's tragedy ''Semiramis'', which in turn was based on the legend of Semiramis of Assyria. The opera was first performed at La Fenice in Venice on 3 February 1823. ''Semiramide'' was Rossini's final Italian opera and according to Richard Osborne, "could well be dubbed ''Tancredi Revisited''". As in ''Tancredi'', Rossi's libretto was based on a Voltaire tragedy. The music took the form of a return to vocal traditions of Rossini's youth, and was a melodrama in which he "recreated the baroque tradition of decorative singing with unparalleled skill". The ensemble-scenes (particularly the duos between Arsace and Semiramide) and choruses are of a high order, as is the orchestral writing, which makes full use of a large pit. After this splendid work, one of his finest in the genre, Rossini turned his back on Italy and moved to Paris. Apart from ''Il viaggio a Reims'', which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
