|
London International Festival Of Early Music
The London International Festival of Early Music (LIFEM) is an English music festival which is devoted mainly to baroque and renaissance music. It takes place each November in Blackheath, London, at Blackheath Halls. History The festival was founded in 1973 and initially took place at the Royal College of Music before moving to the Old Royal Naval College, Greenwich, and taking on the name Greenwich Early Music Festival. Each year the Festival invites performers and exhibitors from across the world to perform concerts and exhibit their goods. As well as baroque music, LIFEM commissions new works for performance by the visiting ensembles (in 2020, they commissioned John Paul Jones to write ''The Tudor Pull'' for Fretwork). The festival has been known by several names in its history. It operated as the Greenwich Early Music Festival until 2016, when it made what was expected to be a temporary move to Blackheath. Throughout its history it has had a close relationship with The Earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
His Majestys Sagbutts & Cornetts
His Majestys Sagbutts & Cornetts (HMSC) is a British early music group founded in 1982. The ensemble presently consists of three cornetts and four sackbuts, with chamber organ or harpsichord. The group frequently collaborates with other instrumentalists and singers, and has an extensive discography on Hyperion Records and other labels. History HMSC's first concert was on 3 September 1982 at the church of St Martin-in-the-Fields, Trafalgar Square, London, with guest soloist Richard Wistreich. Meridian Records expressed their interest in recording the group as early as the interval of that first concert. Members The original line-up was cornettists Jeremy West, David Staff and sackbut players Sue Addison, Richard Cheetham, Paul Nieman and Stephen Saunders. Each member attended the Guildhall School of Music and Drama, with the exception of Addison. Later non-current members include Peter Bassano (sackbuts). Current ensemble Jeremy West, ''founder member and cornett (1982–);'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music Festivals
Early music festivals is a generic term for musical festivals focused on music before Ludwig van Beethoven, Beethoven, or including historically informed performance of later works. The increase in the number of music festivals specializing in early music is a reflection of the early music revival of the 1970s and 1980s. Many larger festivals such as that an Aix-en-Provence Festival also include early music sections, as do, inevitably, festivals of sacred music; such as the Festival de Música Sacra do Baixo Alentejo, in Portugal. Although most early music festivals are centered on commercial performance, many include also workshops. This articles includes an incomplete list of early music festivals, which may overlap with topics such as Bach festival#List of Bach festivals, list of Bach festivals, list of maritime music festivals, list of opera festivals, and in some cases list of folk festivals. List of festivals by country Note this list includes festivals that are annual unle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stile Antico (vocal Ensemble)
''Stile antico'' (literally "ancient style", ), is a term describing a manner of musical composition from the sixteenth century onwards that was historically conscious, as opposed to '' stile moderno'', which adhered to more modern trends. ''Prima pratica'' (Italian, 'first practice') refers to early Baroque music which looks more to the style of Palestrina, or the style codified by Gioseffo Zarlino, than to more "modern" styles. It is contrasted with ''seconda pratica'' music. These terms are synonymous to ''stile antico'' and ''stile moderno'', respectively. History ''Stile antico'' has been associated with composers of the high Baroque and early Classical periods of music, in which composers used controlled dissonance and modal effects and avoided overtly instrumental textures and lavish ornamentation, to imitate the compositional style of the late Renaissance. ''Stile antico'' was deemed appropriate in the conservative confines of church music, or as a compositional exerci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Priest
Red Priest is a British Baroque instrumental group that was formed in 1997 by Piers Adams. Currently it is composed of four performers: Adams on recorder, Adam Summerhayes on violin, Angela East on cello and David Wright on harpsichord. The group is named after the red-haired Italian priest and Baroque composer, Antonio Vivaldi. The quartet plays in a flamboyant, theatrical and virtuosic style making use of props, costumes, dramatic lighting and other effects. The pieces they perform are generally their own arrangements, though based very closely on the original music by Vivaldi, Bach, et al.BBC Radio 3'''In Tune'' programme 12 May 2010 In addition to touring all over the world, Red Priest are a frequent guest on BBC Radio 3's ''In Tune'' programme. They have released several albums, including a contemporary take on Vivaldi's '' The Four Seasons''. Discography * ''Priest On The Run'' - 1998 * ''Nightmare In Venice'' - 2002 * ''The 4 Seasons'' - 2003 * ''Pirates Of The Baroq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahan Esfahani
Mahan Esfahani ( fa, ماهان اصفهانی) (born 1984 in Tehran) is an Iranian-American harpsichordist. Education Esfahani received his first guidance on the piano from his father before exploring an interest in the harpsichord as a teenager. He studied musicology and history at Stanford University, where he took his first harpsichord lessons with Elaine Thornburgh and was mentored by George Houle. He continued his harpsichord studies in Boston with Peter Watchorn, before completing his studies under Czech harpsichordist Zuzana Růžičková. Career As a leading harpsichordist, Esfahani's programming and work in commissioning new compositions has drawn the attention of critics and audiences across Europe, Asia, and North America. He was the first harpsichordist to be a BBC Radio 3 New Generation Artist (2008–2010), and to be honoured by an award from the Borletti-Buitoni Trust (2009). He has also been a nominee for Gramophone Classical Music Awards Artist of the Year (2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fretwork (music Group)
Fretwork is a consort of viols based in England, United Kingdom. Formed in 1986, the group initially consisted of six players, while it is currently five viols. Its repertoire consists primarily of music of the Renaissance period, in particular that of Elizabethan and Jacobean England, arrangements of the music of Johann Sebastian Bach, and contemporary music written for them. The group has toured all over the world, with tours of Japan and the United States, and three visits to Russia, the first in 1989, when it was still a part of the Soviet Union. They initiated a series of courses for voices and viols on the Greek island of Evvia with Michael Chance, and have also been invited twice to teach on the annual Conclave of the Viola da Gamba Society of America. It currently teaches each year in the first week of Dartington International Summer School. In addition to its performances of earlier music, Fretwork has been active in commissioning new works for viol consort. Its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
