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London Film-Makers' Co-op
The London Film-makers' Co-op, or LFMC, was a British film-making workshop founded in 1966. It ceased to exist in 1999 when it merged with London Video Arts to form LUX. It grew out of film screenings at the Better Books bookstore, part of the 1960s counter-culture in London, before moving to the original Arts Lab on Drury Lane, then sharing offices with John 'Hoppy' Hopkins' BIT information service and then, with the breakaway group that formed the New Arts Lab, to the Camden-based Institute for Research in Art and Technology. With the end of IRAT's lease in 1971 the Co-op found a base in a long-term squat in a former dairy at 13a Prince of Wales Crescent in Kentish Town. For most of its life the LFMC was based in Gloucester Avenue in Camden in a run down building which for a number of years also housed the London Musicians Collective. In 1997 the LFMC moved together with London Video Arts to the new Lux Centre, Hoxton Square. Founded by, amongst others, Stephen Dwoskin and Bob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Video Arts
London Video Arts (LVA) was founded for the promotion, distribution and exhibition of video art. Art form By 1976 video art had emerged as a viable time-based art form, which was beginning to establish its own aesthetic identity and theoretical discourse distinct from film. Following the influential Video Show at the Serpentine Gallery in May 1975, which brought the work of international video artists to London and showcased British artists working in the medium, it became apparent that the increased activity in British video art required an organisation to provide support for the artists involved. The idea for London Video Arts (LVA) was initiated by David Hall and founded in summer 1976 by a group of video artists including Roger Barnard, David Critchley, Tamara Krikorian, Brian Hoey, Pete Livingstone, Stuart Marshall, Stephen Partridge, John Turpie and Hall. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malcolm Le Grice
Malcolm Le Grice (born May 1940, in Plymouth, United Kingdom) is a British artist known for his avant-garde film work. Biography The British Film Institute claims that he "is probably the most influential modernist filmmaker in British cinema". Le Grice was born in 1940, and studied at Slade School of Art, London. He founded the London Film-Makers' Co-op workshop in the late 1960s, at the same time introducing film to fine art students at Saint Martin's School of Art and Goldsmiths College, London. He has balanced his continuing practice as a filmmaking artist with campaigning for the artform in print, in higher education, and in committees at the British Film Institute and the Arts Council. Le Grice started as a painter but began to make film and computer works in the mid 1960s. Since then he has shown regularly in Europe and the US and his work has been screened in many international film festivals, including recent retrospectives at Media City Film Festival (2015) and RedCat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Organisations In The United Kingdom
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Structural Film
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s and which developed into the Structural/materialist films in the United Kingdom in the 1970s. Overview The term was coined by P. Adams Sitney who noted that film artists had moved away from the complex and condensed forms of cinema practiced by such artists as Sidney Peterson and Stan Brakhage. "Structural film" artists pursued instead a more simplified, sometimes even predetermined art. The shape of the film was crucial, the content peripheral. This term should not be confused with the literary and philosophical term ''structuralism''. Characteristics Sitney identified four formal characteristics common in Structural films, but all four characteristics are not usually present in any single film: :* fixed camera position (an apparently fixed framing) :* flicker effect (strobing due to the intermittent nature of film) :* loop printing :* rephotography (off the screen) It has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sally Potter
Charlotte Sally Potter (born 19 September 1949) is an English film director and screenwriter. She is known for directing ''Orlando'' (1992), which won the audience prize for Best Film at the Venice Film Festival. Early life Potter was born and raised in London. Her mother was a music teacher and her father was an interior designer and a poet. Her younger brother Nic became the bassist for the rock group Van der Graaf Generator. When asked about her background, which influenced her work as a filmmaker, she responds, "I came from an atheist background and an anarchist background, which meant that I grew up in an environment that was full of questions, where nothing could be taken for granted." When asked about what she learned about filmmaking from trying to do it as a seventeen-year-old woman in the UK in the 60s, Potter laughs.You know, most kinds of securities are illusions, and we need to kind of duck and weave as filmmakers, go with the flow, go where the harvest is. ..I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Goring
Philip, also Phillip, is a male given name, derived from the Greek (''Philippos'', lit. "horse-loving" or "fond of horses"), from a compound of (''philos'', "dear", "loved", "loving") and (''hippos'', "horse"). Prominent Philips who popularized the name include kings of Macedonia and one of the apostles of early Christianity. ''Philip'' has many alternative spellings. One derivation often used as a surname is Phillips. It was also found during ancient Greek times with two Ps as Philippides and Philippos. It has many diminutive (or even hypocoristic) forms including Phil, Philly, Lip, Pip, Pep or Peps. There are also feminine forms such as Philippine and Philippa. Antiquity Kings of Macedon * Philip I of Macedon * Philip II of Macedon, father of Alexander the Great * Philip III of Macedon, half-brother of Alexander the Great * Philip IV of Macedon * Philip V of Macedon New Testament * Philip the Apostle * Philip the Evangelist Others * Philippus of Croton (c. 6th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vera Neubauer
Vera Neubauer is a Czech born British experimental filmmaker, animator, feminist activist and educator. She is known for her jarring, provocative and anti establishment approach. Her life's work spans genres, from cinematic short film to television series for children. Neubauer has received two BAFTA Cymru awards. Early life Vera Neubauer was born to Dr. Helene and Dr. Karl Neubauer in Prague. In December 1965, several years before the Soviet invasion of Czechoslovakia, Neubauer fled the totalitarian regime with her parents and siblings. Arriving in Vienna, Neubauer gained refugee status and traveled on to Düsseldorf. Here she studied Print-making at the State Academy of Fine Arts Stuttgart under professor Gunter Bohmer. In 1968 Neubauer journeyed to London. She continued to study printmaking at the Royal College of Art and in 1970 switched departments to study film-making. She struggled to survive and squatted in central Brixton. During this period she worked in a local Brixton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandra Lahire
Sandra Lahire (November 19, 1950 - July 27, 2001) was a central figure in the experimental feminist filmmaking that emerged in the UK in the 1970s and 1980s. Life and career Lahire studied Philosophy at the University of Newcastle-upon-Tyne (BA), Fine Art Film at St Martin's School of Art, London, (1984) and Film & Environmental Media at the Royal College of Art, London (MA 1986). It was at St Martin's that she entered the world of independent film, working with artists including Malcolm Le Grice, Lis Rhodes, Tina Keane, Vera Neubauer and studying alongside the film-maker Isaac Julien. Her poetic short films were made in the context of the London Film-Makers’ Cooperative which “developed a new form of mixed-genre film-making .which marked a new stage in experimental film in Britain”, according to Jacqueline Rose. Of this generation Rose has described Lahire as “one of the most gifted, innovative and bold experimental film-makers”. Her first film, "Arrows", 1984, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lis Rhodes
Lis Rhodes (born 1942) is a British artist and feminist filmmaker, known for her density, concentration, and poeticism in her visual works. She has been active in the UK since the early 1970s. Early life and education Rhodes was brought up in West England, was educated at North East London Polytechnic, and studied Film and Television at the Royal College of Art.Kuhn, Annette''The Women's Companion to International Film'' University of California Press, 1990, p. 340. Career Since the early 1970s, Rhodes has created radical and controversial art that challenges her viewers to question perspective of film through her work. She wanted her audience to "reconsider film as a medium of communication and presentation of image, language and sound." She was cinema curator at the London Film-Makers' Co-op from 1975–76. In 1979, Rhodes co-founded the feminist film distribution network, Circles. She was a member of the exhibition committee for the 1979 Arts Council ''Film on Film'' event, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolee Schneemann
Carolee Schneemann (October 12, 1939 – March 6, 2019) was an American visual experimental artist, known for her multi-media works on the body, narrative, sexuality and gender. She received a B.A. in poetry and philosophy from Bard College and a Master of Fine Arts from the University of Illinois. Originally a painter in the Abstract Expressionist tradition, Schneeman was uninterested in the masculine heroism of New York painters of the time and turned to performance-based work, primarily characterized by research into visual traditions, taboos, and the body of the individual in relation to social bodies. Although renowned for her work in performance and other media, Schneemann began her career as a painter, stating, "I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas." Her works have been shown at the Los Angeles Museum of Contemporary Art, the Museum of Modern Art in New York, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
