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Live In Tokyo (Charles Tolliver Album)
''Live in Tokyo'' is a live album by the American jazz trumpeter-composer Charles Tolliver and his quartet Music Inc. Their fifth album overall, it was recorded on December 7, 1973, at Yubinchokin Hall in Tokyo during Tolliver and Music Inc.'s first tour of Japan. The quartet – featuring the pianist Stanley Cowell, the bassist Clint Houston, and Clifford Barbaro on drums – played the show in mostly fast tempo and performed three of Tolliver's original compositions, along with a ballad composed by Cowell and the Thelonious Monk standard " 'Round Midnight". Produced by Tolliver, ''Live in Tokyo'' was released about a year after the concert on LP by Strata-East Records, his independent record label. It was later reissued on CD and compiled by the Mosaic label for a three-disc box set of Music Inc.'s live recordings from that same period, titled ''Mosaic Select''. Critics have received the Tokyo disc favorably, giving praise to the quartet's passionate post-bop and hard b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Tolliver
Charles Tolliver (born 1942) is an American jazz trumpeter, composer, and co-founder of Strata East Records. Biography Tolliver was born in Jacksonville, Florida, in 1942 and moved with his family to New York City when he was 10. During his childhood, his grandmother gave him his first horn, a cornet he had coveted. Tolliver attended Howard University in the early 1960s as a pharmacy major, when he decided to pursue music as a career and return home to New York City. He came to prominence in 1964, playing and recording on Jackie McLean's Blue Note albums. In 1971, Tolliver and Stanley Cowell founded Strata-East Records, and Tolliver released many albums and collaborations on Strata-East. Following a long hiatus, he reemerged in the late 2000s, releasing two albums arranged for big band, ''With Love'' and ''Emperor March''. ''With Love'' was nominated in 2007 for a Grammy award for Best Large Jazz Ensemble. He would later describe his experience: "There was so much going on wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fats Navarro
Theodore "Fats" Navarro (September 24, 1923 – July 6, 1950) was an American jazz trumpet player. He was a pioneer of the bebop style of jazz improvisation in the 1940s. He had a strong stylistic influence on many other players, including Clifford Brown. Life Navarro was born in Key West, Florida, United States, of Cuban, African, and Chinese descent. He began playing piano at age six, but did not become serious about music until he began playing trumpet at the age of thirteen. He was a childhood friend of drummer Al Dreares. By the time he graduated from Douglass High School, he wanted to be away from Key West and joined a dance band headed for the Midwest. Navarro gained valuable experience touring in bands, including Snookum Russell's territory band, where he met and influenced a young J.J. Johnson. Tiring of the life on the road, Navarro settled in New York City in 1946, where his career took off. He met and played with, among others, Charlie Parker. But Navarro was in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing (jazz Performance Style)
In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sense can also be called "groove". It is also known as shuffle. The term swing, as well as ''swung note(s)'' and ''swung rhythm'', is also used more specifically to refer to a technique (most commonly associated with jazz but also used in other genres) that involves alternately lengthening and shortening the first and second consecutive notes in the two part pulse-divisions in a beat. Overview Like the term "groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define. Indeed, some dictionaries use the terms as synonyms: "Groovy ... denotes music that really swings." The ''Jazz in America'' glossary defines ''swing'' as, "when an individual player or ensemble performs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Instruments Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, and drums. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Hill (jazz Musician)
Andrew Hill (June 30, 1931Mandel, Howard (April 20, 2007) "Andrew Hill: 1931–2007''All About Jazz''. Retrieved April 20, 2007. During his lifetime, Hill's year of birth was always given as 1937. – April 20, 2007) was an American jazz pianist and composer. Jazz critic John Fordham described Hill as a "uniquely gifted composer, pianist and educator" although "his status remained largely inside knowledge in the jazz world for most of his career." Hill recorded for Blue Note Records for nearly a decade, producing a dozen albums. Biography Early life Andrew Hill was born in Chicago, Illinois, to William and Hattie Hill. He had a brother, Robert, who was a singer and classical violin player.Feather, Leonard. Original liner notes to ''Judgment!'' Hill took up the piano at the age of thirteen, and was encouraged by Earl Hines. As a child, he attended the University of Chicago Experimental School. Spellman, A. B. Original liner notes to '' Black Fire.'' He was referred by jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jackie McLean
John Lenwood "Jackie" McLean (May 17, 1931 – March 31, 2006) was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the ''DownBeat'' Hall of Fame in the year of their death. Biography McLean was born in New York City. His father, John Sr., played guitar in Tiny Bradshaw's orchestra. After his father's death in 1939, Jackie's musical education was continued by his godfather, his record-store-owning stepfather, and several noted teachers. He also received informal tutoring from neighbors Thelonious Monk, Bud Powell, and Charlie Parker. During high school McLean played in a band with Kenny Drew, Sonny Rollins, and Andy Kirk, Jr. (the saxophonist son of Andy Kirk). Along with Rollins, McLean played on Miles Davis' '' Dig'' album, when he was 20 years old. As a young man he also recorded with Gene Ammons, Charles Mingus (for '' Pithecanthropus Erectus''), George Wallington, and as a member of Art Blakey's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism (music)
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation". Its leading feature is a "linguistic plurality", which is to say that no one music genre ever assumed a dominant position. Examples include the celebration of Arnold Schoenberg's rejection of tonality in chromatic post-tonal and twelve-tone works and Igor Stravinsky's move away from symmetrical rhythm. Authorities typically regard musical modernism as an historical period or era extending from about 1890 to 1930, and apply the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Jazz
Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from that style. History 1950s Avant-garde jazz originated in the mid- to late 1950s among a group of improvisors who rejected the conventions of bebop and post bop in an effort to blur the division between the written and the spontaneous. Ornette Coleman and Cecil Taylor led the way, soon to be joined by John Coltrane. Some would come to apply it differently from free jazz, emphasizing structure and organization by the use of composed melodies, shifting but nevertheless predetermined meters and tonalities, and distinctions between soloists and accompaniment. 1960s In Chicago, the Association for the Advancement of Creative Musicians began pursuing their own variety of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
