Live In Seattle (John Coltrane Album)
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Live In Seattle (John Coltrane Album)
'' Live in Seattle'' is a live double album by jazz saxophonist John Coltrane, recorded in 1965 and released posthumously in 1971 on the Impulse! label. The album consists of a set played by Coltrane's quartet (augmented as a sextet with second saxophonist Pharoah Sanders and second bassist Donald Garrett) at The Penthouse on September 30, 1965. Along with the later-released '' A Love Supreme: Live in Seattle'', recorded two days later at the same club, they are the only officially released live recordings of Coltrane's six-piece lineup from late 1965. The original double LP issue was expanded to 2 CDs for the reissue. Background During September 14–26, 1965, the John Coltrane Quartet played an engagement at the Jazz Workshop in San Francisco. The saxophonist Pharoah Sanders, whose music Coltrane admired, and who had previously recorded with Coltrane on Ascension, went to hear the group and was invited to sit in. According to Sanders, " told me then that he was thinking o ...
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John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ...
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Jazz Workshop
The Jazz Workshop was a jazz music nightclub in San Francisco, located in North Beach at 473 Broadway Street. Numerous live recordings were made there, during its heyday in the 1960s. As of 2016, the space is occupied by a bar and music venue called "Monroe". Albums *''Jazz Workshop Revisited'' Cannonball Adderley (Capital 1962) *''Live at the Jazz Workshop'' Thelonious Monk (Columbia 1964) *''Barry Harris at the Jazz Workshop'' (Riverside 1960) *'' Right Now: Live at the Jazz Workshop'' Charles Mingus (Debut 1964) *''Brother Jack at the Jazz Workshop Live!'' Jack McDuff (Prestige 1964) *''Naked City Theme'' Ahmad Jamal (Argo 1964) *'' Cookin' the Blues'' James Moody (Cadet 1965) *'' Inta' Somethin''' Kenny Dorham (Pacific Jazz 1962) *'' Speak Brother Speak'' Max Roach Maxwell Lemuel Roach (January 10, 1924 – August 16, 2007) was an American jazz Jazz drumming, drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one ...
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Om (John Coltrane Album)
''Om'' is a posthumously-released album by John Coltrane, recorded on October 1, 1965, one day after the recording of '' Live in Seattle'', and one day prior to the recording of the music heard on '' A Love Supreme: Live in Seattle''. The album, which features Coltrane's quartet plus three additional players, consists of a single 29-minute work that was split into two parts when released on LP. ''Om'' was issued by Impulse! in 1968, and was also included on '' The Major Works of John Coltrane'', a compilation CD released in 1992. Background During September 14–26, 1965, the John Coltrane Quartet played an engagement at the Jazz Workshop in San Francisco. The saxophonist Pharoah Sanders, whose music Coltrane admired, and who had previously recorded with Coltrane on '' Ascension'', went to hear the group and was invited to sit in. According to Sanders, " told me then that he was thinking of changing the group and changing the music, to get different sounds. He asked me to play ...
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Lynnwood, Washington
Lynnwood is a city in Snohomish County, Washington, United States. The city is part of the Seattle metropolitan area and is located north of Seattle and south of Everett, near the junction of Interstate 5 and Interstate 405. It is the fourth-largest city in Snohomish County, with a population of 38,568 in the 2020 U.S. census. Often characterized as a suburb or bedroom community, Lynnwood has the highest concentration of retailers in the region and a growing core of businesses, anchored by the Alderwood Mall. The city also has a community college, a convention center, and a major transit center. It is headquarters for several major companies, including Zumiez and SOG Specialty Knives. The Lynnwood area was logged and settled by homesteaders in the late 19th century and early 20th century, including the development of Alderwood Manor as a planned farming community. Lynnwood, named for the wife of a realtor, emerged in the late 1940s around the intersection of Highway 99 ...
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My Favorite Things (song)
"My Favorite Things" is a song from the 1959 Rodgers and Hammerstein musical ''The Sound of Music.'' In the original Broadway production, this song was introduced by Mary Martin playing Maria and Patricia Neway playing Mother Abbess. Julie Andrews, who played Maria in the 1965 film version of the musical, had previously sung it on the 1961 Christmas special for ''The Garry Moore Show''. In 2004 the movie version of the song finished at No. 64 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. Other notable versions John Coltrane played a fourteen-minute version in E minor as the title track of an album recorded in October 1960 and released in March 1961. It became a jazz classic and a signature song for Coltrane in concert, also appearing on ''Newport '63'' in 1963. In 1964, Jack Jones became the first of many artists to include the song on a Christmas album. Herb Alpert and the Tijuana Brass released a version in 1969 as a single from their 1968 al ...
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Lush Life (jazz Song)
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948. Background The lyric describes the author's weariness of the night life after a failed romance, wasting time with "jazz and cocktails" at "come-what-may places" and in the company of girls with "sad and sullen gray faces/with ''distingué'' traces". Strayhorn was a teenager when he wrote most of the song, which was to become his signature composition (along with "Take the 'A' Train"). The song was written in the key of D-flat major. The melody is over relatively complex chord changes, compared with many jazz standards, with chromatic movement and modulations that evoke a dreamlike state and the dissolute spirit characteristic of the "lush life." During a 1949 interview, Strayhorn spoke of the song’s genesis: “’Lush Life’ wasn’t the ...
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Seattle Weekly
The ''Seattle Weekly'' is an alternative biweekly distributed newspaper in Seattle, Washington, United States. It was founded by Darrell Oldham and David Brewster as ''The Weekly.'' Its first issue was published on March 31, 1976. The newspaper published its final print edition on February 27, 2019 and transitioned to web-only content on March 1, 2019. Ownership history The paper is currently owned by Sound Publishing, Inc., the largest community news organization in Washington State, and is distributed each Wednesday. Former owners of the ''Seattle Weekly'' include Sasquatch Publishing/Quickfish Media, Seattle from 1976 to 1997; Stern Publishing, New York from 1997 to 2000; Village Voice Media, New York from 2000 to 2012; and Voice Media Group from September 2012 to January 2013. Village Voice Media executives Scott Tobias, Christine Brennan and Jeff Mars bought Village Voice Media's papers and associated web properties from its founders to form Voice Media Group. Sound Publis ...
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Jim Wilke
Jim Wilke is a radio host and producer in Seattle, Washington. In 1988 he began hosting ''Jazz Northwest'' from the public radio station KNKX in Seattle. From 1984 to 2014, he hosted the syndicated radio program ''Jazz After Hours''. Career Wilke grew up in New London, Iowa and graduated from the University of Iowa in 1959. At school he played saxophone in a jazz band. He moved to Seattle and started at KING-FM in 1961. He produced ''Showcase of the Lively Arts'' with Don Shannon. In 1962 The Penthouse jazz club opened with a phone line from the club to KING-FM. Wilke set up a mixing board near the piano and four microphones on stage. Ernestine Anderson was the first singer to be broadcast. Wilke taught jazz history at Cornish College of the Arts from 1975–2002. He taught radio broadcasting at Bellevue Community College on their station KBCS-FM from 1977–1983. From 1978–1993, he worked for the Bellevue Parks and Community Service, coordinating music festivals and outdoor con ...
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KING-FM
KING-FM (98.1 MHz; "Classical King FM") is a non-commercial classical music radio station in Seattle, Washington. It is owned by Classic Radio, a nonprofit organization. The studios and offices are on Mercer St in Seattle. KING-FM holds periodic on-air fundraisers to help support the station through listener contributions. KING-FM's transmitter is located in Issaquah on Tiger Mountain. Its effective radiated power (ERP) is 66,000 watts (68,000 with beam tilt). KING-FM broadcasts in the HD Radio format, using two subchannels for alternate classical programming. History Early years The station that today is KING-FM first signed on the air in December 1947, originally at FM 94.9. It was owned by King Broadcasting, whose co-owner and president was Dorothy Bullitt. The year before, Bullitt had purchased AM 1090 KEVR and changed it to KING (now KPTR). (Seattle is located in King County, for which its call letters were chosen.) In 1949, King Broadcasting bought 98.1 KRSC-FM ...
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Joe Brazil
Joseph Brazil (August 25, 1927 – August 6, 2008) was an American jazz saxophonist and educator. Local musicians and touring acts performed in his basement. He taught jazz at Garfield High School, co-founded the Black Music curriculum at the University of Washington, and founded the Black Academy of Music in Seattle. He appeared on the albums '' Om'' by John Coltrane and '' Mystic Voyage'' by Roy Ayers. Biography Detroit (1927–1961) Joseph Brazil was born August 25, 1927 in Detroit, Michigan. In 1951 he purchased a home in Detroit where he lived with his brother and mother. He built a bar in the basement and installed a baby grand piano. Jam sessions took place in his basement, with musicians such as trumpeter Donald Byrd, saxophonists Sonny Red and Brazil, pianist Barry Harris, bassist Doug Watkins, and drummer Frank Gant. Tapes of saxophonist John Coltrane practicing were made at his house. A tape of a jam session was recorded in his basement on September 25, 1958 with t ...
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Carlos Ward
Carlos Ward (born May 1, 1940 in Ancón, Panama) is a funk and jazz alto saxophonist and flautist. He is best known as a member of the Funk and disco band BT Express as well as a jazz sideman. Biography Ward was raised in Panama City, and at a young age was exposed to a wide range of music, including Dixieland, classical, and Panamanian calypso. In 1953, he and his family moved to Seattle, Washington, where he began studying the clarinet. While in high school, he also picked up the alto saxophone, and began playing in rock and roll bands. During this time, he began listening to the music of Thelonious Monk, John Coltrane, and Ornette Coleman. During the early 1960s, he joined the military, and studied at the Navy School of Music. While stationed in Germany, he met and played with Albert Mangelsdorff and Karl Berger, with whom he would record several albums. He also met Eric Dolphy, who encouraged him in his musical endeavours. In 1965, shortly before returning to the United States, ...
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Afro Blue
"Afro Blue" is a jazz standard composed by Mongo Santamaría. Santamaria version Mongo Santamaria recorded his composition "Afro Blue" in 1959 when playing with the Cal Tjader Sextet. The first recorded performance was on April 20, 1959, at the Sunset Auditorium in Carmel, California, with Santamaría on percussion. "Afro Blue" was the first jazz standard built on a typical African 3:2 cross-rhythm, or hemiola. The song begins with the bass repeatedly playing six cross-beats per measure of or six cross-beats per four main beats—6:4 (two cells of 3:2). The following example shows the ostinato "Afro Blue" bass line. The cross noteheads indicate the main beats (not bass notes). : \new Staff While the bass sounds the six secondary beats, Paul Horn's flute solo and Emil Richards' marimba solo emphasize the four primary beats. Francisco Aguabella takes the conga drum solo on the first recording, quoting phrases from the vocabulary of the abakuá bonkó drum. Using brush ...
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