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Live In Japan (21st Century Schizoid Band Album)
''Live in Japan'' is the second "Official Bootleg" release by the 21st Century Schizoid Band. It was released on CD and DVD, the DVD containing the extra tracks "Tomorrow's People" and "If I Was", as well as bonus features. Track listing # "Schizoid Intro" (Jakko Jakszyk) – 2:00 # "A Man, a City" (Robert Fripp, Greg Lake, Ian McDonald, Michael Giles, Pete Sinfield) – 8:35 # "Cat Food" (Fripp, Sinfield, McDonald) – 4:26 # "Let There Be Light" (McDonald, Sinfield) – 3:26 # "Progress" (M. Giles) – 7:04 # "The Court of the Crimson King" (McDonald, Sinfield) – 7:51 # "Formentera Lady" (Fripp, Sinfield) – 12:07 # "Tomorrow's People" (M. Giles) – 8:04 VD only# "If I Was" (McDonald, Leray) – 4:51 VD only# "Ladies of the Road" (Fripp, Sinfield) – 7:46 # "I Talk to the Wind" (McDonald, Sinfield) – 6:25 # "Epitaph" (Fripp, Lake, McDonald, Giles, Sinfield) – 9:30 # "Birdman" (McDonald) – 4:36 # "21st Century Schizoid Man" (Fripp, Lake, McDonald, Giles, Sinfiel ...
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21st Century Schizoid Band
21st Century Schizoid Band were a King Crimson alumnus group formed in 2002. The name derives from the famous song "21st Century Schizoid Man" from the first King Crimson album, ''In the Court of the Crimson King''. The initial band featured Mel Collins on saxophones, flute and keyboards, Michael Giles on drums, Peter Giles (musician), Peter Giles on bass, Ian McDonald (musician), Ian McDonald on alto saxophone, flute and keyboards, and Jakko Jakszyk on guitar and vocals. All but Jakszyk had previously been members of King Crimson in its early years. Ian Wallace (drummer), Ian Wallace, another former Crimson member from that period, replaced Michael Giles in early 2003 after the band's Japanese tour. Further international touring followed in 2003/04. The band played live with sets concentrating on compositions from King Crimson's first four albums and other works from the band members' back catalogues, including ''McDonald and Giles''. They have released four albums, mostly of li ...
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In The Court Of The Crimson King
''In the Court of the Crimson King'' (subtitled ''An Observation by King Crimson'') is the debut studio album by English rock band King Crimson, released on 10 October 1969 by Island Records. The album is one of the earliest and most influential of the progressive rock genre, where the band combined the musical influences that rock music was founded upon with elements of jazz, classical, and symphonic music. The album reached number five on the UK Albums Chart and number 28 on the US ''Billboard'' 200, where it was certified Gold by the Recording Industry Association of America. Production Composition The song "I Talk to the Wind" was written for King Crimson predecessor group Giles, Giles and Fripp (the only song on the album for which this was the case), but was retained by King Crimson in order to show the group's soft side. According to lyricist Peter Sinfield, the song was influenced by Joni Mitchell; in a 1997 interview, he said it is still his favourite lyric that h ...
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Live Video Albums
Live may refer to: Arts, entertainment, and media Films * ''Live!'' (2007 film), 2007 American film * ''Live'' (2014 film), a 2014 Japanese film *'' ''Live'' (Apocalyptica DVD) Music *Live (band), American alternative rock band * List of albums titled ''Live'' Extended plays * ''Live EP'' (Anal Cunt album) * ''Live EP'' (Breaking Benjamin EP) * ''Live'' (Roxus EP) * ''Live'' (The Smithereens EP) *''CeCe Peniston (EP Live)'' *''Ozzy Osbourne Live E.P.'', 1980 *''Live EP (Live at Fashion Rocks)'', by David Bowie * ''Live EP'' (The Jam EP) Songs * "Live" (Russian song) * "Live" (Superfly song) * "Live" (The Merry-Go-Round song) Radio *BBC Radio 5 Live *CILV-FM, branded LiVE 88.5, a radio station in Ottawa, Canada Television * ''Live'' (South Korean TV series), a 2018 South Korean television series * ''Live'' (Danish TV series) *Live! (TV channel), Italy *'' Live! with Kelly'', US TV talk show Types of media *Live action (cinematography), a motion picture not produced using ani ...
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21st Century Schizoid Band Albums
First or 1st is the ordinal form of the number one (#1). First or 1st may also refer to: *World record, specifically the first instance of a particular achievement Arts and media Music * 1$T, American rapper, singer-songwriter, DJ, and record producer Albums * ''1st'' (album), a 1983 album by Streets * ''1st'' (Rasmus EP), a 1995 EP by The Rasmus, frequently identified as a single * '' 1ST'', a 2021 album by SixTones * ''First'' (Baroness EP), an EP by Baroness * ''First'' (Ferlyn G EP), an EP by Ferlyn G * ''First'' (David Gates album), an album by David Gates * ''First'' (O'Bryan album), an album by O'Bryan * ''First'' (Raymond Lam album), an album by Raymond Lam * ''First'', an album by Denise Ho Songs * "First" (Cold War Kids song), a song by Cold War Kids * "First" (Lindsay Lohan song), a song by Lindsay Lohan * "First", a song by Everglow from ''Last Melody'' * "First", a song by Lauren Daigle * "First", a song by Niki & Gabi * "First", a song by Jonas Brot ...
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McDonald And Giles
''McDonald and Giles'' is an album released by British musicians Ian McDonald and Michael Giles in 1970. The album was first issued on Island Records (ILPS 9126) in the UK and Cotillion Records (SD 9042), a division of Atlantic Records, in the US. (The album was released on Atlantic itself in several countries.) The album was recorded at Island Studios between May and July 1970. Although ''McDonald and Giles'' remains popular among King Crimson fans, its commercial success was limited. The duo did not record a second album, but Giles did contribute drums and vocals to "Demimonde" on McDonald's solo album ''Drivers Eyes''. Background and recording Ian McDonald and Michael Giles were members of the original King Crimson line-up, and were featured performers on the band's debut album, ''In the Court of the Crimson King'' (1969). Both left the group at the end of its first United States tour in 1969, although Giles appeared on the second King Crimson album, ''In the Wake of Posei ...
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Islands (King Crimson Album)
''Islands'' is the fourth studio album by English band King Crimson, released in December 1971 on the record label Island. ''Islands'' is the only studio album to feature the 1971-1972 touring line-up of Robert Fripp, Mel Collins, Boz Burrell and Ian Wallace. This would be the last album before an entirely new group (except for Fripp) would record the trilogy of ''Larks' Tongues in Aspic'', '' Starless and Bible Black'' and ''Red'' between 1973-1974. This is also the last album to feature the lyrics of co-founding member Peter Sinfield. Musically, the album expands on the improvisational jazz leanings of King Crimson's previous album, ''Lizard''. It received a mixed response from critics and fans. Content The harmonic basis for the tune "The Letters" is derived from the Giles, Giles and Fripp song "Why Don't You Just Drop In", available on ''The Brondesbury Tapes'' compilation. The bridge section is also taken from the King Crimson version of the song, performed by the origi ...
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Progress (Michael Giles Album)
''Progress'' is a solo album recorded by original King Crimson drummer Michael Giles. It was recorded in 1978, but unreleased until 2002. Overview The album was recorded in the 70s (mostly in 1978) in Giles home studio after He and former King Crimson keyboardist and woodwind player recorded their 1970 collaborative album McDonald and Giles. It was released 24 years after being completed (in 2002), it has only been released on CD and with no vinyl or official digital release. The album features extensive contributions from Caravan multi-instrumentalist Geoffrey Richardson (Who plays guitar, viola, flute and contributes voice and fretless bass to track 6), the album also features Giles, Giles and Fripp alumni and Giles brother, Peter Giles who plays bass guitar on most tracks with the rest being handled by John G. Perry. Keyboards were played by Giles, Canterbury based keyboardist Dave MacRae and Strawbs keyboardist John Mealing Giles handles vocals & voices on 4 of the 12 t ...
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Cat Food (song)
''In the Wake of Poseidon'' is the second studio album by English progressive rock group King Crimson, released in May 1970 by Island Records in Europe, Atlantic Records in the United States, Philips Records in Australia, and Vertigo Records in New Zealand. To date the album is their highest-charting in the UK, reaching number 4. The album was recorded during a period of instability within the band owing a fluctuating lineup. It follows a very similar musical style and track sequence to their first album, ''In the Court of the Crimson King''. The album was well-received by contemporary critics, who commended the overall execution and production quality as an improvement over that of the band's debut. However, later assessments have faulted its heavy reliance on the template established by its predecessor, and generally deem the album inferior. Background Ian McDonald and Michael Giles left the band following their first American tour in 1969. Around the same time Greg Lake was ...
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21st Century Schizoid Man
"21st Century Schizoid Man" is a song by the progressive rock band King Crimson from their 1969 debut album ''In the Court of the Crimson King''. Often regarded as the group's signature song, it has been described by sources such as Rolling Stone as "a seven-and-a-half-minute statement of purpose: rock power, jazz spontaneity, and classical precision harnessed in the service of a common aim." Lyrical content The lyrics of "21st Century Schizoid Man" were written by Peter Sinfield and consist chiefly of disconnected phrases which present a series of images. All three verses follow a set pattern in presenting these images. The song criticizes the Vietnam War with the lyrics "Politicians' funeral pyre/Innocence raped with napalm fire". The line "Cat's foot, iron claw" is a reference to the French fable The Monkey and the Cat; while "death seed" in the final verse alludes what Sinfield calls the "harvest of bad things" brought about by Agent Orange. The second line is a single image, ...
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Epitaph (King Crimson Song)
"Epitaph" is the third track on British progressive rock band King Crimson's 1969 album ''In the Court of the Crimson King''. It was written by Robert Fripp, Ian McDonald, Greg Lake, and Michael Giles with lyrics written by Peter Sinfield. The song is noted for its heavy use of the Mellotron,Macan (1997), p. 23.. As with the album's first track, " 21st Century Schizoid Man", the song's lyrics have a distinctly dystopian feel to them and are presented as a protest to the Cold War. The song's title was used as the name for a live album of recordings done by the original King Crimson, ''Epitaph''. Emerson, Lake & Palmer would later incorporate an excerpt from this song after the "Battlefield" portion of the live version of their song "Tarkus", from the ''Tarkus'' album, as documented in the live album '' Welcome Back My Friends to the Show That Never Ends... Ladies and Gentlemen''. "Stripes" from Cage's album ''Hell's Winter'' samples a middle part of the song throu ...
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The Court Of The Crimson King
"The Court of the Crimson King" is the fifth and final track from the British progressive rock band King Crimson's debut album, ''In the Court of the Crimson King''. Released as a single, it reached No. 80 on the ''Billboard'' Hot 100 chart, the only King Crimson single to chart on the Hot 100. Background The track is dominated by a distinct riff performed on the mellotron. The main part of the song is split up into four stanzas, divided by an instrumental section called "The Return of the Fire Witch". The song climaxes at seven minutes, but continues with a little reprise, called "The Dance of the Puppets", before ending on an abrupt and free time scale. The music was composed by Ian McDonald, and the lyrics were written by Peter Sinfield. The track was used in the 2006 film '' Children of Men''. Personnel * Robert Fripp – guitars * Greg Lake – bass guitar, lead vocals * Ian McDonald – Mellotron, organ, flute, calliope, backing vocals * Michael Giles – drums, pe ...
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