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Live At The Village Vanguard Vol. II (Junko Onishi Album)
''Live at the Village Vanguard, Vol. II'' is the fourth album by Japanese pianist Junko Onishi, released on February 22, 1995 in Japan. It was released on February 25, 1997 by Blue Note Records. Track listing Personnel * Junko Onishi - Piano *Reginald Veal - Bass * Herlin Riley - Drums Production *Executive Producer - Hitoshi Namekata *Co-Producer - Junko Onishi * Recording and Mixing Engineer - Jim Anderson *Assistant Engineer - Brian Kingman, James Biggs, Mark Shane *Mixing Engineer - Masuzo Iida *Mastering engineer - Yoshio Okazuki *Cover Photograph - Norman Saito *Art director Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and ... - Kaoru Taku * A&R - Yoshiko Tsuge External linksJunko Onishi HP [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junko Onishi (musician)
is a Japanese jazz pianist; she plays in the post-bop genre. Early career After studying at Berklee College of Music, Onishi moved to New York City, where she played with Joe Henderson, Betty Carter, Kenny Garrett, and Mingus Dynasty. She has also worked with Jackie McLean, Holly Cole, and Billy Higgins, among others, and recorded eight CDs for Blue Note (Somethin' Else in Japan) as a leader. In May 1994, Junko Onishi played for a week at the Village Vanguard, with Wynton Marsalis's sidemen, bassist Reginald Veal, and drummer Herlin Riley. Although she lists Duke Ellington, Thelonious Monk, and Ornette Coleman as her primary influences, her playing is also reminiscent of McCoy Tyner and contemporaries such as Kenny Kirkland and Mulgrew Miller. Onishi appeared in the documentary ''Blue Note: A Story of Modern Jazz'' (1997), playing the song "Trinity" ("Quick") from her album ''Play, Piano, Play''. Hiatus and later career Onishi stopped performing in the late 1990s, havin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tea For Two (song)
"Tea for Two" is a 1924 song composed by Vincent Youmans, with lyrics by Irving Caesar. It was introduced in May 1924 by Phyllis Cleveland and John Barker during the Chicago pre-Broadway run of the musical ''No, No, Nanette''. When the show finally hit Broadway on September 16, 1925, Nanette was played by Louise Groody, and her duet with Barker of "Tea for Two" was a hit. The song went on to become the biggest success of Youmans' career. Background Youmans had written the basic melody idea of "Tea for Two" while he was in the navy during World War I, and he used it later on as an introductory passage for a song called "Who's Who with You?" While in Chicago, Youmans developed the idea into "a song that the hero could sing to the heroine" for the musical ''No, No, Nanette''. He soon after played his composition for Irving Caesar and insisted he write the lyrics then and there. Caesar quickly jotted down a mock-up lyric, fully intending to revise it later on. Youmans, though, loved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists And Repertoire
Artists and repertoire (colloquially abbreviated to A&R) is the division of a record label or music publishing company that is responsible for talent scouting and overseeing the artistic development of recording artists (singers, instrumentalists, bands, and so on) and songwriters. It also acts as a liaison between artists and the record label or publishing company; every activity involving artists to the point of album release is generally considered under the purview, and responsibility, of A&R. Responsibilities Finding talent The A&R division of a record label is responsible for finding new recording artists and bringing those artists to the record company. A&R staff may go to hear emerging bands play at nightclubs and festivals to scout for talent. Personnel in the A&R division are expected to understand the current tastes of the market and to be able to find artists that will be commercially successful. For this reason, A&R people are often young and many are musicians, mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mastering Engineer
A mastering engineer is a person skilled in the practice of taking audio (typically musical content) that has been previously mixed in either the analog or digital domain as mono, stereo, or multichannel formats and preparing it for use in distribution, whether by physical media such as a CD, vinyl record, or as some method of streaming audio. Education and experience The mastering engineer is responsible for a final edit of a product and preparation for manufacturing copies. Although there are no official requirements to work as an audio mastering engineer, practitioners often have comprehensive domain knowledge of audio engineering, and in many cases, may hold an audio or acoustic engineering degree. Most audio engineers master music or speech audio material. The best mastering engineers might possess arrangement and production skills, allowing them to ' trouble-shoot' mix issues and improve the final sound. Generally, good mastering skills are based on experience, resulting f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Anderson (sound Engineer)
Jim Anderson is a recording engineer and producer for acoustic music in the recording, radio, television, and film industries. Early career Anderson attended Pittsburgh's Duquesne University. He worked at the public radio station, WDUQ-FM and was later employed for six years at National Public Radio as a broadcast technician. Awards Anderson's recordings have received 11 Grammy-awards and 26 Grammy nominations. In broadcasting, his work has received two Peabody Awards for radio programs and two Emmy Award nominations for television programs. Anderson's surround mix of Patricia Barber's "Modern Cool" won the Grammy for Best Surround Album in 2013. Jane Ira Bloom's ''Sixteen Sunsets'' received a Grammy nomination for Best Surround Album in 2014. In 2018, Anderson's mix of Jane Ira Bloom's ''Early Americans ''Early Americans'' is a studio album by American jazz saxophonist Jane Ira Bloom. The album was released on May 13, 2016, by Outline Records label. This is her 16th album a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herlin Riley
Herlin Riley (born February 15, 1957) is an American jazz drummer and a member of the Lincoln Center Jazz Orchestra led by Wynton Marsalis. A native of New Orleans, Riley started on the drums when he was three. He played trumpet through high school, but he went back to drums in college. After graduating, he spent three years as a member of a band led by Ahmad Jamal. He has worked often with Wynton Marsalis as a member of the Jazz at Lincoln Center Orchestra and of Marsalis's small groups. He has also worked with George Benson, Harry Connick, Jr., and Marcus Roberts. Riley played a large part in developing the drum parts for Wynton Marsalis's Pulitzer Prize-winning album, ''Blood on the Fields''. He is a lecturer in percussion for the jazz studies program at the Bienen School of Music at Northwestern University in Evanston, Illinois. Discography As leader * ''Watch What You're Doing'' ( Criss Cross, 2000) * ''Cream of the Crescent'' (Criss Cross, 2005) * ''New Direction'' (Mac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reginald Veal
Reginald Veal (born November 5, 1963) is an American jazz bassist and multi-instrumentalist from New Orleans, Louisiana. Veal grew up in New Orleans where he began piano lessons at a very early age. After receiving a bass guitar as a gift from his father at the age of eight, Veal went on to later join his father's gospel group as the bassist. Veal studied with the legendary New Orleans bassist Walter Payton. He attended Southern University, studying bass trombone with the clarinetist Alvin Batiste. Veal was a touring bassist with pianist and teacher Ellis Marsalis from 1985 to 1989, and during this time he also worked with Pharoah Sanders, Elvin Jones, Charlie Rouse, Hamiet Bluiett, Harry Connick Jr., Terence Blanchard, Dakota Staton, Donald Harrison and Marcus Roberts. Veal began playing in the Wynton Marsalis Quintet in 1987, which became the Wynton Marsalis Septet in 1988. He is the original bassist for the Lincoln Center Jazz Orchestra. Veal has worked with Ahmad Jamal, McCo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
