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Live At The Village Vanguard Again!
''Live At The Village Vanguard Again!'' is a live jazz album by saxophonist John Coltrane. Recorded in May 1966 during a live performance at the Village Vanguard jazz club in New York City, the album features Coltrane playing in the free jazz style that characterized his final years. The lineup features Coltrane's quintet, with Coltrane on tenor and soprano saxophones, bass clarinet, and flute, Pharoah Sanders on tenor saxophone and flute, Alice Coltrane on piano, Jimmy Garrison on bass, and Rashied Ali on drums, supplemented by Emanuel Rahim on percussion. It was the quintet's only official recording released during Coltrane's lifetime. Background Coltrane's group played at the Village Vanguard on two consecutive weekends (May 20–22 and 27-29, 1966), sharing the bill with Clark Terry on the first weekend, and Coleman Hawkins on the second. The album, which was recorded on Saturday, May 28, features two extended pieces, "Naima" and " My Favorite Things", culled from a much longe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Garrison
James Emory Garrison (March 3, 1934 – April 7, 1976) was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967. Career Garrison was raised in both Miami and Philadelphia where he learned to play bass. Garrison came of age in the 1950s Philadelphia jazz scene, which included fellow bassists Reggie Workman and Henry Grimes, pianist McCoy Tyner and trumpeter Lee Morgan. Between 1957 and 1962, Garrison played and recorded with trumpeter Kenny Dorham; clarinetist Tony Scott; drummer Philly Joe Jones; and saxophonists Bill Barron, Lee Konitz, and Jackie McLean, as well as Curtis Fuller, Benny Golson, Lennie Tristano, and Pharoah Sanders, among others. In 1961, he recorded with Ornette Coleman, appearing on Coleman's albums '' Ornette on Tenor'' and '' The Art of the Improvisers''. He also worked with Walter Bishop, Jr. and Cal Massey during the early years of his career. He formally joined Coltrane's quartet in 1962, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodgers And Hammerstein
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their popular Broadway productions in the 1940s and 1950s initiated what is considered the "golden age" of musical theater. Gordon, John Steele''Oklahoma'!'. Retrieved June 13, 2010 Five of their Broadway shows, ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'' and ''The Sound of Music'', were outstanding successes, as was the television broadcast of ''Cinderella'' (1957). Of the other four shows that the team produced on Broadway during their lifetimes, ''Flower Drum Song'' was well-received, and none was an outright flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the many accolades their shows (and film versions) garnered were thirty-four Tony Awards, fifteen Academ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Ratliff
Ben Ratliff (born 1968 in New York City) is an American journalist, music critic and author. Ratliff is the son of an English mother and an American father, growing up in London and in Rockland County, New York. From 1996 to 2016, he wrote about pop music and jazz for ''The New York Times''. He is the author of four books: ''Every Song Ever: Twenty Ways to Listen in an Age of Musical Plenty'' (2016), ''The Jazz Ear: Conversations Over Music'' (2008), ''Jazz: A Critic's Guide to the 100 Most Important Recordings'' (2002), and a critical biography of John Coltrane (''The Story of a Sound,'' 2007), which was a finalist for the National Book Critics Circle Award. His articles have appeared in ''The New York Review of Books'' , ''Granta'', ''Rolling Stone'', '' Spin'', ''The Village Voice'', '' Slate'' and ''Lingua Franca''. In 2005, he received the Helen Dance-Robert Palmer Award for "Excellence in Newspaper, Magazine or Online Writing" from the Jazz Journalists Association. From 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All About Jazz
''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near You'', about local concerts and events. The Jazz Journalists Association voted ''All About Jazz'' Best Website Covering Jazz for thirteen consecutive years between 2003 and 2015, when the category was retired. In 2015, Ricci said the site received a peak of 1.3 million readers per month in 2007. Another source said that the site has over 500,000 readers around the world. Ricci was born in Philadelphia. He heard classical and jazz from his father's music collection. He played trumpet and went to his first jazz concert when he was eight. With a background in computer programming, he combined his interest in jazz and the internet by creating the ''All About Jazz'' website in 1995. The website publishes reviews, interviews, and articles pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Giddins
Gary Giddins is an American jazz critic and author. He wrote for ''The Village Voice'' from 1973; his "Weather Bird" column ended in 2003. In 1986 Gary Giddins and John Lewis created the American Jazz Orchestra which presented concerts using a jazz repertory with musicians such as Tony Bennett. For five years, Giddins was the executive director of the Leon Levy Center for Biography at the Graduate Center of the City University of New York. Selected works Books *''Riding on a Blue Note'' (1981) *''Rhythm-a-ning'' (1985) *''Celebrating Bird'' (1987) *''Satchmo'' (1988) *''Faces in the Crowd'' (1992) *''Visions of Jazz: The First Century'' (1998) *''Bing Crosby: A Pocketful of Dreams - The Early Years, 1903-1940'' (2001) *''Weather Bird'' (2004) *''Natural Selection'' (2006) *''Jazz'' (2009) *''Warning Shadows: Home Alone with Classic Cinema'' (2010) *''Bing Crosby: Swinging on a Star - The War Years, 1940-1946'' (2018) Films *1987 ''Celebrating Bird: The Triumph of Charlie Parker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Nisenson
Eric Nisenson (February 12, 1946 – August 15, 2003) was an American author and jazz historian. The son of inventor Jules Nisenson, he was born in New York City and raised in Rye, New York. He attended New York University (NYU), where he studied English, and then moved to San Francisco where he worked on the staffs of alternative publications including ''The Berkeley Barb'' and ''Heliotrope''. Nisenson became a lifelong lover of jazz at the age of 15, when he listened to trumpeter Miles Davis's 1959 album ''Kind of Blue''. In the early 1970s, after he had moved back to New York, Nisenson was introduced to Davis. Although, as Nisenson recounts, he was "terrified" of Davis the first time he met himthe two men became friends, and Davis asked Nisenson to write his official biography. By the time ''Round About Midnight: A Portrait of Miles Davis'' was published in 1982, however, the friendship had ended (Davis was not easy to get along with, though Nisenson wrote in a second revisio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impulse! Records
Impulse! Records (occasionally styled as "¡mpulse! Records" and "¡!") is an American jazz record company and label established by Creed Taylor in 1960. John Coltrane was among Impulse!'s earliest signings. Thanks to consistent sales and positive critiques of his recordings, the label came to be known as "the house that Trane built". History Impulse!'s parent company, ABC-Paramount Records, was established in 1955 as the recording division of the American Broadcasting Company (ABC). In the 1940s and 1950s, ABC benefitted from the U.S. government's antitrust actions against broadcasters and film studios who were forced to divest parts of their companies. In the early 1950s, ABC acquired the Blue Network of radio stations from NBC and later merged with the newly independent Paramount Theaters chain, formerly owned by Paramount Pictures. The new recording division was located at 1501 Broadway, above the Paramount Theatre in Times Square. Under the leadership of Leonard Goldenson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Hentoff
Nathan Irving Hentoff (June 10, 1925 – January 7, 2017) was an American historian, novelist, jazz and country music critic, and syndicated columnist for United Media. Hentoff was a columnist for ''The Village Voice'' from 1958 to 2009. Following his departure from ''The Village Voice'', Hentoff became a senior fellow at the Cato Institute and continued writing his music column for ''The Wall Street Journal'', which published his works until his death. He often wrote on First Amendment issues, vigorously defending the freedom of the press. Hentoff was formerly a columnist for: ''Down Beat'', ''JazzTimes'', ''Legal Times'', ''The Washington Post'', ''The Washington Times'', ''The Progressive'', '' Editor & Publisher'' and ''Free Inquiry''. He was a staff writer for ''The New Yorker'', and his writings were also published in: ''The New York Times'', ''Jewish World Review'', ''The Atlantic'', ''The New Republic'', ''Commonweal'', and '' Enciclopedia dello Spettacolo''. Early l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Favorite Things (song)
"My Favorite Things" is a song from the 1959 Rodgers and Hammerstein musical ''The Sound of Music.'' In the original Broadway production, this song was introduced by Mary Martin playing Maria and Patricia Neway playing Mother Abbess. Julie Andrews, who played Maria in the 1965 film version of the musical, had previously sung it on the 1961 Christmas special for ''The Garry Moore Show''. In 2004 the movie version of the song finished at No. 64 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. Other notable versions John Coltrane played a fourteen-minute version in E minor as the title track of an album recorded in October 1960 and released in March 1961. It became a jazz classic and a signature song for Coltrane in concert, also appearing on ''Newport '63'' in 1963. In 1964, Jack Jones became the first of many artists to include the song on a Christmas album. Herb Alpert and the Tijuana Brass released a version in 1969 as a single from their 1968 al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naima
"Naima" ( ) is a jazz ballad composed by John Coltrane in 1959 that he named after his then-wife, Juanita Naima Grubbs. Coltrane first recorded it for his 1959 album ''Giant Steps'', and it became one of his first well-known works. History Coltrane recorded "Naima" many times. It appears on ''The Complete Copenhagen Concert'' (1961), '' Live at the Village Vanguard Again!'' (1966), ''Afro Blue Impressions'' (1977), ''The Complete 1961 Village Vanguard Recordings'' (1997), and '' Blue World'' (2019). "Naima" has since become a jazz standard. Structure According to Coltrane, "The tune is built on suspended chords over an E pedal tone on the outside. On the inside – the channel – the chords are suspended over a B pedal tone." The composition, on that recording, is a slow, restrained melody, with a brief piano solo by Wynton Kelly. Chord changes Chord changes for "Naima": ‖: B–7/E‖ E–7 ‖ Amaj7+5/E Gmaj7+5/E ‖ Amaj7/E:‖ ‖ Bmaj7/B‖ B79 ‖ Bmaj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
