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Live At The Velvet Lounge
''Live at the Velvet Lounge'' is an album by American jazz saxophonist Fred Anderson with German free jazz bassist Peter Kowald and long-time collaborator drummer Hamid Drake. The record documents a June 1998 performance at the Chicago club owned by Anderson, the Velvet Lounge, and was released on the Okka Disk label.''Live at the Velvet Lounge'' at Okka Disk Reception In her review for , Joslyn Layne states "Before you know it, the trio is in the midst of a lively musical display that melds Anderson's all-out blowing, Kowald's extended techniques, and Drake's skill in hand percussion." '' |
Fred Anderson (musician)
Fred Anderson (March 22, 1929 – June 24, 2010) was an American jazz tenor saxophonist who was based in Chicago, Illinois. Anderson's playing was rooted in the swing music and hard bop idioms, but he also incorporated innovations from free jazz. Anderson was also noted for having mentored numerous young musicians. Critic Ben Ratliff called him "a father figure of experimental jazz in Chicago". Writer John Corbett referred to him as "scene caretaker, underground booster, indefatigable cultural worker, quiet force for good." In 2001, author John Litweiler called Anderson "the finest tenor saxophonist in free jazz/underground jazz/outside jazz today." Biography Anderson was born in Monroe, Louisiana. When he was ten, his parents separated, and he moved to Evanston, Illinois, where he initially lived with his mother and aunt in a one-room apartment. When Anderson was a teenager, a friend introduced him to the music of Charlie Parker, and he soon decided he wanted to play saxophone, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Velvet Lounge
The Velvet Lounge was a nightclub in the South Loop of Chicago. It started as a jazz club and was called the "dusty epicenter of the Midwest's free form jazz scene." It was located at 2128 1/2 S. Indiana Avenue before moving to 67 E. Cermak when the original building was scheduled for demolition. It closed permanently in 2019. History The club was established in 1983 by jazz saxophonist Fred Anderson who owned the business until his death in 2010. Many live albums were recorded at the club, including a series of performances featuring Anderson himself, on the Delmark label, and 1998's ''Live at the Velvet Lounge'' with Anderson, Peter Kowald, and Hamid Drake. Many prominent musicians played the Velvet Lounge early in their careers, particularly in Sunday night jam sessions. The club's standard lineup of the early 1990s featured trumpeter , saxophonist Art Taylor, pianist , bassist , and drummer . From the mid 1990s, the "Velvet Graduates" house band included tenor saxophonist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okka Disk
Okka Disk is an independent American jazz record company and label founded in Chicago by Bruno Johnson in 1994. Okka began as a rock music label, but Johnson soon changed direction to record free jazz.Bruno Johnson interview at Delmark Records at NPR '' Vintage Duets'' are the unreleased tapes recorded in 1980 by saxophonist Fred Anderson with drummer Steve McCall, and '' |
Peter Kowald
Peter Kowald (21 April 1944 – 21 September 2002) was a German free jazz and free improvising double bassist and tubist. Career A member of the Globe Unity Orchestra, and a touring double-bass player, Kowald collaborated with many European free jazz and American free-jazz players during his career, including Peter Brötzmann, Irène Schweizer, Karl Berger, Fred Anderson, Hamid Drake, Karl E. H. Seigfried, Conny Bauer, Jeffrey Morgan, Wadada Leo Smith, Günter Sommer, William Parker, Barre Phillips, Joëlle Léandre, Alfred Harth, Lauren Newton and Evan Parker. He also recorded a number of solo double-bass albums, and was a member of the London Jazz Composer's Orchestra until 1985. He also recorded a number of pioneering double bass duets with Maarten Altena, Barry Guy, Joëlle Léandre, Barre Phillips, William Parker, Damon Smith and Peter Jacquemyn. In addition, Kowald collaborated extensively with poets and artists and with the dancers Gerlinde Lambeck, Anne M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Anderson / DKV Trio
''Fred Anderson / DKV Trio'' is an album by the American jazz saxophonist Fred Anderson with the DKV Trio, composed of drummer Hamid Drake, bassist Kent Kessler and reedist Ken Vandermark. The album was recorded in 1996 and released on Okka Disk. The DKV Trio formed in the summer of 1994 and started performing at Anderson's Velvet Lounge very early in their career. Those meetings led to the idea of doing a record with Fred.Past Present: a partial history of the DKV Trio, 1994 to 2011 at Not Two "Black Woman", a classic Anderson composition that appears on several of his other recordings, is a tenor sax duet. at Okka Disk Reception In her rev ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Anderson Quartet Volume One
''Fred Anderson Quartet Volume One'' is an album by American jazz saxophonist Fred Anderson which was recorded live during the 1998 season at the Chicago club owned by Anderson, the Velvet Lounge, and released on the Asian Improv label. The Anderson's Quartet features longtime partner trumpeter Bill Brimfield, drummer Chad Taylor and Asian American bassist Tatsu Aoki. Reception In her review for AllMusic, Joslyn Layne states about Anderson that "His horn has a time-carved warmth that somewhat recalls the warm sound of Hank Mobley and early Ben Webster, but remains entirely Anderson's own sound; when he blows, you can hear all the years of playing behind that sound." The All About Jazz review by Mark Corroto says "Anderson sounds like a mellow Ornette Coleman on tenor, especially with the addition of Bill Brimfield on trumpet... The grooves, while not laid back, are some of the most accessible and enjoyable free music I’ve heard."Corroto, Mark''Fred Anderson Quartet Volume One ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamid Drake
Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free jazz improvisers. Drake also has performed world music; by the late 1970s, he was a member of Foday Musa Suso's Mandingo Griot Society and has played reggae throughout his career. Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in many lineups) He studied drums extensively, including eastern and Caribbean styles. He frequently plays without sticks, using his hands to develop subtle commanding undertones. His tabla playing is notable for his subtlety and flair ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Sax
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
