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Live At The Isle Of Wight Festival 1970 (film)
''Live at the Isle of Wight Festival 1970'' is concert film of The Who's concert at the Isle of Wight Festival 1970. While the concert occurred on 30 August 1970 at 2:00 am, a VHS was not released until 1996. A compact disc of the concert was also released in 1996. The concert was re-released on DVD in 1998 in the United States and 2006 in the United Kingdom. Songs performed #" Heaven and Hell" #"I Can't Explain" #"Young Man Blues" #"I Don't Even Know Myself" #"Water" #"Shakin' All Over / Spoonful / Twist and Shout (Medley)" #"Summertime Blues" #"My Generation" #" Magic Bus" #"Overture" #"It's a Boy" #" Eyesight to the Blind (The Hawker)" #"Christmas" #"The Acid Queen" #"Pinball Wizard" #"Do You Think It's Alright?" #"Fiddle About" #"Go to the Mirror!" #"Miracle Cure" #" I'm Free" #" We're Not Gonna Take It" #" Tommy Can You Hear Me?" Special features The DVD re-release features " Substitute" and "Naked Eye" as special features. These songs were performed at the concert and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murray Lerner
Murray Lerner (May 8, 1927 – September 2, 2017) was an American documentary and experimental film director and producer. Career Lerner was born May 8, 1927, in Philadelphia, Pennsylvania to Nacham and Goldie (Levine) Lerner. Murray's father left the family shortly after his birth. He was raised by his mother in Brooklyn, New York, where he graduated from high school. Lerner attended Harvard University on a full scholarship. He helped start a film production society at Harvard and began teaching himself the art of filmmaking. Lerner graduated from Harvard in 1947 with a degree in Poetry. His first feature-length film, released in 1956, was the underwater documentary ''Secrets of the Reef'' which he co-directed with Lloyd Ritter and Robert M. Young. The filmmaker's break-through was the 1967 documentary '' Festival!'' which featured highlights from the Newport Folk Festival in 1963 through 1966. The film, nominated for an Oscar in 1968, captured performances by folk and blues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoonful
"Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", it is one of Dixon's best known and most interpreted songs. Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Background and lyrics Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton. Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927). The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs: Composition and recording "Spoonful" has a one-chord, modal blues structure found in other songs Willie Dixon wrote for Howlin' Wolf, such as "Wang Dang Doodle" and "Back Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We're Not Gonna Take It (The Who Song)
"We're Not Gonna Take It" is the final track on the Who's rock opera ''Tommy''. Written by Pete Townshend, the song also contains the "See Me, Feel Me" anthem that is central to the structure of ''Tommy.'' Background According to Pete Townshend, "We're Not Gonna Take It" was not originally written for the ''Tommy'' storyline. He instead says that it was inspired by the people's reaction to politics. In the storyline of Tommy, this song describes Tommy's followers' rejection of Tommy's new religion that bans drinking and drugs and centers around pinball. The song reprises the "See Me, Feel Me" and "Listening to You" themes that were seen previously throughout the album. Release In addition to being released on the Tommy album, "We're Not Gonna Take It" was released as a single in different forms. In America, it was the B-Side to " I'm Free", another album track. However, in 1970, the "See Me, Feel Me" portion was released as a single, backed with " Overture from Tommy". T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Free (The Who Song)
"I'm Free" is a song written by Pete Townshend and performed by the Who on the album ''Tommy''. The song has since been released as a single, becoming one of the best known tracks from ''Tommy.'' Background Pete Townshend has claimed that the song was partly inspired by the song "Street Fighting Man" by the Rolling Stones. On "I'm Free," drummer Keith Moon only played on the breaks of the song. According to bassist John Entwistle, Moon was unable to perform the intro the way Townshend wanted, resulting in Townshend and Entwistle having to perform part of the drums. During live performances, Townshend and Entwistle were forced to signal Moon to play the song by making giant steps. Within the plot of the album, "I'm Free" tells of Tommy's vision to spiritually enlighten others due to his sudden and immense popularity. The "Pinball Wizard" riff (earlier on the album) appears at the end of the song during the "How can we follow?" part. Townshend has since noted "I'm Free" and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go To The Mirror!
"Go to the Mirror!" is a song written by Pete Townshend of the Who. It appears as the fifteenth track on the group's first rock opera, ''Tommy'' (1969). "Go to the Mirror!" is included on the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. About Author Chris Charlesworth describes "Go to the Mirror!" as a "key ''Tommy'' song." The song advances the plot describing Tommy's healing process progressing through his ability to see his reflection. It is sung by a doctor who tells Tommy's parents that, after numerous tests, there is nothing medically wrong with him, and his problems, while very real (''"He seems to be completely unreceptive / The tests I gave him show no sense at all"''), are psychosomatic A somatic symptom disorder, formerly known as a somatoform disorder,(2013) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiddle About
''Tommy'' is the fourth studio album by the English rock band The Who, a double album first released on 17 May 1969. The album was mostly composed by guitarist Pete Townshend, and is a rock opera that tells the story of Tommy Walker. Tommy is traumatized from witnessing his father murder his mother's lover. Tommy's parents compound his trauma by denying the experience. In reaction, Tommy becomes dissociative ("deaf, dumb and blind"). Tommy then experiences the trauma of being sexually abused. As a way of coping with his trauma, Tommy dissociates further through playing pinball. He gains a following because of his skill at playing pinball. After numerous misguided attempts to heal Tommy, a doctor prescribes him a mirror so he can confront himself and his experience. Instead, Tommy becomes self-absorbed and comes to think of himself as a messianic figure. When the mirror is eventually broken, Tommy comes out of his dissociative state. Tommy then tries to lead his followers to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinball Wizard
"Pinball Wizard" is a song written by Pete Townshend and performed by the English rock band the Who, featured on their 1969 rock opera album ''Tommy''. The original recording was released as a single in 1969 and reached No. 4 in the UK charts and No. 19 on the U.S. ''Billboard'' Hot 100. The B-side of the "Pinball Wizard" single is an instrumental credited to Keith Moon, titled "Dogs Part Two". Despite the title, it has no musical connection to the Who's 1968 UK single "Dogs". Story The lyrics are written from the perspective of a pinball champion, called "Local Lad" in the ''Tommy'' libretto book, astounded by the skills of the opera's eponymous main character, Tommy Walker: "He ain't got no distractions / Can't hear those buzzers and bells / Don't see lights a flashin' / Plays by sense of smell / Always gets a replay / Never seen him fall / That deaf dumb and blind kid / Sure plays a mean pinball.", and "I thought I was the Bally table king, but I just handed my pinball c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Acid Queen
"The Acid Queen" is a song written by Pete Townshend and is the ninth song on the Who's rock opera album ''Tommy''. Townshend also sings the lead vocal. The song tells the attempts of Tommy's parents to try to cure him. They leave him with an eccentric gypsy, a self-proclaimed "Acid Queen", who feeds Tommy various hallucinogenic drugs and performs sexually in an attempt to free him from isolation. Several notable singers have performed the song including Merry Clayton, Patti LaBelle, Bette Midler and Tina Turner. Background "The Acid Queen" is often grouped with the album's next track, "Underture", a lengthy instrumental which deals with Tommy's hallucinations and his experience with acid. The one cover song on ''Tommy'', "Eyesight to the Blind", may have been included to introduce the character of the acid queen. Tommy's parents take Tommy to the Acid Queen to see if her "lascivious attentions" can cure Tommy of his ills. However, she is unsuccessful in awakening him. Pete Town ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas (The Who Song)
"Christmas" is a song written by Pete Townshend and is the seventh song on The Who's rock opera ''Tommy''. On the original LP, it opens the second side of the album. Lyrics The song tells how on Christmas morning, Tommy's father is worried about Tommy's future, and soul. His future is jeopardized due to being deaf, dumb, and blind. The lyrics contrast religious themes such as Christmas and Jesus Christ with Tommy's ignorance of such matters. The rhetorical question, "How can he be saved from the eternal grave?" is asked about Tommy's condition and adds speculation as to the nature of original sin and eternal salvation. In the middle of the song, "Tommy can you hear me?" is repeated, with Tommy responding, "See me, feel me, touch me, heal me."Perone 2012, p. 247. (Later, Tommy's life changes when he receives a pinball machine and eventually becomes the "Pinball Wizard".) Composition According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the song is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eyesight To The Blind
"Eyesight to the Blind" is a 12-bar blues song written and recorded in 1951 by Sonny Boy Williamson II (Aleck "Rice" Miller). He also recorded the related songs "Born Blind", "Unseeing Eye", "Don't Lose Your Eye", and "Unseen Eye" during his career. The Larks, an American rhythm and blues group, recorded the song, which reached number five on the R&B charts in 1951. Several musicians subsequently recorded it in a variety of styles. The Who adapted Williamson's song for their rock opera ''Tommy''. In 2022, Williamson's recording was inducted into the Blues Hall of Fame in the 'Classics of Blues Recording – Singles' category. Sonny Boy Williamson versions The song was recorded by Sonny Boy Williamson in 1951 as his first single release on Trumpet Records. Three versions of the song were released as 78 rpm singles. The first version featured Sonny Boy Williamson II on vocals and harmonica, Willie Love on piano, Joe Willie Wilkins on guitar, Elmore James on guitar, and Joe Dyso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture (The Who Song)
"Overture" is a song by English rock band the Who, written by Pete Townshend. The track is one of three instrumental tracks released on ''Tommy'', the other two being "Underture" and "Sparks". On 9 October 1970, the song was released as the B-side of "See Me, Feel Me" – which did not chart – and was titled "Overture from Tommy". Song structure As an overture the song features samples of ''Tommy''s themes: *0:00 – 0:32 Adapted from "1921" *0:33 - 0:36 Adapted from “The Hawker” *0:36 – 0:58 Adapted from "We're Not Gonna Take It" *0:59 – 1:33 Adapted from "Go to the Mirror!" *1:34 – 1:55 Adapted from "See Me, Feel Me" *1:56 – 2:18 Adapted from "Go to the Mirror!" *2:19 – 2:55 Adapted from "Listening to You" *2:56 - 3:03 Adapted from “Go to the Mirror!” *3:04 – 3:19 Adapted from "We're Not Gonna Take It" *3:20 – 3:50 Adapted from "Pinball Wizard” * There is no pause between the tracks "Overture" and "It's a Boy" so the songs are often combined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Bus (song)
"Magic Bus" is a song recorded by British rock band the Who. It was written by their guitarist Pete Townshend during the time that their debut album ''My Generation'' was being recorded in 1965. However, it was not recorded until 1968, when it was released as a single on 27 July 1968 in the United States and Canada, followed by its release in the United Kingdom on 18 September 1968. It has become one of the band's most popular songs and has been a concert staple, although when released, the record only reached number 26 in the UK and number 25 in the United States. The song was included on their 1968 album '' Magic Bus: The Who on Tour''. The arrangement for "Magic Bus" uses a Latin percussion instrument known as claves, which are pairs of small wooden sticks that make a distinctive high pitched clicking noise when struck together. The Who previously used this same instrument on the song " Disguises", which was recorded in 1966. The song makes use of the Bo Diddley beat. Backgroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
