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Live At The House Of Blues, Cleveland 9.15.07
This is the complete discography of the Canadian rock band Sum 41. The band has released eight studio albums, three live albums, one compilation album, five video albums, 33 music videos, two EPs, 24 singles, nine B-sides, nine promotional singles, and one demo album. Albums Studio albums Live albums Compilation albums Demo tapes Extended plays Singles Promotional singles Other appearances * "Rock You" - a cover of Helix from the movie soundtrack '' FUBAR: The Album''. * "Things I Want" - with Tenacious D for the KROQ compilation ''Swallow My Eggnog''. * "Unwritten Christmas" - with Unwritten Law for the KROQ compilation ''Swallow My Eggnog''. * "Little Know It All" - guest performance with Iggy Pop, later released as a single for the record '' Skull Ring''. * "Get Back" (Sum 41 rock remix) - a collaboration with Ludacris for the iTunes versions of ''Chuck'' and ''The Red Light District'' albums. * "Killer Queen" - a cover of Queen recorded for the '' Killer Queen: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sum 41
Sum 41 was a Canadian rock band formed in Ajax, Ontario, in 1996. The band's final lineup consisted of Deryck Whibley (lead vocals, guitars, keyboards), Dave Baksh (lead guitar, backing vocals), Jason McCaslin (bass, backing vocals), Tom Thacker (guitars, keyboards, backing vocals), and Frank Zummo (drums, occasional backing vocals). In 1999, Sum 41 signed an international record deal with Island Records and released its first EP, '' Half Hour of Power'', in 2000. The band released its debut album, '' All Killer No Filler'', in 2001. The album achieved mainstream success with its first single, " Fat Lip", which reached number one on the ''Billboard'' Modern Rock Tracks chart and remains the band's most successful single to date. The album's next singles " In Too Deep" and "Motivation" also achieved commercial success. ''All Killer No Filler'' was certified platinum in both the United States and the United Kingdom and triple platinum in Canada. In 2002, the band released ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Killer No Filler
''All Killer No Filler'' is the debut studio album by Canadian rock band Sum 41, released on May 8, 2001. It was certified platinum in the United States, Canada, and in the UK. Despite mixed reviews, the album was a commercial success, peaking at No. 13 on the ''Billboard'' 200. The single, " Fat Lip" peaked at No. 1 on the ''Billboard'' Alternative Airplay. Composition, music, and influences The album's style has been described as pop punk and skate punk. NOFX's album ''Punk in Drublic'' was a considerable influence on the album. Sum 41's vocalist/rhythm guitarist Deryck Whibley cites Rancid, Elvis Costello, the Beatles, and Pennywise as influences on ''All Killer No Filler''. The band has mentioned Green Day as their main influence for the album. "I was about 14 when '' Dookie'' came out," Whibley says. "I remember seeing the video for ' Basket Case' for the first time... It had so much energy and it was so different. I'd never seen anything like it before. From then I was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screaming Bloody Murder
''Screaming Bloody Murder'' is the fifth studio album by Canadian rock band Sum 41, released on March 29, 2011, after many delays. It is the band's second album produced by frontman Deryck Whibley. It is the band's last album to be released on Island Records before they had fulfilled their contract with the major label in 2016 and their first album not to be released on Aquarius Records, which they left in 2010. The album has received mixed reviews. It is the last album to be released with longtime original drummer, Steve Jocz before he announced his departure from the band in April 2013. Even though new guitarist Tom Thacker was already a part of the band and co-wrote the title track of the album, all guitars were still recorded by singer Deryck Whibley. Despite not playing on the album and being uncredited, Thacker is seen in photos with the band in the album's booklet. Background The band initially entered the studio in late 2008 with plans to record an EP for release in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underclass Hero
''Underclass Hero'' is the fourth studio album by Canadian rock band Sum 41. It is the first of two albums by the band recorded as a three-piece since the departure of guitarist Dave "Brownsound" Baksh the previous year. It was released on July 24, 2007 by Island Records and distributed worldwide by Aquarius Records, the band's final album on the label. In comparison to the heavy metal-inspired style of their previous album ''Chuck'' (2004), ''Underclass Hero '' marked a return to the band’s pop-punk sound. The album was a commercial success, peaking at number 1 on the Canadian Albums Chart and at number 7 on the US ''Billboard'' 200, becoming the band’s highest-charting album to date. It received generally mixed reviews from critics, with some praising its songwriting, lyrics and production, while others found it to be too long, melodramatic, and derivative. Background In his memoir, ''Walking Disaster'', Whibley reveals that the album was quietly " ghost produced" by Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck (Sum 41 Album)
''Chuck'' is the third studio album by Canadian rock band Sum 41. The album was released on October 12, 2004. It was the last album to feature guitarist Dave Baksh before his departure from Sum 41 on May 11, 2006. Baksh later rejoined the band in 2015. ''Chuck'' peaked at No. 2 on the Canadian Albums Chart and No. 10 on the US ''Billboard'' 200, making it the band's highest-charting album until it would be surpassed by '' Underclass Hero'' in 2007. The album's title is named after a volunteer UN peacekeeper named Chuck Pelletier who was in the Democratic Republic of the Congo where Sum 41 was filming a documentary for War Child Canada. Fighting broke out during production, and Pelletier helped the band evacuate their hotel during the fighting, as he was staying at the same hotel. The album's lyrical content has been described as darker and more mature than the band's previous work. It also had a different sound, mixing punk rock and melodic hardcore with heavy metal. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Does This Look Infected?
''Does This Look Infected?'' is the second studio album by Canadian rock band Sum 41. It was released on November 26, 2002. Music Composition The album is more aggressive, darker and heavier and has fewer elements of pop music than Sum 41's previous studio album, '' All Killer No Filler'' (2001) ''PopMatters'' writer Ethan Stewart described ''Does This Look Infected?'' stylistically as a "transitional record" between the pop-punk of ''All Killer No Filler'' and the heavy metal sound of ''Chuck'', as well as "the band's most varied album". It includes both pop punk tracks, such as "Hyper-Insomnia-Para-Condrioid" and " The Hell Song" and melodic thrash metal songs such as " Still Waiting". Many songs incorporating elements of both genres, such as shouted vocals, breakdowns, harmonized guitars and riffs typical of thrash metal, as well as melodies indebted to pop punk and sometimes a more jovial tone. Critics have categorized the album as punk rock, pop punk, heavy metal an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chūō, Tokyo
is a special ward in the Tokyo Metropolis in Japan. The ward refers to itself in English as Chūō City. It was formed in 1947 as a merger of Kyōbashi and Nihonbashi wards following Tokyo City's transformation into Tokyo Metropolis. Chūō-ku, as a combination of Kyōbashi and Nihonbashi, is the core of Shitamachi, the original downtown center of Edo-Tokyo. Literally meaning "Central Ward", it is historically the main commercial center of Tokyo, although Shinjuku has risen to challenge it since the end of World War II. The most famous district in Chūō is Ginza, built on the site of a former silver mint from which it takes its name. The gold mint, or , formerly occupied the site of the present-day Bank of Japan headquarters building, also in Chūō. As of October 1, 2020, the ward has a resident population of 169,179, and a population density of 16,569 persons per km2. The total area is 10.21 km2. However, because of the concentration of businesses, offices ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of Japan
The is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969. The RIAJ's activities include promotion of music sales, enforcement of copyright law, and research related to the Japanese music industry. It publishes the annual ''RIAJ Year Book'', a statistical summary of each year's music sales, as well as distributing a variety of other data. Headquartered in Minato, Tokyo, the RIAJ has twenty member companies and a smaller number of associate and supporting members; some member companies are the Japanese branches of multinational corporations headquartered elsewhere. The association is responsible for certifying gold and platinum albums and singles in Japan. RIAJ Certification In 1989, the Recording Industry Association of Japan introduced the music recording certification systems. It is awarded based on shipment figures of comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Phonographic Industry
BPI (British Recorded Music Industry) Limited, trading as British Phonographic Industry (BPI), is the British recorded music industry's trade association. It runs the BRIT Awards; is home to the Mercury Prize; co-owns the Official Charts Company with the Entertainment Retailers Association; and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies, including ( Sony Music UK, Universal Music UK, Warner Music UK), and over 500 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the Chair of BPI, and includes the Chief Executive, Chief Operating Officer (COO), General Counsel, Chief Strategy Officer and 12 representatives from the recorded music sector: six from major labelstwo each from the three "major" companiesand six from the independent sector, who are selected by voting of all BPI independent label members ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Recording Industry Association
Music Canada is a non-profit trade organization that was founded 9 April 1963 in Toronto to represent the interests of companies that record, manufacture, produce, and distribute music in Canada. It also offers benefits to some of Canada's leading independent record labels and distributors. It was known as the Canadian Record Manufacturer's Association () until 1972 and the Canadian Recording Industry Association (CRIA) () until 2011. History Originally formed as the 10-member Canadian Record Manufacturer's Association, the association changed its name to Canadian Recording Industry Association (CRIA) in 1972 and opened membership to other record industry companies. In 2006, a number of smaller labels resigned their memberships, complaining that the organization was not representing their interests. On 7 July 2011, the CRIA changed its name to Music Canada, and began offering special benefits to some of the leading independent labels and distributors. Organization Music Canada i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Canada
Music Canada is a non-profit Industry trade group, trade organization that was founded 9 April 1963 in Toronto to represent the interests of companies that record, manufacture, produce, and distribute music in Canada. It also offers benefits to some of Canada's leading independent record labels and distributors. It was known as the Canadian Record Manufacturer's Association () until 1972 and the Canadian Recording Industry Association (CRIA) () until 2011. History Originally formed as the 10-member Canadian Record Manufacturer's Association, the association changed its name to Canadian Recording Industry Association (CRIA) in 1972 and opened membership to other record industry companies. In 2006, a number of smaller labels resigned their memberships, complaining that the organization was not representing their interests. On 7 July 2011, the CRIA changed its name to Music Canada, and began offering special benefits to some of the leading independent labels and distributors. Organ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
