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Live At The BBC (Beatles Album)
''Live at the BBC'' is a 1994 compilation album featuring performances by the Beatles that were originally broadcast on various BBC Light Programme radio shows from 1963 to 1965. The mono album, available in multiple formats but most commonly as a two-CD set, consists of 56 songs and 13 tracks of dialogue; 30 of the songs had never been issued previously by the Beatles. It was the first official release by the Beatles of previously unreleased performances since ''The Beatles at the Hollywood Bowl'' in 1977 and the first containing previously unreleased songs since their final studio album, '' Let It Be'', in 1970. Although the songs were recorded ahead of broadcast, allowing for retakes and occasional overdubbing, they are essentially "live in studio" performances. Most of the songs are cover versions of material from the late 1950s and early 1960s, reflecting the stage set they developed before Beatlemania. Before the album's release, comprehensive collections of the Beatles' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles At The Hollywood Bowl
''The Beatles at the Hollywood Bowl'' is a live album by the Beatles, released in May 1977, featuring songs compiled from three performances recorded at the Hollywood Bowl in August 1964 and August 1965. The album was released by Capitol Records in the United States and Canada and on the Parlophone label in the United Kingdom. It was the band's first official live recording. A remixed, remastered, and expanded version of the album, retitled ''Live at the Hollywood Bowl'', was released on 9 September 2016, on CD for the first time, to coincide with the release of the documentary film '' The Beatles: Eight Days a Week'', directed by Ron Howard. Background Capitol Records considered recording the Beatles' February 1964 concert at Carnegie Hall in New York, but it could not get the necessary approval from the American Federation of Musicians. Six months later, KRLA DJ Bob Eubanks booked the band's performance of 23 August at the Hollywood Bowl, in Los Angeles, where Capito ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beeb's Lost Beatles Tapes
''The Beeb's Lost Beatles Tapes'' was a music documentary series presented by Richard Skinner, comprising 14 half-hour episodes, broadcast on BBC Radio 1 between 1 October – 31 December 1988. Each episode was broadcast on Saturday evening with a repeat on the following Monday. The series presented rarely broadcast and unreleased BBC recordings of The Beatles made between 1963 and 1968. This included sessions from '' Saturday Club'', '' Easy Beat'' and ''Pop Go the Beatles''. As well as the songs, the programme included much of the Beatles' chat and interview material from the various programmes, much of it involving Brian Matthew and Kenny Everett. There are also contemporary interviews with people who were involved in the original programmes. Howlett had previously co-produced a two hour programme for Radio 1 in 1982, ''The Beatles at the Beeb'', which was the first airing of some of the same material, but focused on the early years and used only radio programme sources. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound On Sound
''Sound on Sound'' is an independently owned monthly music technology magazine published by SOS Publications Group, based in Cambridge, United Kingdom. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. All news and articles printed in the magazine since January 1994 have also been published online via its website, often including rich media content such as video and audio files that correspond to the content of individual articles. The articles printed in the magazine before January 1994 can be found on the Mu:zines website. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby in 1985, and was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the conve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monaural
Monaural or monophonic sound reproduction (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers (provided that the speakers are set up in a proper symmetrical critical-listening placement). Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is " panned" to the center. In the final stage, the various center-panned signal paths are usually mixed d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbey Road Studios
Abbey Road Studios (formerly EMI Recording Studios) is a recording studio at 3 Abbey Road, St John's Wood, City of Westminster, London, England. It was established in November 1931 by the Gramophone Company, a predecessor of British music company EMI, which owned it until Universal Music Group (UMG) took control of part of it in 2013. It is ultimately owned by UMG subsidiary Virgin Records Limited (until 2013 by EMI Records Limited, nowadays known as Parlophone Records and owned by UMG's competitor Warner Music Group). The studio's most notable client was the Beatles, who used the studio – particularly its Studio Two room – as the venue for many of the innovative recording techniques that they adopted throughout the 1960s. In 1976, the studio was renamed from EMI in honour of their final recorded album, ''Abbey Road''. In 2009, Abbey Road came under threat of sale to property developers. In response, the British Government protected the site, granting it English Herita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Radio
BBC Radio is an operational business division and service of the British Broadcasting Corporation (which has operated in the United Kingdom under the terms of a royal charter since 1927). The service provides national radio stations covering the majority of musical genres, as well as local radio stations covering local news, affairs and interests. It also oversees online audio content. Of the national radio stations, BBC Radio 1, 2, 3, 4 and 5 Live are all available through analogue radio ( AM or FM (with BBC Radio 4 LW on longwave) as well as on DAB Digital Radio and BBC Sounds. The Asian Network broadcasts on DAB and selected AM frequencies in the English Midlands. BBC Radio 1Xtra, 4 Extra, 5 Sports Extra, 6 Music and the World Service broadcast only on DAB and BBC Sounds, while Radio 1 Dance and Relax streams are available only online. All of the BBC's national radio stations broadcast from bases in London and Manchester, usually in or near to Broadcasting House ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On Air – Live At The BBC Volume 2
''On Air – Live at the BBC Volume 2'' is a 2013 live/compilation album featuring 40 previously unreleased tracks from the Beatles' 1963–1964 BBC Radio broadcasts (accompanied by 23 interview tracks from the associated broadcasts). It was released on 11 November 2013, along with a remastered and repackaged '' Live at the BBC Volume 1'', which was originally released in 1994. The album is available as a two-CD set and a three-LP set. An exclusive limited edition lithographic print is also available from the Beatles online store. Content Most of the songs performed live on the album are taken from the Beatles' first four LPs ''Please Please Me'', ''With the Beatles'', '' A Hard Day's Night'' and ''Beatles for Sale''. Many of the other songs performed are the band's covers of early rock and roll classics by American artists such as Little Richard, Chuck Berry and Buddy Holly, many of which were never recorded in a studio or released on a Beatles album during the group's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles Bootleg Recordings
The Beatles' bootleg recordings (also known as Beatlegs) are recordings of performances by the Beatles that have attained some level of public circulation without being available as a legal release. The term most often refers to audio recordings, but also includes video performances. Starting with vinyl releases in the 1970s, through CD issues in the late 1980s, and continuing with digital downloads starting in the mid 1990s, the Beatles have been, and continue to be, among the most bootlegged artists. Bootleg recordings arise from a multitude of sources, including radio and TV broadcast performances, live shows, studio outtakes and session tapes, alternate mixes, test discs, and home demos. The largest single source of Beatles bootleg material is the set of Nagra audio tapes from the 1969 filming of the ''Get Back'' / ''Let It Be'' rehearsal and recording sessions. Historical overview The 1970s saw the first Beatle bootlegs issued on vinyl records. The first Beatles bootleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatlemania
Beatlemania was the fanaticism surrounding the English rock band the Beatles in the 1960s. The group's popularity grew in the United Kingdom throughout 1963, propelled by the singles "Please Please Me", "From Me to You" and "She Loves You". By October, the press adopted the term "Beatlemania" to describe the scenes of adulation that attended the band's concert performances. From the start of 1964, their world tours were characterised by the same levels of hysteria and high-pitched screaming by female fans, both at concerts and during the group's travels. Commentators likened the intensity of this adulation to a religious fervour and to a female masturbation fantasy. Among the displays of deity-like worship, fans would approach the band in the belief that they possessed supernatural healing powers. In February 1964, the Beatles arrived in the United States and their televised performances on ''The Ed Sullivan Show'' were viewed by approximately 73 million people. There, the ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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