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Live At Club Mozambique (Grant Green Album)
''Live at Club Mozambique'' is a live album by American jazz guitarist Grant Green featuring performances recorded at the Club Mozambique in Detroit on January 6 and 7, 1971, but not released on the Blue Note label until 2006. Reception The Allmusic review by Thom Jurek awarded the album 3½ stars and stated "The horn charts are tight and elaborate in their fashion, and Green pulls out the stops layering blues, jazz, and soulful funkiness into each of his lines. And to hear this rhythm section simmer and pop is glorious. Highly recommended".Huey, S. Allmusic Reviewaccessed September 20, 2010 The All About Jazz review by Chris May stated "Green plays immaculately, if not adventurously, throughout. His tone is clean, his phrasing is masterful, and his lines cook. He could do this stuff in his sleep—but he didn't. He plays like he means it, and from time to time he touches the spirit. So long as you're not expecting the intricate rhapsodies of his 1963 magnum opus, ''Idle M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grant Green
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy". He often performed in an organ trio, a small group featuring a Hammond organ and drummer. Apart from fellow guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
More Today Than Yesterday
"More Today Than Yesterday" is a song written by Pat Upton and performed by Spiral Starecase, of which Upton was the lead vocalist. The song was produced by Sonny Knight and arranged by Al Capps. Background The principal idea of the song was made famous at the turn of the 20th century in a poem by Rosemonde Gérard, the wife of the poet and playwright Edmond Rostand (''Cyrano de Bergerac''). Chart performance It reached No. 6 in Canada, No. 7 on the ''Cashbox'' Top 100, and No. 12 on the ''Billboard'' Hot 100 in 1969. It was also released in the United Kingdom as a single, but did not chart. The song was featured on their 1969 album, '' More Today Than Yesterday''. It ranked No. 50 on ''Billboard'' magazine's Top Hot 100 songs of 1969. Weekly charts Year-end charts Other versions *Charles Earland released a version of the song on his 1969 album, ''Black Talk!,'' and another version on his 1970 album ''Living Black!'' as well as on his 1996 album ''The Reunion'' *Shirl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Note Records Live Albums
Blue is one of the three primary colours in the RYB colour model (traditional colour theory), as well as in the RGB (additive) colour model. It lies between violet and cyan on the spectrum of visible light. The eye perceives blue when observing light with a dominant wavelength between approximately 450 and 495 nanometres. Most blues contain a slight mixture of other colours; azure contains some green, while ultramarine contains some violet. The clear daytime sky and the deep sea appear blue because of an optical effect known as Rayleigh scattering. An optical effect called Tyndall effect explains blue eyes. Distant objects appear more blue because of another optical effect called aerial perspective. Blue has been an important colour in art and decoration since ancient times. The semi-precious stone lapis lazuli was used in ancient Egypt for jewellery and ornament and later, in the Renaissance, to make the pigment ultramarine, the most expensive of all pigments. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idris Muhammad
Idris Muhammad ( ar, إدريس محمد; born Leo Morris; November 13, 1939 – July 29, 2014) was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu. Biography Born Leo Morris in New Orleans, Idris Muhammad grew up in the city's 13th Ward in a home next door to a dry cleaner’s shop. He later would claim the sound of the shop’s steam presser influenced his hi-hat technique. Growing up, he spent time with fellow New Orleanians The Neville Brothers. Also interested in other instruments, he showed early talent as a percussionist, playing in a Mardi Gras parade at age 9. Muhammad asked Paul Barbarin to teach him to read music but Barbarin, who thought he was already so talented, declined. At the age of 14, Muhammad began his professional career by performing with The Hawketts on their iconic recording “M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronnie Foster
Ronnie Foster (born May 12, 1950) is an American funk and soul jazz organist, and record producer. His albums recorded for Blue Note Records in the 1970s have gained a cult following after the emergence of acid jazz. Early life Foster was born in Buffalo, New York, on May 12, 1950. He attended Public School 8, Woodlawn Jr. High for a year, McKinley Vocational High School for two years, and then spent his final year at Lafayette High School. The only formal musical instruction he received was a month of accordion lessons. He was attracted to music at the age of four, took it more seriously from his early teens, and had his first professional gig aged fifteen, playing in a strip club. Later life and career Foster initially performed with other local musicians. He moved to New York City with his own band, and acquired a publishing company. Foster has performed as a sideman with a wide range of musicians. He frequently worked with guitarist George Benson, including playing on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houston Person
Houston Person (born November 10, 1934) is an American jazz tenor saxophonist and record producer. Although he has performed in the hard bop and swing genres, he is most experienced in and best known for his work in soul jazz. He received the ‘Eubie Blake Jazz Award’ in 1982. Biography Person grew up in Florence, South Carolina, and first played piano before switching to tenor saxophone. He studied at South Carolina State College where he was inducted into the school's Hall of Fame in 1999. In the United States Air Force, he joined a service band stationed in West Germany, and played with Don Ellis, Eddie Harris, Cedar Walton, and Leo Wright. He later continued his studies at Hartt College of Music in Hartford, Connecticut. He first became known for a series of albums for Prestige in the 1960s. Contrary to popular belief, he was never married to the vocalist Etta Jones, but did spend many years as her musical partner, recording, performing and touring, and for much of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and began using amplifiers, it enabled them to play solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a " floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include '' c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronald Dunbar
Ronald Dunbar (April 15, 1939 – April 3, 2018) was an American songwriter, A&R director and record producer who worked closely with Holland–Dozier–Holland, and with George Clinton. His co-writing credits include the hit songs "Give Me Just a Little More Time", " Band of Gold", and " Patches", for which he won a Grammy. His Grammy award was sold for $2,350 to the owners of TV show ''Pawn Stars''. It was later returned to the Dunbar family, after it was discovered that the buying and selling of Grammy trophies is not allowed. Life Born in Detroit, Michigan, he began working for Motown when it was formed in the late 1950s, and was first credited as a co-writer for the Valadiers' minor 1961 hit, " Greetings (This Is Uncle Sam)". He continued to work with songwriters and record producers Brian Holland, Lamont Dozier, and Eddie Holland, in an uncredited capacity, until they left Motown over a financial dispute in 1968. Dunbar remained with the three when they set up Holland–Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
