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Live At Caesars Palace
''Live at Caesars Palace'' is a live album by the American singer Diana Ross, released in 1974. It was recorded during a 1973 performance at Las Vegas' Caesars Palace. It was the first of two live albums Ross recorded for Motown. It reached No. 64 in the USA (#15 R&B). Critical reception AllMusic wrote that "the staged conversations, often awkward monologues, and rough pacing were balanced by some excellent performances, and the album was produced well enough to keep her voice at the core of the sound." Track listing Side A: #"Overture" - 0:49 #"Don't Rain on My Parade" Funny Girl''">Funny_Girl_(musical).html" ;"title="rom ''Funny Girl (musical)">Funny Girl''(Jule Styne, Bob Merrill) - 2:21 #"Big Mable Murphy" (Dallas Frazier) - 3:02 #"Reach Out and Touch (Somebody's Hand)" (Ashford & Simpson, Nickolas Ashford, Valerie Simpson) - 6:57 #"The Supremes Medley: Stop! In the Name of Love / My World Is Empty Without You / Baby Love /I Hear a Symphony" (Lamont Dozier, Eddie Holland, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jule Styne
Jule Styne (; born Julius Kerwin Stein; December 31, 1905 – September 20, 1994) was an English-American songwriter and composer best known for a series of Broadway musicals, including several famous frequently-revived shows that also became successful films: ''Gypsy,'' '' Gentlemen Prefer Blondes,'' and '' Funny Girl.'' Early life Styne was born to a Jewish family in London, England. His parents, Anna Kertman and Isadore Stein, were emigrants from Ukraine, the Russian Empire, and ran a small grocery. Even before his family left Britain, he did impressions on the stage of well-known singers, including Harry Lauder, who saw him perform and advised him to take up the piano. At the age of eight, he moved with his family to Chicago, where he began taking piano lessons. He proved to be a prodigy and performed with the Chicago, St. Louis, and Detroit Symphonies before he was ten years old. Career Before Styne attended Chicago Musical College, he had already attracted the attention o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain't No Mountain High Enough
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the ''Billboard'' Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance. Background The song was written by Ashford and Simpson prior to joining Motown. British soul singer Dusty Springfield wanted to record the song but the duo declined, hoping it would give them access to the Detroit-based label. As Valerie Simpson later recalled, "We played that song for her (Springfield) but wouldn't give it to her, because we wanted to hold that back. We felt like that could be our entry to Motown. Nick called it the 'golden egg'." Springfield recorded a similar verse melody in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Holland
Brian Holland (born February 15, 1941) is an American songwriter and record producer, best known as a member of Holland–Dozier–Holland, the songwriting and production team that was responsible for much of the Motown sound, and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Holland, along with Lamont Dozier, served as the team's musical arranger and producer. He has written or co-written 145 hits in US and 78 in the UK. Holland was born in Detroit, Michigan, United States. For a short time, he partnered with Robert Bateman, and together they were known as "Brianbert", collaborating on such hits as " Please Mr. Postman" for The Marvelettes. Holland has also had an on-and-off career as a performer. He released a solo single in 1958 under the name of "Briant Holland". He and longtime friend and future songwriting partner Freddie Gorman were in a short-lived group called the Fidalatones, and he was later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Holland
Edward Holland Jr. (born October 30, 1939) is an American singer, songwriter, and record producer. Holland was born in Detroit, Michigan, United States. Although he was an early Motown artist who recorded minor hit singles such as "Jamie", he started working behind the scenes due to stage fright. He was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown Sound and hit records by Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers, among others. He has written or co-written 80 hits in the UK and 143 in the US charts. Holland served as the team's lyricist, and also worked with producer Norman Whitfield on lyrics for the songs he produced for the Marvelettes and the Temptations, like "Too Many Fish in the Sea" and "Beauty Is Only Skin Deep "Beauty Is Only Skin Deep" is a 1966 song, written by Norman Whitfield and Edward Holland, Jr., and produced by Whitfield. Norman Whitfield recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamont Dozier
Lamont Herbert Dozier (; June 16, 1941 – August 8, 2022) was an American singer, songwriter, and record producer from Detroit, Michigan. He co-wrote and produced 14 US ''Billboard'' number-one hits and four number ones in the UK. Career Dozier was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown sound and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Along with Brian Holland, Dozier served as the team's musical arranger and producer, while Eddie Holland concentrated mainly on lyrics and vocal production. Along with the Holland Brothers, Dozier followed his work for Motown Records as founder and owner of Invictus Records and Hot Wax Records, producing top-charting hits for acts Freda Payne, Honey Cone, Chairmen of the Board, and 100 Proof Aged in Soul. Early years Dozier recorded a few unsuccessful records for various Detroit labels before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Hear A Symphony
"I Hear a Symphony" is a 1965 song recorded by the Supremes for the Motown label. Written and produced by Motown's main production team, Holland–Dozier–Holland, the song became their sixth number-one pop hit on the ''Billboard'' Hot 100 pop singles chart in the United States for two weeks from November 14, 1965, through November 27, 1965. On the UK singles chart, the single peaked at number thirty-nine. History Overview The Supremes enjoyed a run of hits through 1964 and 1965 under the guidance of writer/producers Holland–Dozier–Holland. In mid-1965, the producers came to realize they had fallen into a rut when the Supremes' " Nothing but Heartaches" failed to make it to the Top Ten, missing it by just one position and breaking the string of number-one Supremes hits initiated with "Where Did Our Love Go." Motown chief Berry Gordy was displeased with the performance of "Nothing but Heartaches," and circulated a memo around the Motown offices that read as follows: Holl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby Love
"Baby Love" is a song by American music group the Supremes from their second studio album, ''Where Did Our Love Go''. It was written and produced by Motown's main production team Holland–Dozier–Holland and was released on September 17, 1964. "Baby Love" topped the ''Billboard'' pop singles chart in the United States from October 25, 1964, through November 21, 1964, and in the United Kingdom pop singles chart concurrently. Beginning with "Baby Love", the Supremes became the first Motown act to have more than one American number-one single, and by the end of the decade, would have more singles hitting the top slot than any other Motown act (or American pop music group) with 12, a record they continue to hold. It was nominated for the 1965 Grammy Award for Best Rhythm & Blues Recording, losing to Nancy Wilson's "How Glad I Am". It is considered one of the most popular songs of the late 20th century, "Baby Love" was ranked number 324 on the ''Rolling Stone'' list of The 500 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My World Is Empty Without You
"My World Is Empty Without You" is a 1965 song recorded and released as a single by the Supremes for the Motown label. Overview Written and produced by Motown's main production team of Holland–Dozier–Holland, the song's fast tempo accompanies a somber lyric which delves into the feelings of depression which can set in after a breakup. "My World Is Empty Without You" was one of the few songs written by the team for the Supremes to not reach number 1, peaking at number 5 on the US pop chart for two weeks in February 1966 and at number 10 on the R&B chart; the single failed to chart on the UK Singles Chart. The group performed the song on the CBS hit variety program ''The Ed Sullivan Show'' on Sunday, February 20, 1966. ''Billboard'' described the song as being "right in their pulsating rhythm groove of 'I Hear a Symphony' with even more excitement in the performance." ''Cash Box'' described it as a "throbbing, rhythmic soulful tearjerker about a love-sick girl who spends her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stop! In The Name Of Love
"Stop! In the Name of Love" is a 1965 song recorded by the Supremes for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, "Stop! In the Name of Love" held the #1 position on the ''Billboard'' pop singles chart in the United States from March 27, 1965, through April 3, 1965, and reached the #2 position on the soul chart. ''Billboard'' named the song #38 on their list of 100 Greatest Girl Group Songs of All Time. The BBC ranked "Stop! In the Name of Love" at #56 on ''The Top 100 Digital Motown Chart'', which ranks Motown releases by their all time UK downloads and streams. In 2021, it was listed at No. 254 on Rolling Stone's "Top 500 Greatest Songs of All Time". History The song was written by Eddie Holland, Lamont Dozier, and Brian Holland. Dozier said that he got the idea after he got cheated on by his girlfriend. In the heat of the argument, he said, "Baby, please stop. In the name of love- before you break my heart." The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Supremes
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, vocal band, with List of Billboard Hot 100 chart achievements and milestones#Most number-one singles, 12 number-one singles on the Billboard Hot 100, ''Billboard'' Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African American Rhythm and blues, R&B and soul musicians to find mainstream success. ''Billboard'' ranked the Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard, Mary Wilson (singer), Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass Housing Projects, Brewster-Douglass public housing proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashford & Simpson
Ashford & Simpson were an American husband-and-wife songwriting-production team and recording duo of Nickolas Ashford (May 4, 1941 – August 22, 2011) and Valerie Simpson (born August 26, 1946). Ashford was born in Fairfield, South Carolina, and Simpson in the Bronx, New York City. Afterwards, his family relocated to Ypsilanti, Michigan, where he became a member of Christ Temple Baptist Church. While there, he sang with a group called the Hammond Singers (named after the founding minister, James Hammond). Later, Nickolas attended and graduated from Willow Run High School in Ypsilanti, Michigan, before pursuing his professional career, where he would ultimately meet his wife, Valerie. They met at Harlem's White Rock Baptist Church in 1964. After having recorded unsuccessfully as a duo, they joined an aspiring solo artist and former member of the Ikettes, Joshie Jo Armstead, at the Scepter/Wand label, where their compositions were recorded by Ronnie Milsap ("Never Had It So G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
