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Live Nassau Coliseum '76
''Live Nassau Coliseum '76'' is a live album by David Bowie recorded on 23 March 1976 during Bowie's Isolar Tour in support of the album ''Station to Station''. The recording was first released in September 2010, as part of special and deluxe editions of ''Station to Station''.David Bowie's Space Oddity, Station to Station Albums to Be Reissued
Pitchfork News, Retrieved on 19 August 2009.
Station to Station four disc set due next year
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David Bowie
David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust (character), Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman (song), Starma ...
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Word On A Wing
"Word on a Wing" is a song written and recorded by English singer-songwriter David Bowie in 1975 for the ''Station to Station'' album, where it appears as the closing track of the LP's first side. Bowie admits that the song was written out of a coke-addled spiritual despair that he experienced while filming ''The Man Who Fell to Earth''. In 1980 Bowie spoke of the song to ''NME'', claiming "There were days of such psychological terror when making the Roeg film that I nearly started to approach my reborn, born again thing. It was the first time I'd really seriously thought about Christ and God in any depth, and 'Word on a Wing' was a protection. It did come as a complete revolt against elements that I found in the film. The passion in the song was genuine... something I needed to produce from within myself to safeguard myself against some of the situations I felt were happening on the film set." During the time of recording this song Bowie began to wear a silver crucifix given ...
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George Murray (musician)
George Murray is an American bass guitarist best known for his work with David Bowie on a number of Bowie's albums released in the 1970s. Murray was part of Bowie's rhythm section, the D.A.M. Trio, for much of the decade, alongside drummer Dennis Davis and guitarist Carlos Alomar. He studied at Bronx Community College and had toured Europe, South America and Canada with George McCrae as well as touring and performing with the Broadway plays ''Don't Bother Me, I Can't Cope'' and ''Your Arms Too Short to Box with God'', prior to his work with Bowie. As of 2017 Murray works at a school district in California where he lives with his wife, Teresa Woo-Murray, and son, Marcus. Selective discography Weldon Irvine *''Cosmic Vortex (Justice Divine)'' (1974) *''In Harmony'' (1974) David Bowie *''Station to Station'' (1976) *''Live Nassau Coliseum '76'' (released 2010) *'' Low'' (1977) *'' "Heroes"'' (1977) *''Stage'' (1978) *''Welcome to the Blackout (Live London '78)'' (released 2018) * ...
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The Jean Genie
"The Jean Genie" is a song by English singer-songwriter David Bowie, originally released in November 1972 as the lead single to his 1973 album '' Aladdin Sane''. Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars − comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. According to Bowie, it was "a smorgasbord of imagined Americana", with a protagonist inspired by Iggy Pop, and the title being an allusion to author Jean Genet. One of Bowie's most famous tracks, it was promoted with a film clip featuring Andy Warhol associate Cyrinda Foxe and peaked at No. 2 on the UK Singles Chart. Background and recording "The Jean Genie" originated on the Ziggy Stardust Tour as an impromptu jam, titled "Bussin'", on the tour bus between the first two concerts in Cleveland and Memphis, when Mick Ronson began playing the Bo Diddley-inspired guitar riff on his new Les Paul. It subsequently became the first song Bowie composed for ''Aladdin Sane'', in a ...
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Rebel Rebel
"Rebel Rebel" is a song by English singer-songwriter David Bowie. It was released in the UK in February 1974 by RCA Records as the lead single from the album ''Diamond Dogs''. Written and produced by Bowie, the song is based around a distinctive guitar riff reminiscent of the Rolling Stones. Cited as his most-covered track, "Rebel Rebel" has been described as Bowie's farewell to the glam rock movement that he had helped initiate, as well as being a proto-punk track. Two versions of the song were recorded: the well-known UK single release and the shorter US single release, which featured added background vocals, extra percussion and a new arrangement. Upon its release, the song was a commercial success, peaking at number five on the UK Singles Chart and number 64 on the US ''Billboard'' Hot 100. The song received critical acclaim for its central guitar riff and strength as a glam anthem. Several publications consider it to be one of Bowie's greatest songs. It was performed live ...
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Diamond Dogs (song)
"Diamond Dogs" is a 1974 single by English singer-songwriter David Bowie, the title track of the album of the same name. The lyric introduces the listener to Bowie’s latest persona and his environment; Halloween Jack dwells on top of an abandoned skyscraper ("Manhattan Chase", a.k.a. One Chase Manhattan Plaza) in a post-apocalyptic Manhattan. The guitar sound is heavily influenced by The Rolling Stones, and signalled Bowie moving away from glam rock and closer to a proto-punk Stooges-influenced sound. The track was considered by many commentators to be an unconventional single, and it only reached number 21 in the United Kingdom. According to ''NME'' critics Roy Carr and Charles Shaar Murray, "As a potential hit single, the title track from ''Diamond Dogs'' was something of a non-event. Too long, too bleak in vision, too tough to dance to... you know the drill." Although it was not issued in the US as a single (despite the fact that copies were pressed in the US for ship ...
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TVC 15
"TVC 15" is a song by English musician David Bowie, released on his 1976 album ''Station to Station''. RCA Records later released it as the second single from the album on 30 April 1976. The song was recorded in late 1975 at Cherokee Studios in Los Angeles. Co-produced by Bowie and Harry Maslin, the recording featured guitarists Carlos Alomar and Earl Slick, bassist George Murray, drummer Dennis Davis, pianist Roy Bittan and Warren Peace on backing vocals. The upbeat song is mostly art rock performed in a style reminiscent of the 1950s. Lyrically, the song concerns a character's girlfriend being eaten by a television set. It was inspired by a dream of Iggy Pop's and Bowie's role in ''The Man Who Fell to Earth'' (1976). Some lyrics are also influenced by the Yardbirds and Kraftwerk. Upon release as a single, "TVC 15" peaked at number 33 on the UK Singles Chart and number 64 on the ''Billboard'' Hot 100 chart. Its release coincided with the European leg of the Isolar tour. Initi ...
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Changes (David Bowie Song)
"Changes" is a song by English singer-songwriter David Bowie, originally released on his 1971 album ''Hunky Dory''. RCA Records then released it as a single from the album on 7 January 1972. Written following his promotional tour of America in early 1971, "Changes" was recorded at Trident Studios in London between June and July that year. Co-produced by Bowie and Ken Scott, it featured Strawbs member Rick Wakeman on piano and the musicians who would later become known as the Spiders from Mars: guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. The song also marks the first instance of Bowie playing the saxophone on one of his recordings. At this point in his career, Bowie had experimented with numerous musical styles, all of which failed to earn him stardom. The lyrics of "Changes" reflect this, with the first verse focusing on the compulsive nature of artistic reinvention and distancing oneself from the rock mainstream. The second verse concerns clashes ...
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Panic In Detroit
"Panic in Detroit" is a song written by English singer-songwriter David Bowie for the album '' Aladdin Sane'' in 1973. Bowie based it on friend Iggy Pop's descriptions of revolutionaries he had known in Michigan Nicholas Pegg (2000). ''The Complete David Bowie'': p.160 and Pop's experiences during the 1967 Detroit riots. ''Rolling Stone'' magazine called the track "a paranoid descendant of the Motor City's earlier masterpiece, Martha and the Vandellas' " Nowhere to Run"". Musically "Panic in Detroit" has been described as a "Salsa variation on the Bo Diddley beat",Roy Carr & Charles Shaar Murray (1981). ''Bowie: An Illustrated Record'': p.54 and features prominent conga drums and female backing vocals. The lyrics namecheck Che Guevara and are also said to contain references to John Sinclair of the White Panther Party. In 2003, ''Rolling Stone'' magazine printed its list of "The 100 Greatest Guitarists of All Time". Mick Ronson was ranked at #64, and "Panic in Detroit" as his ...
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Five Years (David Bowie Song)
"Five Years" is a song written by English musician David Bowie, released on his 1972 album ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars''. Co-produced by Bowie and Ken Scott, it was recorded in November 1971 at Trident Studios in London with his backing band the Spiders from Mars − comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. As the opening track on the album, the song introduces the overarching theme of the album: an impending apocalyptic disaster will destroy Earth in five years and the being who will save it is a bisexual alien rock star named Ziggy Stardust. While the first two verses are told from a child narrator, the third is from Bowie, who addresses the listener directly. As the track progresses, it builds intensity, before climaxing with strings and Bowie screaming the title. Since release, "Five Years" has received critical acclaim from music critics, with the majority complimenting Bowie's songwriting and Woodmansey's drum track. It h ...
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Life On Mars?
"Life on Mars?" is a song by English singer-songwriter David Bowie, first released on his 1971 album ''Hunky Dory''. In 1968, Bowie was commissioned to write English lyrics for the Claude François French song " Comme d'habitude". After his lyrics were rejected, songwriter Paul Anka rewrote it into "My Way", made famous by singer Frank Sinatra in 1969. Annoyed at the success of "My Way", Bowie used the song as a template and wrote "Life on Mars?" as a parody of Sinatra's recording. It was written primarily on piano and recorded on 6 August 1971, the final day of the ''Hunky Dory'' sessions. Co-produced by Bowie and Ken Scott, the backing band consisted of guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey; Ronson also composed the song's string arrangement. Piano was played by Strawbs member Rick Wakeman. Musically, "Life on Mars?" is described as a "soaring, cinematic ballad". Primarily glam rock, with elements of cabaret and art rock, the song ...
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Queen Bitch
"Queen Bitch" is a song by English singer-songwriter David Bowie. It was originally released on his 1971 album ''Hunky Dory'' before appearing as the B-side of the single "Rebel Rebel" in the United Kingdom in early 1974. The song was inspired by the Velvet Underground and, in particular, lead singer Lou Reed. It was debuted on BBC radio in June 1971 before being properly recorded at Trident Studios in London between late June and mid-July. Co-produced by Bowie and Ken Scott, the lineup consisted of the musicians who would later become known as the Spiders from Mars: guitarist Mick Ronson, bassist Trevor Bolder and drummer Mick Woodmansey. As a tribute to the Velvet Underground, the song contains both musical and lyrical references to the band. The provocative lyrics concern a male character whose lover searches for drag queens and hookups after the narrator refuses his advances. The drag queen is described using stereotypical phrases. Unlike the majority of ''Hunky Dory''s track ...
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