Live (Peatbog Faeries Album)
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Live (Peatbog Faeries Album)
''Live'' is the first live album by Scottish celtic fusion band Peatbog Faeries The Peatbog Faeries are a largely instrumental Celtic fusion band. Formed in 1991, they are based in Dunvegan on the Isle of Skye, Scotland. Their music embodies many styles and influences, including folk, electronica, African pop, rock and ..., released in 2009 by Peatbog Records. It is a compilation album of live tracks from two of the band's concerts in their 2008 tour, and is the band's first album to have been released in a digipak. It was released in April 2009 to enthusiastic reviews. Craig Harris of Allmusic said the band's "loudly-lauded, energetic live show was captured for posterity" on the album. Adrian Denning gave the album a score of seven and a half out of ten, saying the album is "all in all not quite perfect on record yet Peatbog Faeries just can't help but impress you all the same." Band on the Wall said it "presents the “exciting Peatbogs’ sound” that is thrilling a ...
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Peatbog Faeries
The Peatbog Faeries are a largely instrumental Celtic fusion band. Formed in 1991, they are based in Dunvegan on the Isle of Skye, Scotland. Their music embodies many styles and influences, including folk, electronica, African pop, rock and jazz, although their main influence is traditional Celtic music. The band's unique sound is created through a mix of programmed effects and traditional Celtic arrangements, played on bagpipes, fiddles, and whistles. The band have twice won "Live Band of the Year" at the Scottish Traditional Music Awards and were nominated for "Live Band of the Year" at the BBC Radio 2 folk awards. History The Peatbog Faeries formed in 1991. They recorded and released their debut album '' Mellowosity'' in 1996 on Greentrax Recordings. Two years later they signed to a New York label and recorded their second album, '' Faerie Stories''. Due to problems at the record company the CD was not released for a further two years. For their third album the band set ...
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Celtic Fusion
Celtic fusion is an umbrella term for any modern music which incorporates influences considered "Celtic", or Celtic music which incorporates modern music. It is a syncretic musical tradition which borrows freely from the perceived "Celtic" musical traditions of all the Celtic nations, as well as from all styles of popular music, it is thus sometimes associated with the Pan-Celtic movement. Celtic fusion may or may not include authentic traditional music from any one tradition under the Celtic umbrella, but its common characteristic is the inspiration by Celtic identity. The oldest musical tradition which fits under the label of Celtic fusion originated in the rural American south in the early colonial period and incorporated Scottish, Scots-Irish, Irish, and African American influences. Variously referred to as roots music, American folk music, or old-time music, this tradition has exerted a strong influence on all forms of American music, including country, blues, and rock ...
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Peatbog Records
A bog or bogland is a wetland that accumulates peat as a deposit of dead plant materials often mosses, typically sphagnum moss. It is one of the four main types of wetlands. Other names for bogs include mire, mosses, quagmire, and muskeg; alkaline mires are called fens. A baygall is another type of bog found in the forest of the Gulf Coast states in the United States.Watson, Geraldine Ellis (2000) ''Big Thicket Plant Ecology: An Introduction'', Third Edition (Temple Big Thicket Series #5). University of North Texas Press. Denton, Texas. 152 pp. Texas Parks and Wildlife. Ecological Mapping systems of Texas: West Gulf Coastal Plain Seepage Swamp and Baygall'. Retrieved 7 July 2020 They are often covered in heath or heather shrubs rooted in the sphagnum moss and peat. The gradual accumulation of decayed plant material in a bog functions as a carbon sink. Bogs occur where the water at the ground surface is acidic and low in nutrients. In contrast to fens, they derive mo ...
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What Men Deserve To Lose
''What Men Deserve To Lose'' is the fifth album by Scottish Celtic fusion group Peatbog Faeries, recorded at Skye Recording in Roag on the band's native Isle of Skye in 2007, and was commercially released on 16 July 2007 on the band's own label Peatbog Records, though the album had been sold at festivals, and from the band's website, since 22 June 2007. It is the band's first album to feature Graeme Stafford, who brings what the band described as a "dancey" feel to the album. Following the band's previous album ''Croftwork'' (2005) and its subsequent supporting tour, the band were quick to work on ''What Men Deserve to Lose'', and the gap between the albums is to date the shortest between any of the band's albums. In addition to new member Stafford, the brass section The Wayward Boys return from the previous album. The band had numerous sources of inspiration on the album, including taking inspiration from their surroundings in Skye, and people and places they had encountered in ...
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Dust (Peatbog Faeries Album)
''Dust'' is the sixth studio album by the Scottish Celtic fusion band Peatbog Faeries, released on 8 August 2011 on Peatbog Records, although pre-release copies were released on 20 July 2011 through the band's online shop. Following the band's 2008 tour and subsequent live album, the band's fiddle player Adam Sutherland and drummer Iain Copeland left the band, replaced by Peter Tickell and Stu Haikney respectively whose experience helped stir the band in a new direction. The band set to record ''Dust'' in 2011 with longtime producer Calum MacLean, beginning work in Orbost and concluding work at Cumbernauld College. Haikney brought experimental fiddle techniques to the band, and similarly experimental production techniques, whilst the entire band experimented with various genres of music including African music, funk, reggae, ambient music and electronic music alongside the band's traditional Celtic fusion sound. The brass sound of previous albums also returned. The album was also ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Celtic Fusion
Celtic fusion is an umbrella term for any modern music which incorporates influences considered "Celtic", or Celtic music which incorporates modern music. It is a syncretic musical tradition which borrows freely from the perceived "Celtic" musical traditions of all the Celtic nations, as well as from all styles of popular music, it is thus sometimes associated with the Pan-Celtic movement. Celtic fusion may or may not include authentic traditional music from any one tradition under the Celtic umbrella, but its common characteristic is the inspiration by Celtic identity. The oldest musical tradition which fits under the label of Celtic fusion originated in the rural American south in the early colonial period and incorporated Scottish, Scots-Irish, Irish, and African American influences. Variously referred to as roots music, American folk music, or old-time music, this tradition has exerted a strong influence on all forms of American music, including country, blues, and rock ...
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Digipak
Optical disc packaging is the packaging that accompanies CDs, DVDs, and other formats of optical discs. Most packaging is rigid or semi-rigid and designed to protect the media from scratches and other types of exposure damage. Jewel case A jewel CD case is a compact disc case that has been used since the compact disc was first released in 1982. It is a three-piece plastic case, measuring , a volume of , which usually contains a compact disc along with the liner notes and a back card. Two opposing transparent halves are hinged together to form the casing, the back half holding a media tray that grips the disc by its hole. All three parts are made of injection-moulded polystyrene. The front lid contains two, four, or six tabs to keep any liner notes in place. The liner notes typically will be a booklet, or a single leaf folded in half. In addition, there is usually a back card, , underneath the media tray and visible through the clear back, often listing the track names, s ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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2009 Live Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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