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Literature Of World War I
Literature about World War I is generally thought to include poems, novels and drama; diaries, letters, and memoirs are often included in this category as well. Although the canon continues to be challenged, the texts most frequently taught in schools and universities are lyrics by Siegfried Sassoon and Wilfred Owen; poems by Ivor Gurney, Edward Thomas, Charles Sorley, David Jones and Isaac Rosenberg are also widely anthologised. Many of the works during and about the war were written by men because of the war's intense demand on the young men of that generation; however, a number of women (especially in the British tradition) created literature about the war, often observing the effects of the war on soldiers, domestic spaces, and the homefront more generally. General The spread of education in Britain in the decades leading up to World War I meant that British soldiers and the British public of all classes were literate. Professional and amateur authors were prolific during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English-speaking World
Speakers of English are also known as Anglophones, and the countries where English is natively spoken by the majority of the population are termed the '' Anglosphere''. Over two billion people speak English , making English the largest language by number of speakers, and the third largest language by number of native speakers. England and the Scottish Lowlands, countries of the United Kingdom, are the birthplace of the English language, and the modern form of the language has been being spread around the world since the 17th century, first by the worldwide influence of England and later the United Kingdom, and then by that of the United States. Through all types of printed and electronic media of these countries, English has become the leading language of international discourse and the lingua franca in many regions and professional contexts such as science, navigation and law. The United Kingdom remains the largest English-speaking country in Europe. The United States a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Bridges
Robert Seymour Bridges (23 October 1844 – 21 April 1930) was an English poet who was Poet Laureate from 1913 to 1930. A doctor by training, he achieved literary fame only late in life. His poems reflect a deep Christian faith, and he is the author of many well-known hymns. It was through Bridges's efforts that Gerard Manley Hopkins achieved posthumous fame. Personal and professional life Bridges was born at Walmer, Kent, in England, the son of John Thomas Bridges (died 1853) and his wife Harriett Elizabeth, daughter of the Rev. Sir Robert Affleck, 4th Baronet. He was the fourth son and eighth child. After his father's death his mother married again, in 1854, to John Edward Nassau Molesworth, vicar of Rochdale, and the family moved there. Bridges was educated at Eton College and Corpus Christi College, Oxford. He went on to study medicine in London at St Bartholomew's Hospital, intending to practise until the age of forty and then retire to write poetry. He practised a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teresa Hooley
Teresa Mary Hooley (1888–1973) was an English poet, known in later life as Mrs. F. H. Butler. She is known mostly for her war poem ''A War Film'', about World War I. Biography She was born in Risley, Derbyshire, and (accordingly to a letter from her sold at auction recently) she lived at Goldenbrook Farm in Risley at some point during her life. Teresa Mary Hooley's early life was spent at Risley Lodge, the home of her father Terah Hooley (died 1927), a successful lace manufacturer who built Springfield Mill at Sandiacre, and her mother Mary (died 1928), his second wife. She made her name before the Great War, writing poems in the ''Daily Mirror'' alongside Edith Sitwell – not an admirer of her work. During the war, she presumably had an interest in Spiritualism, since her poem "Christ of the Night" appeared in the ''Occult Review'' in December 1915, on p. 342. Her work was published in a number of collections in the 1920s and 1930s but has largely fallen out of fashion. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Stramm
August Stramm (29 July 1874 – 1 September 1915) was a German war poet and playwright who is considered the first of the expressionists. Stramm's radically experimental verse and his major influence on all subsequent German poetry has caused him to be compared to Ezra Pound, Guillaume Apollinaire, James Joyce, and T.S. Eliot. A reserve officer in the Imperial German Army, Stramm was called up to active service at the outbreak of World War I and was killed in action on the Eastern Front. Jeremy Adler has called August Stramm one of, "the most innovative poets of the First World War." Life Early life August Stramm was born in Münster, Westphalia, in 1874. His father had served in the Prussian Army and had been decorated for bravery during the Franco-Prussian War. According to Patrick Bridgwater, his father's legacy caused the younger Stramm to go through life "with a sense of duty." Stramm gave "a middling performance at school" and later had to gain his abitur through part-t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expressionist
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John McCrae
Lieutenant-Colonel John McCrae (November 30, 1872 – January 28, 1918) was a Canadian poet, physician, author, artist and soldier during World War I, and a surgeon during the Second Battle of Ypres, in Belgium. He is best known for writing the famous war memorial poem "In Flanders Fields". McCrae died of pneumonia near the end of the war. The poem is a threnody, a genre of lament Biography McCrae was born in McCrae House in Guelph, Ontario to Lieutenant-Colonel David McCrae and Janet Simpson Eckford; he was the grandson of Scottish immigrants from Balmaghie, Kirkcudbrightshire. His father had seen action during the Fenian raids, and was a member of the Guelph city council and a director of The North American Life Assurance Company. His brother, Dr. Thomas McCrae, became a professor of medicine at Johns Hopkins Medical School in Baltimore and close associate of Sir William Osler. His sister Geills married James Kilgour, a justice of the Court of King's Bench of Manitoba, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Flanders Fields
"In Flanders Fields" is a war poem in the form of a rondeau, written during the First World War by Canadian physician Lieutenant-Colonel John McCrae. He was inspired to write it on May 3, 1915, after presiding over the funeral of friend and fellow soldier Lieutenant Alexis Helmer, who died in the Second Battle of Ypres. According to legend, fellow soldiers retrieved the poem after McCrae, initially dissatisfied with his work, discarded it. "In Flanders Fields" was first published on December 8 of that year in the London magazine ''Punch''. Flanders Fields is a common English name of the World War I battlefields in Belgium and France. It is one of the most quoted poems from the war. As a result of its immediate popularity, parts of the poem were used in efforts and appeals to recruit soldiers and raise money selling war bonds. Its references to the red poppies that grew over the graves of fallen soldiers resulted in the remembrance poppy becoming one of the world's most recog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Jones (artist-poet)
Walter David Jones CH, CBE (1 November 1895 – 28 October 1974) was a painter and modernist poet of partly Welsh background. As a painter he worked mainly in watercolour on portraits and animal, landscape, legendary and religious subjects. He was also a wood-engraver and inscription painter. In 1965, Kenneth Clark took him to be the best living British painter, while both T. S. Eliot and W. H. Auden put his poetry among the best written in their century. Jones's work gains form from his Christian faith and Welsh heritage. Biography Early life Jones was born at Arabin Road, Brockley, Kent, now a suburb of South East London, and later lived in nearby Howson Road. His father, James Jones, was born in Flintshire in north Wales, to a Welsh-speaking family, but he was discouraged from speaking Welsh by his father, who believed that habitual use of the language might hold his child back in a career. James Jones moved to London to work as a printer's overseer for the ''Christian Heral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Parenthesis
''In Parenthesis'' is an epic poem of the First World War by David Jones first published in England in 1937. Although Jones had been known solely as an engraver and painter prior to its publication, the poem won the Hawthornden Prize and the admiration of writers such as W. B. Yeats and T. S. Eliot. Based on Jones's own experience as an infantryman, ''In Parenthesis'' narrates the experiences of English Private John Ball in a mixed English-Welsh regiment starting with embarkation from England and ending seven months later with the assault on Mametz Wood during the Battle of the Somme. The work employs a mixture of lyrical verse and prose, is highly allusive, and ranges in tone from formal to Cockney colloquial and military slang. Summary In Part 1, Ball and his battalion assemble, march to Southampton, and sail at night across the English Channel. In Part 2, they receive instruction and training and travel towards the front, where Ball has the shattering experience of a long-rang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strange Meeting (poem)
"Strange Meeting" is a poem by Wilfred Owen. It deals with the atrocities of World War I. The poem was written sometime in 1918 and was published in 1919 after Owen's death. The poem is narrated by a soldier who goes to the underworld to escape the hell of the battlefield and there he meets the enemy soldier he killed the day before. This poem has been described as one of Owen's "most haunting and complex war poems". Pararhyme or double consonance is a particular feature of the poetry of Wilfred Owen and also occurs throughout "Strange Meeting" – the whole poem is written in pararhyming couplets. For example: "And by his smile I knew that sullen hall, / By his dead smile I knew we stood in Hell." The pararhyme here links key words and ideas, without detracting from the meaning and solemnity of the poem, as a full rhyme sometimes does. However, the failure of two similar words to rhyme and the obvious omission of a full rhyme creates a sense of discomfort and incompleteness. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futility (poem)
"Futility" is a poem written by Wilfred Owen, one of the most renowned poets of World War I. The poem was written in May 1918 and published as no. 153 in ''The Complete Poems and Fragments''. The poem is well known for its departure from Owen's famous style of including disturbing and graphic images in his work; the poem instead has a more soothing, somewhat light-hearted feel to it in comparison. A previous secretary of the Wilfred Owen Association argues that the bitterness in Owen's other poems "gives place to the pity that characterises his finest work". Futility details an event where a group of soldiers attempts to revive an unconscious soldier by moving him into the warm sunlight on a snowy meadow. However, the "kind old sun" cannot help the soldier - he has died. The titular theme of the poem is claimed to be common to many World War I and World War II war poets and to apply not only to war, but human institutions (including religion) and human existence itself. Noting the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthem For Doomed Youth
"Anthem for Doomed Youth" is a poem written in 1917 by Wilfred Owen. It incorporates the theme of the horror of war. Style Like a traditional Petrarchan sonnet, the poem is divided into an octave and sestet. However, its rhyme scheme is neither that of a Petrarchan nor English sonnet, but irregular: ABABCDCD:EFFEGG. Even its indentations are irregular, not following its own rhyme scheme. Much of the second half of the poem is dedicated to funeral rituals suffered by those families deeply affected by the First World War. The poem does this by following the sorrow of common soldiers in trench warfare, perhaps the battle of the Somme, or Passchendaele. Written between September and October 1917, when Owen was a patient at Craiglockhart War Hospital in Edinburgh recovering from shell shock, the poem is a lament for young soldiers who died in the European War. The poem is also a comment on Owen's rejection of his religion in 1915. Composition While in the hospital, Owen met and b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
