Listed Buildings In Churton By Aldford
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Listed Buildings In Churton By Aldford
Churton by Aldford is a former civil parish, now in the parish of Churton, in Cheshire West and Chester, England. It contains seven buildings that are recorded in the National Heritage List for England as designated listed building In the United Kingdom, a listed building or listed structure is one that has been placed on one of the four statutory lists maintained by Historic England in England, Historic Environment Scotland in Scotland, in Wales, and the Northern Irel ...s, all of which are at Grade II. This grade is the lowest of the three gradings given to listed buildings and is applied to "buildings of national importance and special interest". The parish contained part of the village of Churton, but is otherwise rural. References {{DEFAULTSORT:Churton by Aldford Listed buildings in Cheshire West and Chester Lists of listed buildings in Cheshire ...
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Churton By Aldford
Churton by Aldford is a former civil parish, now in the parish of Churton, in the borough of Cheshire West and Chester and ceremonial county of Cheshire in England. In 2001 it had a population of 136. The parish included the northern part of the village of Churton (the southern part was in the neighbouring parish of Churton by Farndon). It is associated with the nearby Church of England parish of St John the Baptist, Aldford, the nearest place of public worship. Church House Farm (now a collection of private residences called Churchmead) was built in 1682. Land to the north of the village forms part of the Duke of Westminster's Eaton Estate and is largely farmed by Grosvenor Farms. There is one village pub – The White Horse. History The origins for the division of Churton into two townships goes back to the 11th century. It has been suggested that in 1086 Aldford was originally part of the moiety of the manor held by Earl Edwin and Bigot. Churton by Farndon was a moiety ...
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Hip Roof
A hip roof, hip-roof or hipped roof, is a type of roof where all sides slope downwards to the walls, usually with a fairly gentle slope (although a tented roof by definition is a hipped roof with steeply pitched slopes rising to a peak). Thus, a hipped roof has no gables or other vertical sides to the roof. A square hip roof is shaped like a pyramid. Hip roofs on houses may have two triangular sides and two trapezoidal ones. A hip roof on a rectangular plan has four faces. They are almost always at the same pitch or slope, which makes them symmetrical about the centerlines. Hip roofs often have a consistent level fascia, meaning that a gutter can be fitted all around. Hip roofs often have dormer slanted sides. Construction Hip roofs are more difficult to construct than a gabled roof, requiring more complex systems of rafters or trusses. Hip roofs can be constructed on a wide variety of plan shapes. Each ridge is central over the rectangle of the building below it. The t ...
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Mullion
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and ...
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Hugh Grosvenor, 1st Duke Of Westminster
Hugh Lupus Grosvenor, 1st Duke of Westminster, (13 October 1825 – 22 December 1899), styled Viscount Belgrave between 1831 and 1845, Earl Grosvenor between 1845 and 1869, and known as The Marquess of Westminster between 1869 and 1874, was an English landowner, politician and racehorse owner. He inherited the estate of Eaton Hall in Cheshire and land in Mayfair and Belgravia, London, and spent much of his fortune in developing these properties. Although he was a MP from the age of 22, and then a member of the House of Lords, his main interests were not in politics, but rather in his estates, in horse racing, and in country pursuits. He developed the stud at Eaton Hall and achieved success in racing his horses, winning the Derby on four occasions. Personal life Hugh Lupus Grosvenor was the second and eldest surviving son of Richard Grosvenor, 2nd Marquess of Westminster and Lady Elizabeth Leveson-Gower, the younger daughter of George Leveson-Gower, the 2nd Marque ...
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Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ...
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Composite Order
The Composite order is a mixed order, combining the volutes of the Ionic order capital with the acanthus leaves of the Corinthian order.Henig, Martin (ed.), ''A Handbook of Roman Art'', p. 50, Phaidon, 1983, In many versions the composite order volutes are larger, however, and there is generally some ornament placed centrally between the volutes. The column of the composite order is typically ten diameters high, though as with all the orders these details may be adjusted by the architect for particular buildings. The Composite order is essentially treated as Corinthian except for the capital, with no consistent differences to that above or below the capital. The Composite order is not found in ancient Greek architecture and until the Renaissance was not ranked as a separate order. Instead it was considered as an imperial Roman form of the Corinthian order. Though the Arch of Titus, in the forum in Rome and built in 82 AD, is sometimes cited as the first prominent survivin ...
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Cartouche (design)
A cartouche (also cartouch) is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design. Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian . Such cartouches are characteristically stretched, pierced and scrolling. Another cartouche figures prominently in the 16th-century title page of Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects'', framing a minor vignette with a pierced and scrolling papery cartouche. The engraved trade card of the London clockmaker Percy Webster shows a vignette of the shop in a scrolling cartouche frame of Rococo design that is composed entirely of scrolling devices. Gallery Ostia, horrea epagathiana 01.JPG, Roman rectangular cartouche on the frieze of the entrance of Horrea Epagathiana et Epaphroditiana, Ostia, Rome, 145-150 AD Heiligtum mainz4.jpg, Roman rectangular ca ...
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Parapet
A parapet is a barrier that is an extension of the wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. In the Bible the Hebrews are obligated to build a parapet on the roof of their houses to prevent people falling (Deuteronomy 22:8). Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of ...
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Thomas Meakin Lockwood
Thomas Meakin Lockwood (1830 – 15 July 1900) was an English architect whose main works are in and around Chester, Cheshire. He was born in London, and brought up in East Anglia. From 1851 he was articled to Philip Causton Lockwood, the Borough Surveyor of Brighton. He then worked in offices including that of George Woodhouse, and of T. M. Penson in Chester. In 1862 he established an independent practice in Chester. His works are located mainly in Cheshire, Shropshire, and North Wales, his designs being influenced by John Douglas and Norman Shaw. These are frequently either timber-framed, or in brick and stone incorporating Tudor, Elizabethan and Renaissance features. In Cheshire and North Wales, his most important patron was the First Duke of Westminster. Lockwood's most prominent buildings, which stand at Chester Cross, were commissioned by the Duke. They stand on opposite corners at the north end of Bridge Street, and are in contrasting styles. Number ...
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Italianate Architecture
The Italianate style was a distinct 19th-century phase in the history of Classical architecture. Like Palladianism and Neoclassicism, the Italianate style drew its inspiration from the models and architectural vocabulary of 16th-century Italian Renaissance architecture, synthesising these with picturesque aesthetics. The style of architecture that was thus created, though also characterised as "Neo-Renaissance", was essentially of its own time. "The backward look transforms its object," Siegfried Giedion wrote of historicist architectural styles; "every spectator at every period—at every moment, indeed—inevitably transforms the past according to his own nature." The Italianate style was first developed in Britain in about 1802 by John Nash, with the construction of Cronkhill in Shropshire. This small country house is generally accepted to be the first Italianate villa in England, from which is derived the Italianate architecture of the late Regency and early Victorian eras. ...
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Country House
An English country house is a large house or mansion in the English countryside. Such houses were often owned by individuals who also owned a town house. This allowed them to spend time in the country and in the city—hence, for these people, the term distinguished between town and country. However, the term also encompasses houses that were, and often still are, the full-time residence for the landed gentry who ruled rural Britain until the Reform Act 1832. Frequently, the formal business of the counties was transacted in these country houses, having functional antecedents in manor houses. With large numbers of indoor and outdoor staff, country houses were important as places of employment for many rural communities. In turn, until the agricultural depressions of the 1870s, the estates, of which country houses were the hub, provided their owners with incomes. However, the late 19th and early 20th centuries were the swansong of the traditional English country house lifest ...
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