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Listed Buildings In Cheddleton
Cheddleton is a civil parish in the district of Staffordshire Moorlands, Staffordshire, England. It contains 84 listed buildings that are recorded in the National Heritage List for England. Of these, ten are at Grade II*, the middle of the three grades, and the others are at Grade II, the lowest grade. The parish contains the village of Cheddleton, smaller settlements, including the village of Wetley Rocks, and the surrounding area. The Caldon Canal joins its Leek Branch in the parish, and the listed buildings associated with these are bridges, locks, an aqueduct, and mileposts. Also in the parish is the Cheddleton Flint Mill, and its listed buildings consist of watermills, furnaces, sheds, and mill cottages. Most of the other listed buildings are houses, including two country houses An English country house is a large house or mansion in the English countryside. Such houses were often owned by individuals who also owned a town house. This allowed them to sp ...
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Cheddleton
Cheddleton is an ancient parish and village in the Staffordshire Moorlands, near to the town of Leek, Staffordshire, Leek, England. History The village is divided into two distinct communities – the traditional village and the modern Redrow plc, Redrow development located at St. Edward's Park, on the grounds of the old St Edward's Hospital, St. Edward's Psychiatric Hospital. This extensive site has been redeveloped and many of the old listed hospital buildings have been renovated, including the old hospital water tower, the highest building in the surrounding area, which now serves as an impressive private dwelling. The traditional village is served by one shop, three public houses, a veterinary surgery, an off licence and two churches: St Edward's (Anglican) and St Andrew's (Methodist). The modern development has limited amenities, although there is a Latin American cuisine restaurant situated on the canal side, nearby. The village hit the headlines in March 2006 when a fi ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Niche (architecture)
A niche (CanE, or ) in Classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea (AD 64–69) was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedrae; sheathed in dazzling polished white marble, such curved surfaces concentrated or dispersed the daylight. A is a very shallow niche, usually too shallow to contain statues, and may resemble a blind window (a window without openings) or sealed door. (Compare: blind arcade) The word derives from the Latin (), via the French . The Italian '' nicchio'' () may also be involved,OED, "Niche" as the traditional decoration for the top of a niche is a scallop shell, as in the illustration, hence also the alternative term of "conch" for a semi-dome, usually reserved for larger exedra. In Gothic architecture, a niche may be set within a tabernacle framing, like a richly de ...
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Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves (Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying degree ...
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Instruments Of The Passion
Arma Christi ("weapons of Christ"), or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry, and also as the weapons Christ used to achieve his conquest over Satan. There is a group, at a maximum of about 20 items, which are frequently used in Christian art, especially in the Late Middle Ages. Typically they surround either a cross or a figure of Christ of the Man of Sorrows type, either placed around the composition, or held by angels. History The prime member, the Cross, had been introduced to Christian art in the 4th century as the ''crux invicta'', a symbol of victory. As a group they have a long tradition in iconography, dating back to the 9th century; the Utrecht Psalter of 830 is an example, though the only one from the Early Middle Ages known to Gertrud Schiller. This reflected an increase in theological interest in the sufferings of Christ at the ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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William Morris
William Morris (24 March 1834 – 3 October 1896) was a British textile designer, poet, artist, novelist, architectural conservationist, printer, translator and socialist activist associated with the British Arts and Crafts Movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he helped win acceptance of socialism in ''fin de siècle'' Great Britain. Morris was born in Walthamstow, Essex, to a wealthy middle-class family. He came under the strong influence of medievalism while studying Classics at Oxford University, there joining the Birmingham Set. After university, he married Jane Burden, and developed close friendships with Pre-Raphaelite artists Edward Burne-Jones and Dante Gabriel Rossetti and with Neo-Gothic architect Philip Webb. Webb and Morris designed Red House in Kent where Morris lived from 1859 to 1865, before moving t ...
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Churchyard Cross, St Edward's Church, Cheddleton
In Christian countries a churchyard is a patch of land adjoining or surrounding a church, which is usually owned by the relevant church or local parish itself. In the Scots language and in both Scottish English and Ulster-Scots, this can also be known as a kirkyard. While churchyards can be any patch of land on church grounds, historically, they were often used as graveyards (burial places). Use of churchyards as a place of burial After the establishment of the parish as the centre of the Christian spiritual life, the possession of a cemetery, as well as the baptismal font, was a mark of parochial status. During the Middle Ages, religious orders also constructed cemeteries around their churches. Thus, the most common use of churchyards was as a consecrated burial ground known as a graveyard. Graveyards were usually established at the same time as the building of the relevant place of worship (which can date back to the 6th to 14th centuries) and were often used by those fa ...
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Pinnacle
A pinnacle is an architectural element originally forming the cap or crown of a buttress or small turret, but afterwards used on parapets at the corners of towers and in many other situations. The pinnacle looks like a small spire. It was mainly used in Gothic architecture. The pinnacle had two purposes: # Ornamental – adding to the loftiness and verticity of the structure. They sometimes ended with statues, such as in Milan Cathedral. # Structural – the pinnacles were very heavy and often rectified with lead, in order to enable the flying buttresses to contain the stress of the structure vaults and roof. This was done by adding compressive stress (a result of the pinnacle weight) to the thrust vector and thus shifting it downwards rather than sideways. History The accounts of Jesus' temptations in Matthew's and Luke's gospels both suggest that the Second Temple in Jerusalem had one or more pinnacles ( gr, το πτερυγιον του ιερου): :Then he (Satan) br ...
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Crocket
A crocket (or croquet) is a small, independent decorative element common in Gothic architecture. The name derives from the diminutive of the French ''croc'', meaning "hook", due to the resemblance of crockets to a bishop's crosier. Description A crocket is in the form of a stylized carving of curled leaves, buds or flowers which are used at regular intervals to decorate the sloping edges of spires, finials, pinnacles, and wimpergs. As ornaments When used to decorate the capital of columns, these are called crocket capitals. This element is also used as an ornament on furniture and metalwork in the Gothic style. Examples * All Souls College – Oxford * Canterbury Cathedral * Notre Dame Cathedral – Paris * León Cathedral – Spain * Duke Chapel Duke University Chapel is a chapel located at the center of the campus of Duke University in Durham, North Carolina, Durham, North Carolina, United States. It is an ecumenism, ecumenical Christianity, Christian chapel and the cente ...
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Parapet
A parapet is a barrier that is an extension of the wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. In the Bible the Hebrews are obligated to build a parapet on the roof of their houses to prevent people falling (Deuteronomy 22:8). Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of ...
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Embattled
A battlement in defensive architecture, such as that of city walls or castles, comprises a parapet (i.e., a defensive low wall between chest-height and head-height), in which gaps or indentations, which are often rectangular, occur at intervals to allow for the launch of arrows or other projectiles from within the defences. These gaps are termed " crenels" (also known as ''carnels'', or ''embrasures''), and a wall or building with them is called crenellated; alternative (older) terms are castellated and embattled. The act of adding crenels to a previously unbroken parapet is termed crenellation. The function of battlements in war is to protect the defenders by giving them something to hide behind, from which they can pop out to launch their own missiles. A defensive building might be designed and built with battlements, or a manor house might be fortified by adding battlements, where no parapet previously existed, or cutting crenellations into its existing parapet wall. A d ...
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