List Of Works By Leonardo Da Vinci
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List Of Works By Leonardo Da Vinci
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists. Only around eight major works—''The Adoration of the Magi'', '' Saint Jerome in the Wilderness'', the Louvre ''Virgin of the Rocks'', ''The Last Supper'', the ceiling of the Sala delle Asse, '' The Virgin and Child with Saint Anne and Saint John the Baptist'', '' The Virgin and Child with Saint Anne'' and the ''Mona Lisa''—are universally attributed to him, and have aroused little or no controversy in the past. Ten additional works are now widely attributed to his ''oeuvre'', though most have previously incited considerable controversy or doubt: the ''Annunciation'', ''Madonna of the Carnation'', '' The Baptism of Christ'' (with his teacher, Verrocchio), ''Ginevra de' Benci'', the ''Benois Madonna'', the ''Portrait of a Musician'' (with possible studio assistance), the ''Lady with an Ermine'', ''La Belle Ferronnière'', th ...
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Virgin Of The Rocks
The ''Virgin of the Rocks'' ( it, Vergine delle rocce), sometimes the ''Madonna of the Rocks'', is the name of two paintings by the Italian Renaissance artist Leonardo da Vinci, of the same subject, with a composition which is identical except for several significant details. The version generally considered the prime version, the earlier of the two, is unrestored and hangs in the Louvre in Paris. The other, which was restored between 2008 and 2010, hangs in the National Gallery, London. The works are often known as the Louvre ''Virgin of the Rocks'' and London ''Virgin of the Rocks'' respectively. The paintings are both nearly 2 metres (over 6 feet) high and are painted in oils. Both were originally painted on wooden panels, but the Louvre version has been transferred to canvas. Both paintings show the Mary and child Jesus with the infant John the Baptist and an angel Uriel, in a rocky setting which gives the paintings their usual name. The significant compositional differences ...
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Annunciation (Leonardo)
The ''Annunciation'' is a painting widely attributed to the Italian Renaissance artist Leonardo da Vinci, dated to . Leonardo's earliest extant major work, it was completed in Florence while he was an apprentice in the studio of Andrea del Verrocchio. The painting was made oil and tempera on a large poplar panel and depicts the Annunciation, a popular biblical subject in 15th-century Florence. Since 1867 it has been housed in the Uffizi in Florence, the city where it was created. Though the work has been criticized for inaccuracies in its composition, it is among the best known portrayals of the Annunciation in Christian art. Description The subject matter of the work is drawn from Luke 1.26–39. It depicts the angel Gabriel announcing to Mary that she would conceive miraculously and give birth to a son to be named Jesus and called "the Son of God", whose reign would never end. The subject of the annunciation was very popular for contemporaneous artworks painted in Christian cou ...
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Manuscripts
A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand – or, once practical typewriters became available, typewritten – as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include ''any'' written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same. Before the arrival of printing, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures, or illustrations. Terminology The study of the writing in surviving manuscripts, the "hand", is termed palaeography (or paleography). The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS., ms or ms. for singular, and MSS., mss or mss. for plu ...
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Lost Works
A lost work is a document, literary work, or piece of multimedia produced some time in the past, of which no surviving copies are known to exist. It can only be known through reference. This term most commonly applies to works from the classical world, although it is increasingly used in relation to modern works. A work may be lost to history through the destruction of an original manuscript and all later copies. Works—or, commonly, small fragments of works—have survived by being found by archaeologists during investigations, or accidentally by anybody, such as, for example, the Nag Hammadi library scrolls. Works also survived when they were reused as bookbinding materials, quoted or included in other works, or as palimpsests, where an original document is imperfectly erased so the substrate on which it was written can be reused. The discovery, in 1822, of Cicero's ''De re publica'' was one of the first major recoveries of a lost ancient text from a palimpsest. Another famou ...
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Unfinished Creative Work
An unfinished creative work is a painting, novel, musical composition, or other creative work, that has not been brought to a completed state. Its creator may have chosen not to finish it, or may have been prevented from doing so by circumstances beyond their control, such as death. Such pieces are often the subject of speculation as to what the finished piece would have been like had the creator completed the work. Sometimes artworks are finished by others and released posthumously. Unfinished works have had profound influences on their genres and have inspired others in their own projects. The term can also refer to ongoing work which could eventually be finished (i.e. the creator is still living) and is distinguishable from "incomplete work", which can be a work that was finished but is no longer in its complete form. There are many reasons that a work is not completed. Works are usually stopped when their creator dies, although some, aware of their failing health, make sure t ...
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Procrastination
Procrastination is the action of unnecessarily and voluntarily delaying or postponing something despite knowing that there will be negative consequences for doing so. The word has originated from the Latin word ''procrastinatus'', which itself evolved from the prefix ''pro-'', meaning "forward," and ''crastinus'', meaning "of tomorrow." Oftentimes, it is a habitual human behaviour. It is a common human experience involving delay in everyday chores or even putting off salient tasks such as attending an appointment, submitting a job report or academic assignment, or broaching a stressful issue with a partner. Although typically perceived as a negative trait due to its hindering effect on one's productivity often associated with depression, low self-esteem, guilt and inadequacy, it can also be considered a wise response to certain demands that could present risky or negative outcomes or require waiting for new information to arrive. From a cultural and a social perspective, studen ...
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Salvator Mundi (Leonardo)
''Salvator Mundi'' () is a painting attributed in whole or in part to the Italian High Renaissance artist Leonardo da Vinci, dated to . Long thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in a major exhibition of Leonardo's work at the National Gallery, London, in 2011–2012. Christie's claimed just after selling the work that most leading scholars consider it to be an original work by Leonardo, but this attribution has been disputed by other leading specialists, some of whom propose that he only contributed certain elements; and others who believe that the extensive damage prevents a definitive attribution. The painting depicts Christ in an anachronistic blue Renaissance dress, making the sign of the cross with his right hand, while holding a transparent, non-refracting crystal orb in his left, signaling his role as ''Salvator Mundi'' and representing the 'celestial sphere' of the heavens. Approximately thirty co ...
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La Scapigliata
''La Scapigliata'' () is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated . Painted in oil, umber, and white lead pigments on a small poplar wood panel, its attribution remains controversial, with several experts attributing the work to a pupil of Leonardo. The painting has been admired for its captivating beauty, mysterious demeanor, and mastery of sfumato. There is no real consensus on the subject, date, history, or purpose of the painting. It shows an unidentified woman gazing downward while her hair fills the frame behind her. Many theories regarding the subject have been proposed: that it is a sketch for an uncompleted painting of Saint Anne; a study for the London version of the ''Virgin of the Rocks'' or Leonardo's lost painting of ''Leda and the Swan''; or a painting left deliberately unfinished for its aesthetic value. The painting was recorded in the sale in 1826 of Gaetano Callani's collection to the ...
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Portrait Of Isabella D'Este (Leonardo)
The ''Portrait of Isabella d'Este'' is a drawing (and possible painting) by Leonardo da Vinci which was executed between 1499 and 1500. It depicts Isabella d'Este, Marchioness of Mantua. During the Italian Wars of 1499–1504 The Italian Wars of 1499-1504 are divided into two connected, but distinct phases: the Second Italian War (1499–1501), sometimes known as Louis XII's Italian War, and the Third Italian War (1502-1504) or War over Naples. The first phase was ..., the French invaded Italy which caused Leonardo to flee from Milan toward Mantua. There he had met Isabella, where she commissioned her portrait from him. Whether Leonardo completed the portrait is unknown. There is evidence through letters of the time that he held a fully completed painting of her but they are vague in describing it. It is possible that the painting was lost to time or that it was in fact never completed at all. A version of the portrait in oils on canvas was found in a collection in Switzerla ...
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Lady With An Ermine
The ''Lady with an Ermine'' ; pl, Dama z gronostajem). It is sometimes known as the ''Portrait of Cecilia Gallerani'', the ''Portrait of an Unknown Woman'', the ''Lady with a Ferret'', or the ''Lady with a Marten''., group=n is a portrait painting widely attributed to the Italian Renaissance artist Leonardo da Vinci. Dated to , the work is painted in oils on a panel of walnut wood. Its subject is Cecilia Gallerani, a mistress of Ludovico Sforza ("Il Moro"), Duke of Milan; Leonardo was painter to the Sforza court in Milan at the time of its execution. It is the second of only four surviving portraits of women painted by Leonardo, the others being '' Ginevra de' Benci'', ''La Belle Ferronnière'' and the ''Mona Lisa''. ''Lady with an Ermine'' is now housed at the Czartoryski Museum in Kraków, and is one of Poland's national treasures. It is part of the Princes Czartoryski Collection, which was sold for €100 million (5% of the estimated market value of the entire coll ...
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Benois Madonna
The ''Benois Madonna'', otherwise known as the ''Madonna and Child with Flowers'', is a painting by the Italian Renaissance master Leonardo da Vinci in the Hermitage Museum, Saint Petersburg. One of two Madonnas begun by Leonardo in October 1478, it was completed 1478–1480; the other was the ''Madonna of the Carnation'', now in the Alte Pinakothek, Munich. History It is likely that the ''Benois Madonna'' was the first work painted by Leonardo independently from his master Andrea del Verrocchio. Two of Leonardo's preliminary sketches for this work are in the British Museum, although the painting was probably overpainted by other hands. The preliminary sketches and the painting itself suggest that Leonardo was concentrating on the idea of sight and perspective. The child is thought to be guiding his mother's hands into his central vision. (subscription required) The ''Benois Madonna'' has proved to be one of Leonardo's most popular works. It was extensively copied by young pai ...
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Ginevra De' Benci
''Ginevra de' Benci'' is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born ). Exhibited at the National Gallery of Art in Washington, D.C., it is the only painting by Leonardo on public view in the Americas. Subject Ginevra de' Benci, a well-known young Florentine woman, is universally considered to be the portrait's sitter. Leonardo painted the portrait in Florence between 1474 and 1478, possibly to commemorate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. More likely, it commemorates the engagement. Commonly, contemporary portraits of females were commissioned for either of two occasions: betrothal or marriage. Wedding portraits traditionally were created in pairs, with the woman on the right, facing left; since this portrait faces right, it more likely represents betrothal. The juniper bush that surrounds Ginevra's head and fills much of the background, serves more than mere decorative pu ...
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