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List Of Works By Harold Pinter
Works of Harold Pinter provides a list of Harold Pinter's stage and television plays; awards and nominations for plays; radio plays; screenplays for films; awards and nominations for screenwriting; dramatic sketches; prose fiction; collected poetry; and awards for poetry. It augments a section of the main article on this author. Stage and television plays *''The Room'' (1957) *'' The Birthday Party'' (1957) *''The Dumb Waiter'' (1957) *''A Slight Ache'' (1958) *''The Hothouse'' (1958) *''The Caretaker'' (1959) *'' A Night Out'' (1959) *''Night School'' (1960) *'' The Dwarfs'' (1960) *''The Collection'' (1961) *'' The Lover'' (1962) *''Tea Party'' (1964) *''The Homecoming'' (1964) *'' The Basement'' (1966) *''Landscape'' (1967) *''Silence'' (1968) *''Old Times'' (1970) *''Monologue'' (1972) *''No Man's Land'' (1974) *''Betrayal'' (1978) *''Family Voices'' (1980) *''A Kind of Alaska'' (1982) *'' Victoria Station'' (1982) *'' One for the Road'' (1984) *''Mountain Language'' (1988) * ...
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Harold Pinter
Harold Pinter (; 10 October 1930 – 24 December 2008) was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years. His best-known plays include '' The Birthday Party'' (1957), '' The Homecoming'' (1964) and '' Betrayal'' (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include '' The Servant'' (1963), ''The Go-Between'' (1971), '' The French Lieutenant's Woman'' (1981), '' The Trial'' (1993) and '' Sleuth'' (2007). He also directed or acted in radio, stage, television and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined ...
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Old Times
''Old Times'' is a play by the Nobel Laureate Harold Pinter. It was first performed by the Royal Shakespeare Company at the Aldwych Theatre in London on 1 June 1971. It starred Colin Blakely, Dorothy Tutin, and Vivien Merchant, and was directed by Peter Hall. The play was dedicated to Hall to celebrate his 40th birthday. Peter Hall also directed the Broadway première, which opened at the Billy Rose Theater in New York City on 16 November 1971, starring Robert Shaw, Rosemary Harris and Mary Ure; and a year later, the German language première of the play at the Burgtheater in Vienna, with Maximilian Schell, Erika Pluhar and Annemarie Düringer. In February 2007 Hall returned again to the play directing a new production with his Theatre Royal, Bath company. ''Old Times'' was ranked among the 40 greatest plays ever written by Paul Taylor and Holly Williams of ''The Independent'', and described as one of Pinter's "most haunting and unnerving pieces". List of characters (With or ...
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Party Time (play)
Party Time or Partytime may refer to: * ''Party Time'' (The Heptones album), 1977 * ''Party Time'' (Arnett Cobb album), 1959 * "Party Time" (T.G. Sheppard song), 1981 *''Party Time? ''Party Time?'' is an EP by rapper Kurtis Blow Kurtis Walker (born August 9, 1959), professionally known by his stage name Kurtis Blow, is an American rapper, singer, songwriter, record/film producer, b-boy, DJ, public speaker and minister ...'', a 1983 EP by Kurtis Blow *'' Partytime!'', a 1998 special promotional CD release by Gloria Estefan * ''PartyTime'' (album), the Cheeky Girls' debut album * "Partytime" (song), a 1984 single by 45 Grave * ''Party Time'' (ClariS album), 2014 * ''Party Time'' (TV series), an Australian television series {{disambiguation ...
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Royal Court Theatre
The Royal Court Theatre, at different times known as the Court Theatre, the New Chelsea Theatre, and the Belgravia Theatre, is a West End theatre#London's non-commercial theatres, non-commercial West End theatre in Sloane Square, in the Royal Borough of Kensington and Chelsea, London, England. In 1956 it was acquired by and remains the home of the English Stage Company, which is known for its contributions to contemporary theatre and won the Europe Theatre Prize, Europe Prize Theatrical Realities in 1999. History The first theatre The first theatre on Lower George Street, off Sloane Square, was the converted Nonconformist Ranelagh Chapel, opened as a theatre in 1870 under the name The New Chelsea Theatre. Marie Litton became its manager in 1871, hiring Walter Emden to remodel the interior, and it was renamed the Court Theatre. Several of W. S. Gilbert's early plays were staged here, including ''Randall's Thumb'', ''Creatures of Impulse'' (with music by Alberto Randegger), ...
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Ariel Dorfman
Vladimiro Ariel Dorfman (born May 6, 1942) is an Argentine-Chilean- American novelist, playwright, essayist, academic, and human rights activist. A citizen of the United States since 2004, he has been a professor of literature and Latin American Studies at Duke University, in Durham, North Carolina, since 1985. Background and education Dorfman was born in Buenos Aires on May 6, 1942, the son of Adolf Dorfman, who was born in Odessa (then Russian Empire) to a well-to-do Jewish family, and became a prominent Argentine professor of economics and the author of ''Historia de la Industria Argentina'', and Fanny Zelicovich Dorfman, who was born in Kishinev of Bessarabian Jewish descent. Shortly after his birth, they moved to the United States, where he spent his first ten years of childhood in New York until his family was forced to relocate due to political tensions. His family eventually settled in Chile in 1954. He attended and later worked as a professor at the University of ...
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Death And The Maiden (play)
''Death and the Maiden'' is a 1990 play by Chilean playwright Ariel Dorfman. The world premiere was staged at the Royal Court Theatre in London on 9 July 1991, directed by Lindsay Posner. It had one reading and one workshop production prior to its world premiere. Characters * Paulina Salas — thirty-eight years old * Gerardo Escobar — her husband, a lawyer, around forty-five * Roberto Miranda — a doctor, around fifty The time is the present and the place, a country that is probably Chile but could be any country that has given itself a democratic government just after a long period of dictatorship. Synopsis Paulina Salas is a former political prisoner in an unnamed Latin American country who had been raped by her captors, led by a sadistic doctor whose face she never saw. The rapist doctor played Schubert's String Quartet No. 14, subtitled ''Death and the Maiden'', during the act of rape; hence the play's title. Years later, after the (also unnamed) repressive regi ...
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The New World Order (play)
New World Order may refer to: * New World Order (conspiracy theory), believing in plans for a totalitarian world government Books * ''The New World Order'' (Wells book), a 1940 book * ''The New World Order'' (Robertson book), 1991, a conspiracy theory of Christian persecution * ''The New World Order of Islam'', (Urdu: ''Nizam-e-Nau''), a 1942 address by Ahmadiyya Mirza Mahmood Ahmad * ''The Gulf Crisis and the New World Order'', a 1990 book by Mirza Tahir Ahmad * ''The New World Order'', a 1990 book by A. Ralph Epperson about a Masonic conspiracy theory * ''The New World Order'', a 2004 science fiction novel by Ben Jeapes Films * ''New World Order'' (film), a 2009 American documentary * '' Captain America: New World Order'', an upcoming 2024 superhero film in the Marvel Cinematic Universe Music * ''The New World Order'' (album), 1996, by Poor Righteous Teachers * ''New World Order'' (album), 1997, by Curtis Mayfield * "New World Order", a song by Megadeth from ''Thir ...
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Mountain Language
''Mountain Language'' is a one-act play written by Harold Pinter, first published in '' The Times Literary Supplement'' (TLS) on 7–13 October 1988. It was first performed at the Royal National Theatre in London on 20 October 1988 with Michael Gambon and Miranda Richardson. Subsequently, it was published by Faber and Faber (UK) and Grove Press (USA). ''Mountain Language'' lasts about 25 minutes in production. It was most recently performed as part of Theatre of Menace(2016)'' at the Smock Alley Theatre in Dublin, starring Alisa Belonogina, Paul Carmichael, Lana O'Kell, Jaime Peacock, Louis Tappenden and Natasha Ryan Background According to a letter from Pinter to '' The Times Literary Supplement'', where it was first published and advertised, that publication's "advertisement . . . stat ngthat the play was 'inspired' by inter'strip to Turkey with Arthur Miller and is a "parable about torture and the fate of the Kurdish people ug:كۇردلار Kurds ( ku, ک� ...
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One For The Road (Pinter Play)
''One for the Road'' is an overtly political one-act play by Harold Pinter, which premiered at Lyric Studio, Hammersmith, in London, on 13 March 1984, and was first published by Methuen in 1984. Pinter's ''One for the Road'' is not to be confused with the Willy Russell play of the same name. Background ''One for the Road'', considered Pinter's "statement about the human rights abuses of totalitarian governments", was inspired, according to Antonia Fraser, by reading on May 19, 1983, Jacobo Timerman's ''Prisoner Without a Name, Cell Without a Number'', a book about torture on Argentina's military dictatorship; later, in January 1984, he got to write it after an argument with two Turkish girls at a family birthday party on the subject of torture. The year following the publication, Pinter would visit Turkey with Arthur Miller "to investigate allegations of the torture and persecution of Turkish writers"; as he explains further in his interview with Nicholas Hern, "A Play ...
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Victoria Station (play)
''Victoria Station'' is a short play for two actors by the English playwright Harold Pinter. Summary ''Victoria Station'' consists of a radio dialogue between a minicab controller (or dispatcher) and a driver (#274) who is stopped by the side of "a dark park" in Crystal Palace, supposedly waiting further instructions. The stage directions ''Lights up on office''. CONTROLLER ''sitting at microphone'' and ''Lights up on'' DRIVER ''in car'' (45) alternate between these settings. The controller attempts to instruct the driver to pick up a client from Victoria Station, but the driver declines to move, focusing on his current client (who is apparently unmoving, perhaps even dead, in the back seat). The Controller's mood shifts through various degrees of mystification towards irritation and then possibly compassion masking some more nefarious intention of what to do with this Driver. Lasting fewer than ten minutes, the play's tone is mostly comic, as the Controller becomes more and ...
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A Kind Of Alaska
''A Kind of Alaska'' is a one-act play written in 1982 by British playwright Harold Pinter. Summary A middle-aged woman named Deborah, who has been in a comatose state for thirty years as a result of contracting "sleepy sickness," encephalitis lethargica, awakes with a mind still that of a sixteen-year-old. She must confront a body which seems to have aged without her prior knowledge or consent. Her sister Pauline and Pauline's husband, Hornby, who has been Deborah's devoted doctor over these three decades and who may have fallen in love with her, attempt gently to ease her back to her current reality, while withholding some of the more jarring information. Deborah reawakens to a changed world, attempting to take what appear to her to be rather shocking revelations in graceful stride, but ends the play with the ironic observation about her sister and brother-in-law that can only go so far towards accepting the realities that they have allowed her to know. Speaking of Pauline ...
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Family Voices
''Family Voices'' is a radio play by Harold Pinter written in 1980 and first broadcast on BBC Radio 3 on 22 January 1981. Summary ''Family Voices'' exposes the story of a mother, son, and dead husband and father through a series of letters that the mother and son have written to one another and that each speaks aloud. The son has moved off to the city and is surrounded by odd characters and circumstances. The mother, who apparently never receives her son's letters, questions angrily why her son never responds to her letters, and brings news of his father's death. Towards the end of the play, the father speaks as it were from the grave, "Just to keep in touch" (81). A series of interlocking monologues spoken by three Voices (One, Two, and Three), ''Family Voices'' exposes themes involving difficulties of communication, the vicissitudes of memory and the past, and family dysfunction familiar from Pinter's other dramatic works, employing some of Pinter's well-known stylistic t ...
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