List Of Submissions To The 34th Academy Awards For Best Foreign Language Film
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List Of Submissions To The 34th Academy Awards For Best Foreign Language Film
This is a list of submissions to the 34th Academy Awards for Best Foreign Language Film. The Academy Award for Best Foreign Language Film was created in 1956 by the Academy of Motion Picture Arts and Sciences to honour non-English-speaking films produced outside the United States. The award is handed out annually, and is accepted by the winning film's director, although it is considered an award for the submitting country as a whole. Countries are invited by the Academy to submit their best films for competition according to strict rules, with only one film being accepted from each country. For the 34th Academy Awards, thirteen films were submitted in the category Academy Award for Best Foreign Language Film. Argentina, Austria and Switzerland submitted films for the first time. France and Italy both failed to be nominated for the first time since the introduction of the competitive award. The highlighted titles were the five nominated films, which came from Denmark, Japan, Mexi ...
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Academy Award For Best Foreign Language Film
The Academy Award for Best International Feature Film (known as Best Foreign Language Film prior to 2020) is one of the Academy Awards handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences (AMPAS). It is given to a feature-length motion picture produced outside the United States with a predominantly non-English dialogue track.80th Academy Awards – Special Rules for the Best Foreign Language Film Award
. . Retrieved November 2, 2007.
When the first Academy Awards ceremony was held on May 16, 1929, to honor fil ...
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Andrew Marton
Andrew Marton (born Endre Marton; 26 January 1904 – 7 January 1992) was a Hungarian-American film director. In his career, he directed 39 films and television programs, and worked on 16 as a second unit director, including the chariot race in '' Ben Hur'' (1959). Life and career Marton was born in Budapest, Hungary. After high-school graduation in 1922 he was taken by Alfréd Deésy to Vienna to work at Sascha-Film, mostly as an assistant editor. After a few months, he rose the attention of director Ernst Lubitsch, who convinced him to try Hollywood. Marton returned to Europe in 1927, and worked as the main editor of the Tobis company in Berlin, and later as an assistant director in Vienna. He directed his ''Two O'Clock in the Morning'', first feature film, in 1929 in Great Britain. He joined a German expedition to Tibet in 1934, where he filmed ''Demon of the Himalayas''. Marton cited that he was Jewish as a reason that the film could not be released with his name as directo ...
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Luis García Berlanga
Luis García-Berlanga Martí (12 June 1921 – 13 November 2010) was a Spanish film director and screenwriter. Acclaimed as a pioneer of modern Spanish cinema, his films are marked by social satire and acerbic critiques of Spanish culture under the Francoist dictatorship. Life and career When he was young, Berlanga decided to study law and then philosophy, but in 1947 he decided to enter the Institute of Cinematographic Investigations and Experiences (Instituto de Investigaciones y Experiencias Cinematográficas) in Madrid. In his youth he enrolled in the Blue Division in the Eastern Front of World War II to avoid his father's execution as a Republican politician. His debut as a film director in 1951 was with the film ''That Happy Couple'' in which he worked with Juan Antonio Bardem. With Bardem, he is considered to be one of Spanish film renovators after the Spanish Civil War. Among his films are several concerning Spanish film history, such as '' Welcome Mr. Marshall!'' or ' ...
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Plácido (film)
''Plácido'' is a 1961 Spanish black comedy film directed by Luis García Berlanga. It was nominated to the Academy Award as Best Foreign Language Film. It was also entered into the 1962 Cannes Film Festival. Plot In a small provincial town, a group of "pious" women who are fond of ostentatiously practicing charity organize a Christmas campaign under the motto "Feed a poor man at your table." In order to support the initiative, the sponsorship of a pot brand is sought and a group of second-rate artists who have come expressly from the capital and are received enthusiastically at the train station are invited. The humanitarian day is completed with a colorful parade, a public auction of the guests and a dramatic radio broadcast. The person in charge of organizing this lavish chain of events is Quintanilla, who has hired Plácido for the occasion, a poor man who must utilize the motorcycle car that he has just acquired and has not yet begun to pay on. The hectic activity in which P ...
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Gerardo De León
Gerardo de León, National Artist of the Philippines, ONA (September 12, 1913 – July 25, 1981), was a Philippines, Filipino film director and actor. Biography De León, who was born Gerardo Ilagan, was a member of the Ilagan clan of Philippine motion pictures, which includes Robert Arevalo, Conrado Conde, Angel Esmeralda, Eddie Ilagan, musical scorer Tito Arévalo, and his daughter Liberty Ilagan. De León was a medical doctor by profession, but his ultimate love for film won him over. He made his acting debut in the 1934 film ''Ang Dangal''. He acted in eight other films before becoming a director. The first film he directed was ''Bahay-Kubo'' (1939), starring Fely Vallejo, an actress whom he later married. De Leon produced a number of anti-American propaganda films during World War Two, in collaboration with the occupying Japanese forces and Japanese director Abe Yutaka, who personally chose De Leon for the projects. De Leon was arrested and charged with treason after the Jap ...
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The Moises Padilla Story
''The Moises Padilla Story'' is a 1961 Philippine bio-pic directed by Gerardo de León. The film was selected as the Philippine entry for the Best Foreign Language Film at the 34th Academy Awards, but was not accepted as a nominee. The film is a biography of a Negros Occidental mayoral candidate who in 1951, was tortured and murdered by the private army of the provincial governor after he had refused to withdraw his candidacy. The film is still extant and has been restored in 4K resolution by the Philippine Film Archive and Central Digital Lab in 2022. The restored version was premiered on September 2, 2022, in celebration of the Philippine Film Industry Month. Cast * Leopoldo Salcedo as Moises Padilla * Joseph Estrada as The Killer * Lilia Dizon * Ben Perez * Oscar Roncal * Max Alvarado * Rosa Aguirre * Robert Arevalo Robert Ylagan Arevalo (; born May 6, 1938) is a Filipino film and television actor. Personal life Arevalo is the son of Filipino film actor/composer/musici ...
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Ismael Rodríguez
Ismael Rodríguez (October 19, 1917 – August 7, 2004) was a Mexican film director. Rodríguez rose to fame due to the movies he directed starring Pedro Infante, and directed many major stars, including Dolores del Río, María Félix, Toshiro Mifune, Jorge Negrete, Sara García, Luis Aguilar, Tito Guízar, Gloria Marín, Carmelita González, Antonio Aguilar, Columba Domínguez or Flor Silvestre. He directed the film '' Ánimas Trujano'' (1961) for which he was nominated for an Oscar for Best Foreign Language Film. Rodríguez's most renowned international film is ''Tizoc'', in which Pedro Infante starred alongside María Félix. For this role, Infante won the Silver Bear for Best Actor at the 7th Berlin International Film Festival The 7th annual Berlin International Film Festival was held from 21 June to 2 July 1957. The International Federation of Film Critics awarded FIPRESCI Award for the first time this year. The Golden Bear was awarded to the American film ''1 ...
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Ánimas Trujano (film)
''Ánimas Trujano'' (''El hombre importante'') (''The Important Man'') is a 1962 Mexican drama film directed by Ismael Rodríguez, based on a novel by Rogelio Barriga Rivas. It stars Toshiro Mifune, Columba Domínguez, Flor Silvestre, and Antonio Aguilar. The film was nominated for an Academy Award for Best Foreign Language Film. Plot The film's setting is a town in Oaxaca during the festival of its patron saint, for which the church appoints a layman as ''mayordomo'' or steward, an honor that in effect is gained by being able to organize and cover the high costs of most of the saint's local festivities. The post is however very coveted by the locals as it is socially prestigious. Ánimas Trujano (Mifune, dubbed by Narciso Busquets) is a drunken, irresponsible peasant who abuses his children and does nothing while his long-suffering wife supports the family. Obsessed with earning the respect which is denied to him by his peers as a result of his behavior, Trujano aims to be ...
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Keisuke Kinoshita
was a Japanese film director and screenwriter. Ronald Berganbr>"A satirical eye on Japan: Keisuke Kinoshita" ''The Guardian'', 5 January 1999. While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s. Among his best known films are ''Carmen Comes Home'' (1951), Japan's first colour feature, '' Tragedy of Japan'' (1953), ''Twenty-Four Eyes'' (1954), '' You Were Like a Wild Chrysanthemum'' (1955), '' Times of Joy and Sorrow'' (1957), '' The Ballad of Narayama'' (1958), and '' The River Fuefuki'' (1960). Biography Early years Keisuke Kinoshita was born Masakichi Kinoshita on 5 December 1912, in Hamamatsu, Shizuoka Prefecture, as the fourth of eight children of merchant Shūkichi Kinoshita and his wife Tama. His family manufactured pickles and owned a grocery store. A film fan already in early years, he vowed ...
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Immortal Love
''Immortal Love'' ''Bitter Spirit'' ( ja, 永遠の人, Eien no hito, The eternal person) is a 1961 Japanese drama film written and directed by Keisuke Kinoshita. It was nominated for the Academy Award for Best Foreign Language Film. Masakazu Tamura made his official debut in the film. Plot Over a time span of 30 years, the film tells the story of Sadako, who is pressured into a marriage with Heibei, the crippled war veteran son of the local landlord, although she loves Takashi, a young man from the same village. Takashi later marries Tomoko, but neither he nor Sadako can forget their past mutual affection. Cast * Hideko Takamine as Sadako *Keiji Sada as Takashi *Tatsuya Nakadai as Heibei *Nobuko Otowa as Tomoko, Takashi's wife *Akira Ishihama as Yutaka, Takashi's son * Yukiko Fuji as Naoko, Sadako's daughter * Kiyoshi Nonomura as Rikizo, Takashi's brother *Yoshi Katō as Sojiro, Sadako's father * Yasushi Nagata as Heizaemon, Heibei's father * Torahiko Hamada as Mr. Koshinuma * ...
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Michelangelo Antonioni
Michelangelo Antonioni (, ; 29 September 1912 – 30 July 2007) was an Italian filmmaker. He is best known for directing his "trilogy on modernity and its discontents"—''L'Avventura'' (1960), ''La Notte'' (1961), and ''L'Eclisse'' (1962)—as well as the English-language film '' Blow-up'' (1966), all considered masterpieces of world cinema. His films have been described as "enigmatic and intricate mood pieces" that feature elusive plots, striking visual composition, and a preoccupation with modern landscapes. His work substantially influenced subsequent art cinema. Antonioni received numerous awards and nominations throughout his career, being the only director to have won the Palme d'Or, the Golden Lion, the Golden Bear and the Golden Leopard. Early life Antonioni was born into a prosperous family of landowners in Ferrara, Emilia Romagna, in northern Italy. He was the son of Elisabetta ( née Roncagli) and Ismaele Antonioni. The director explained to Italian f ...
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La Notte
''La Notte'' (; en, "The Night") is a 1961 drama film directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti (with Umberto Eco appearing in a cameo). Filmed on location in Milan, the film is the relationship between a disillusioned novelist and his frustrated wife as it follows a single day and night where they confront their alienation from each other and the empty Milan circles they travel. The film continues Antonioni's tradition of abandoning traditional storytelling in favor of visual composition. Grossing 470 million lire and receiving acclaim for its exploration of modernist themes of isolation, ''La Notte'' received the Golden Bear at the Berlin International Film Festival (first time for Italian film), as well as the David di Donatello Award for Best Director in 1961. ''La Notte'' is considered the central film of a trilogy beginning with '' L'Avventura'' (1960) and ending with '' L'Eclisse'' (1962). It was one of Sta ...
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