List Of Pieces Which Use The Octatonic Scale
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List Of Pieces Which Use The Octatonic Scale
Compositions using the octatonic scale: *Radiohead ::"Just" (1995). Jonny Greenwood plays a series of OCT02 scales on the guitar during the intro (0:06-0:16) and each chorus (0:55-1:05, 1:44-1:55, 2:47-3:09)Victoria Malawey, “Ear Training with the Music of Radiohead.” Indiana Theory Review, vol. 30, no. 2, 2012, pp. 27–64. JSTOR, http://www.jstor.org/stable/24045402. *Béla Bartók ::Harvest Song (Ara táskor) Violin Duo # 33 * Frederic Chopin ::Ballade No. 1 in G Minor, Op. 23 : (bars 130-132) ::Etude in F Minor, Op. 10, No. 9: (bars 28-30) * Charles Ives ::The Unanswered Question (solo trumpet part) *Julian Cochran ::Piano Sonata No. 1 (1st mov.) Stephen Pleskun, ''A Chronology History of Australian Composers and Their Compositions - Vol. 4 1999-2013'' (Publisher Xlibris Corporation, 2014, , 9781493135370) :: ''Fire Dance'' :: Animation Suite, ''Tin Sentinel'' :: Animation Suite, ''Clockwork Doll'' :: Trio for violin, oboe and piano, ''Artemis'' (2nd mov.) :: Prel ...
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Octatonic Scale
An octatonic scale is any eight-note musical scale. However, the term most often refers to the symmetric scale composed of alternating whole and half steps, as shown at right. In classical theory (in contrast to jazz theory), this symmetrical scale is commonly called the ''octatonic scale'' (or the ''octatonic collection''), although there are a total of 42 enharmonically non-equivalent, transpositionally non-equivalent eight-note sets. The earliest systematic treatment of the octatonic scale was in Edmond de Polignac's unpublished treatise "Étude sur les successions alternantes de tons et demi-tons (Et sur la gamme dite majeure-mineure)" (''Study of the Succession of Alternating Whole Tones and Semitones (and of the so-called Major-Minor Scale)'') from c. 1879, which preceded Vito Frazzi's ''Scale alternate per pianoforte'' of 1930 by a full half-century. Nomenclature In Saint Petersburg at the turn of the 20th century, this scale had become so familiar in the circle of comp ...
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Peter Van Der Merwe (musicologist)
Peter van der Merwe was born in Cape Town, South Africa. He is a self-taught musicologist, author, and librarian. He has written several books on the history of modern popular and classical music. He studied at the College of Music at the University of Cape Town. He also works as a cataloguer at the municipal library in Pietermaritzburg. Bibliography *(1989). ''Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music''. Oxford: Clarendon Press. . *(2005) ''Roots of the Classical: the Popular Origins of Western Music''.ref>see a review by Richard Taruskin, published in the Music & Letters JournaVol. 88, No. 1 (Feb., 2007), pp. 134-139 as it is available via JSTOR website References

South African musicologists Year of birth missing (living people) South African College of Music alumni Living people Musicians from Cape Town Afrikaner people South African people of Irish descent South African people of Dutch descent Place of birth missing (living people ...
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Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ...
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Piano Piece, Op
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ...
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Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941. Schoenberg's approach, bοth in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, hi ...
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Sadko (musical Tableau)
''Sadko'', Op. 5, is a ''Tableau musical'', or ''Musical picture'', by Nikolai Rimsky-Korsakov, written in 1867 and revised in 1869 and 1892. It is sometimes called the first symphonic poem written in Russia.Rimsky-Korsakov, ''My Musical Life'', 79 ft. 21. It was first performed in 1867 at a concert of the Russian Musical Society (RMS), conducted by Mily Balakirev. Rimsky-Korsakov later wrote an opera of the same name which quotes freely from the earlier work.Taruskin, R. Sadko. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. From the tone poem the composer quoted its most memorable passages in the opera, including the opening theme of the swelling sea, and other themes as leitmotifs – he himself set out to "utilize for this opera the material of my symphonic poem, and, in any event, to make use of its motives as leading motives for the opera". Overview Scenario Sadko (russian: Садко) was a legendary hero of a Russian ''bylina'' (a traditio ...
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Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the ''Russian Easter Festival Overture'', and the symphonic suite ''Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical ...
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Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the d ...
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Sonata For Violoncello And Piano
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is oft ...
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Zoltán Kodály
Zoltán Kodály (; hu, Kodály Zoltán, ; 16 December 1882 – 6 March 1967) was a Hungarian composer, ethnomusicologist, pedagogue, linguist, and philosopher. He is well known internationally as the creator of the Kodály method of music education. Life Born in Kecskemét, Hungary, Kodály learned to play the violin as a child. In 1900, he entered the Department of Languages at the University of Budapest and at the same time Hans von Kössler's composition class at the Royal Hungarian Academy of Music. After completing his studies, he studied in Paris with Charles Widor for a year. In 1905 he visited remote villages to collect songs, recording them on phonograph cylinders. In 1906 he wrote a thesis on Hungarian folk song, "Strophic Construction in Hungarian Folksong". At around this time Kodály met fellow composer and compatriot Béla Bartók, whom he took under his wing and introduced to some of the methods involved in folk song collecting. The two became lifelong friends ...
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Andrew Keeling
Andrew Keeling is a classical composer. Works Andrew Keeling has written music for the likes of Opus 20 (Meditatio 1989), Het Trio (Distant Skies, Mountains and Shadows 1992), The Hilliard Ensemble (O Ignis Spiritus 1993), The Apollo Saxophone Quartet (Wrestling with Angels 1993), the BBC Philharmonic Orchestra (Upon the Edge of Autumn 1994), Evelyn Glennie (Concerto Nekyia 1995), The Goldberg Ensemble (Hidden Streams 1995), Fretwork (Afterwords 1999), Virelai (With How Sad Steps, O Moon 2000), Jacob Heringman (Black Sun 2001), Gothic Voices (Powered by Joy 2002), Matthew Wadsworth (MirAre 2002), Catherine King and Jacob Heringman (Eye of Heart... 2002), Alison Wells and Ian Mitchell (Pirate Things 2006) and many others. Some of Keeling's music has appeared on CD releases distributed by the Discipline Global Mobile, Burning Shed, and Riverrun record labels, as well as being performed and broadcast worldwide. It is published by Faber, PRB, Staunch and Alto Publications. Since th ...
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Red (King Crimson Album)
''Red'' is the seventh studio album by English progressive rock band King Crimson. It was released on 6 October 1974 through Island Records in the United Kingdom and Atlantic Records in North America and Japan. The album was recorded at Olympic Studios in London in July and August 1974, and produced by the band themselves. The track "Providence" was a free improvisation recorded at their 30 June 1974 concert at the Palace Theater in the city of the same name. Parts of some of the pieces were conceived during previous improvisations performed by the band live. " Starless" was originally considered for their previous album, ''Starless and Bible Black'' (1974), but was deemed incomplete at the time. The lengthy version included on this album was refined and performed during concerts throughout 1974. ''Red'' is a progressive rock album with a noticeably heavier sound than their previous albums; it was later called one of the 50 "heaviest albums of all time" by '' Q''. This was achi ...
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