List Of Number-one Singles In 1968 (New Zealand)
This is a list of Number 1 hit singles in 1968 in New Zealand, starting with the first chart dated, 19 January 1968. Chart External links The Official NZ Music Chart, RIANZ website {{Rianz 1968 in New Zealand 1968 record charts 1968 The year was highlighted by protests and other unrests that occurred worldwide. Events January–February * January 5 – " Prague Spring": Alexander Dubček is chosen as leader of the Communist Party of Czechoslovakia. * Janu ... 1960s in New Zealand music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Young Girl (song)
"Young Girl" is a RIAA million-selling Gold-certified single that was written, composed, and produced by Jerry Fuller and performed by Gary Puckett & The Union Gap with instrumental backing by members of " The Wrecking Crew." It was released in 1968. People also say that it is a song about making the best time out of a broken heart. The song hit No. 2 on the ''Billboard'' Hot 100 for three weeks, stuck behind "(Sittin' On) The Dock of the Bay" by Otis Redding for the first week and "Honey" by Bobby Goldsboro for the remaining two. It also hit No. 1 on the UK Singles Chart and the US ''Cash Box'' listing. It reached No. 34 on the US Easy Listening. It reached No. 2 in South Africa. In the UK, "Young Girl" was re-released in 1974 as part of a CBS Records series entitled "Hall of Fame Hits", and enjoyed a second UK chart run, peaking at No. 6. Lyrics The song is sung from the point of view of a man who has become distressed upon finding out that the girl he is with, contrary to t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
The Cowsills
The Cowsills are an American singing group from Newport, Rhode Island, six siblings noted for performing professionally and singing harmonies at an early age, later with their mother. The band was formed in early 1965 by brothers Bill, Bob, and Barry Cowsill; their brother John joined shortly thereafter. Originally Bill and Bob played guitar and Barry played the drums. When John learned to play drums and joined the band, Barry began playing bass. After their initial success, the brothers were joined by their siblings Susan and Paul along with their mother, Barbara. A seventh sibling, Bob's fraternal twin brother Richard, was never part of the band during its heyday, although he occasionally appeared with them in later years. The band's road manager for most of their career was Richard "Biggie" Korn. When the group expanded to its full family membership by 1967, the six siblings ranged in age from 8 to 19. Joined by their mother, Barbara Cowsill (née Russell), the group inspire ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Angel Of The Morning
"Angel of the Morning" is a popular song written by Chip Taylor, originally recorded by Evie Sands, but first charting by Merrilee Rush. The song has been covered by many artists including P. P. Arnold, Connie Eaton, Mary Mason, Guys 'n' Dolls, Melba Montgomery, Olivia Newton-John, Bettye Swann and, most recognizably, by Juice Newton. Origins, the original recording, and subsequent versions The song was composed in 1967 by Chip Taylor, who said of it: "I wrote 'Angel of the Morning' after hearing The Rolling Stones song 'Ruby Tuesday (song), Ruby Tuesday' on the car radio when I was driving into New York City. I wanted to capture that kind of passion." "Angel of the Morning" was originally offered to Connie Francis, but she turned it down because she thought that the love affair lyrical message was too risqué for her image. Taylor produced the first recording of the song with Evie Sands, but the financial straits of Cameo-Parkway Records, which had Sands on their roster, led ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Merrilee Rush
Merrilee Rush ( Gunst; January 26, 1944) is an American singer, best known for her recording of the song "Angel of the Morning", a top-10 hit which earned her a Grammy nomination for female vocalist of the year in 1968. Early life and career Rush was born in Seattle, Washington to Reuben and Edith Gunst. Her father was a home-builder. She grew up in north Seattle, and studied classical piano from a young age. In 1960, she auditioned and became the singer for the Amazing Aztecs, a Seattle-area rock & roll band led by saxophone player Neil Rush, whom she would later marry. The two went on to form Merrilee and Her Men, doing mostly cover versions of pop hits, and then joined rhythm and blues group Tiny Tony and the Statics, whose regional hit "Hey Mrs. Jones", on the Bolo label, featured Rush's keyboard playing and vocals. Merrilee Rush and the Turnabouts In 1965, the pair formed Merrilee Rush and the Turnabouts, who soon became a popular act on the Pacific Northwest's teen d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Yummy, Yummy, Yummy
"Yummy Yummy Yummy" is a song by Arthur Resnick and Joey Levine, first recorded by Ohio Express in 1968. Their version reached No. 4 on the U.S. Pop Singles chart in June and No. 5 on the UK Singles Chart. It has since been covered by many artists. Ohio Express was a studio concoction and none of the "official" members appear on the record. Joey Levine sang lead vocals. ''Time'' Magazine included it in its 2011 list of songs with silly lyrics. It ranked No. 2 in ''Dave Barry's Book of Bad Songs''. The single's flip-side, titled "Zig-Zag", is an instrumental version of the 1910 Fruitgum Company's "(Poor Old) Mr. Jensen" played in reverse. Later uses "Yummy Yummy Yummy" has been used in the films ''Super Size Me'', ''Cloudy with a Chance of Meatballs 2'', and ''Fear and Loathing in Las Vegas''. In television, the song has been used on ''The Simpsons'' in the episodes " Itchy & Scratchy: The Movie" and "The Heartbroke Kid"; in the ''Monty Python's Flying Circus'' episode "How N ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
The Ohio Express
The Ohio Express is an American bubblegum pop band formed in Mansfield, Ohio, in 1967. Though marketed as a band, it would be more accurate to say that the name "Ohio Express" served as a brand name used by Jerry Kasenetz's and Jeffry Katz's Super K Productions to release the music of a number of different musicians and acts. The best known songs of Ohio Express (including their best scoring single, "Yummy Yummy Yummy") were actually the work of an assemblage of studio musicians working in New York, including singer/songwriter Joey Levine. Other recorded "Ohio Express" work included material recorded by an early group of Joe Walsh, as well as a later single written and sung by Graham Gouldman (which was performed by the four musicians who would later be known as 10cc). A band previously known as Sir Timothy and the Royals was renamed "The Ohio Express" and hired to promote the singles by appearing at all live performances. This is the same group photographed on the record covers ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Jumpin' Jack Flash
"Jumpin' Jack Flash" is a song by the English rock band the Rolling Stones, released as a non-album single in 1968. Called "supernatural Delta blues by way of Swinging London" by ''Rolling Stone'' magazine, the song was perceived by some as the band's return to their blues roots after the baroque pop and psychedelia heard on their preceding albums ''Aftermath'' (1966) (which did feature some blues songs), ''Between the Buttons'' (1967) and especially ''Their Satanic Majesties Request'' (1967). One of the group's most popular and recognisable songs, it has featured in films and been covered by numerous performers, notably Thelma Houston, Aretha Franklin, Tina Turner, Peter Frampton, Johnny Winter, Leon Russell and Alex Chilton. To date, it is the band's most-performed song: they have played it over 1,100 times in concert. It is one of their most popular songs, and it is on ''Rolling Stone''s 500 Greatest Songs of All Time list. It is also, according to Acclaimed Music, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Rolling Stones
The Rolling Stones are an English Rock music, rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the album era, rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger–Richards, Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Simple Image
The Simple Image was a New Zealand rock band that was popular in the 1960s. They achieved four top ten hits including a chart topper with the song, "Spinning, Spinning, Spinning". The original members were Barry Leef on guitar and lead vocals, Ron (Cass) Gascoigne on bass guitar and vocals, Harry Leki on lead guitar and vocals, and Gordon Wylie on drums. There was a lineup change in the late 1960s bringing in Doug Smith on lead vocals and Bruce Walker on keyboards and vocals. The band moved to Australia in July 1969. After a short stint at "Lucifers" nightclub, they took up residency at The Whiskey A Go Go in Kings Cross Sydney. The original drummer left and was replaced by Wayne Allen from Christchurch, NZ. Doug Smith was replaced by original lead Vocalist Barry Leef. After 20 months, the band dissolved. Singles * "Two Kinds Of Lovers"/"Summer Wine" ''#11'' ZMarch 1968 * "Spinning Spinning Spinning"/"Shy Boy" ''#1'' ZJuly 1968 * "Little Bell That Cried"/"I Wanna Go To Hea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Lazy Sunday (Small Faces Song)
"Lazy Sunday" is a song by the English band Small Faces, which reached number two on the UK Singles Chart in 1968. It was written by the Small Faces songwriting duo Steve Marriott and Ronnie Lane, and appeared on the band's 1968 concept album ''Ogdens' Nut Gone Flake''. Against the band's wishes, it preceded the album as a single release. Song information "Lazy Sunday" has a traditional cockney East End of London music-hall sound. The song was inspired by Marriott's feuds with his neighbours and is also noticeable for its distinct vocal changes. Marriott sings large parts of the song in a greatly exaggerated cockney accent, partly due to an argument he had with the Hollies, who said that Marriott had never sung in his own accent. In the final bridge and the last two choruses, he reverts to his usual transatlantic (singing) accent. John Lydon cited the Small Faces as one of his few influences as vocalist for the Sex Pistols, and evidence of Marriott's influence can be found in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |